Gary Holt

From prolific metal guitarist and songwriter for Exodus (and formerly Slayer) Gary Holt comes an entertaining and deeply personal memoir of Holt's "destruction-laden" life, along with a firsthand account of the genesis of the Thrash Metal scene, from its origins in the Bay Area to its world dominationSince exploding out of the Bay Area heavy metal scene in the 1980s, thrash metal has made its way to every corner of the globe, conquering worldwide charts with every passing year. As the guitarist and primary songwriter of Exodus, and as an originator of the subgenre and one of its fiercest proponents, Gary Holt watched as his peers-Metallica, Megadeth, Slayer, Anthrax-soared to superstardom. As his fellow artists amassed millions of fans and record sales, Exodus' albums received critical recognition and inspired generations of listeners but struggled to reach the same heights of success, as the band was plagued by years of bad management, bad luck, and bad decision-making. In A FABULOUS DISASTER, Holt shares a deeply personal account of what it was like to "live fast, play fast, and crash hard" as thrash metal dominated the globe. Holt's "destruction-laden farce" follows our narrator through the highest of highs and lowest of lows as he and his bandmates juggle major label contracts, MTV-sponsored tours and festivals, growing addictions to alcohol and meth, and the loss of key founding members. In the throes of addiction, Holt's own fall from grace is swift; one year, he's playing on the MTV Headbanger's Ball Tour with Anthrax and Helloween, and the next, he's struggling to find minimum wage jobs as he battles drugs, divorce, and the dissolution of his creative prospects. Ultimately, after the tragic death of one of his closest friends and former bandmates-Holt decides that enough is enough and realizes the only one who can save him is himself. Newly sober and determined to resurrect his career, he commits himself to Exodus, pushing the band to new heights. He then joins Slayer, one of metal's biggest bands, and plays massive venues around the world, including Madison Square Garden. After Slayer's unexpected retirement, Holt devotes his attention full-time to Exodus once again, recording and playing with more passion than ever before. An "unadulterated odyssey through decades of insanity," punctuated by Holt's unique insight and knack for storytelling, A FABULOUS DISASTER is a thrill ride from start to finish. His story proves that redemption-even from the pits of rock 'n' roll excess-is always possible.

Now the basis for the new podcast “Back Stage: The Devil in Metal” from Diversion Podcasts & iHeartRadio, get in line for Raising Hell From the author of the celebrated classic Louder Than Hell comes an oral history of the badass Heavy Metal lifestyle—the debauchery, demolition, and headbanging dedication—featuring metalhead musicians from Black Sabbath and Judas Priest to Twisted Sister and Quiet Riot to Disturbed, Megadeth, Throwdown and more. In his song “You Can’t Kill Rock and Roll” Ozzy Osbourne sings, “Rock and roll is my religion and my law.” This is the mantra of the metal legends who populate Raising Hell—artists from Black Sabbath, Judas Priest, Slipknot, Slayer, and Lamb of God to Twisted Sister, Quiet Riot, Disturbed, Megadeth, and many more! It’s also the guiding principle for underground voices like Misery Index, Gorgoroth, Municipal Waste, and Throwdown. Through the decades, the metal scene has been populated by colorful individuals who have thwarted convention and lived by their own rules. For many, vice has been virtue, and the opportunity to record albums and tour has been an invitation to push boundaries and blow the lid off a Pandora’s box of riotous experiences: thievery, vandalism, hedonism, the occult, stage mishaps, mosh pit atrocities, and general insanity. To the figures in this book, metal is a means of banding together to stick a big middle finger to a society that had already decided they didn’t belong. Whether they were oddballs who didn’t fit in or angry kids from troubled backgrounds, metal gave them a sense of identity. Drawing from 150-plus first-hand interviews with vocalists, guitarists, bassists, keyboardists, and drummers, music journalist Jon Wiederhorn offers this collection of wild shenanigans from metal’s heaviest and most iconic acts—the parties, the tours, the mosh pits, the rage, the joy, the sex, the drugs . . . the heavy metal life! Horns up!