Gary Hoppenstand

Adventure fiction is one of the easiest narrative forms to recognize but one of the hardest to define because of its overlap with many other genres. This collection of essays attempts to characterize adventure fiction through the exploration of key elements--such as larger-than-life characters and imperialistic ideas--in the genre's 19th- and 20th-century British and American works like The Scarlet Pimpernel by Orczy and Captain Blood by Sabatini. The author explores the cultural and literary impact of such works, presenting forgotten classics in a new light.

Unlike many horror fiction and fantasy writers, Clive Barker is true to the literary heritage of the genre. Though aware of the importance of entertainment in his writing, he embraces the traditional formulas of horror fiction and builds upon them, all the while alluding to the works of Dante, Poe, Mary Shelley, and others. The complexity of Barker's writing is best evidenced in the six volume Books of Blood. Many of these short stories are entertaining "hair raisers," yet they do not revel in gratuitous violence, instead relying on style and a masterful sense of language to entertain. This detailed study analyzes the significant themes in Barker's writing, placing him in the British Gothic tradition of Marlowe, Saki and others.

"Oh, I wish I were anywhere but here, anywhere out of this redtape-ridden world of ours! I wish I were in the planet Mars!" Whisked away to the legendary red planet, the intrepid Lieutenant Gullivar Jones is caught up in the adventure of a lifetime. To win the love of a beautiful princess, he fights his way across a dying and savage planet of desolate cities, lost races, utopian societies, and the haunting and unforgettable River of Death. This classic, influential tale of Mars, written in the utopian tradition of H. G. Wells's The Time Machine, is also considered a possible inspiration for the immortal Barsoom of Edgar Rice Burroughs. Both reflective and imaginative, Gullivar of Mars celebrates the acuity and storytelling power of science fiction writers of the early twentieth century and continues to influence writers and to entertain readers today. This commemorative edition includes the full text of the classic 1905 edition, a new introduction by Richard A. Lupoff, an illustration by Thomas Floyd, and an afterword by Gary Hoppenstand.

The finest tale ever written of fabled Atlantis, The Lost Continent is a sweeping, fiery saga of the last days of the doomed land. Atlantis, at the height of its power and glory, is without equal. It has established far-flung colonies in Egypt and Central America, and its mighty navies patrol the seas. The priests of Atlantis channel the elemental powers of the universe, and a powerful monarch rules from a staggeringly beautiful city of pyramids and shining temples clustered around a sacred mountain. Mighty Atlantis is also decaying and corrupt. Its people are growing soft and decadent, and many live in squalor. Rebellion is in the air, and prophecies of doom ring forth. Into this epic drama of the end of time stride two memorable characters: the warrior-priest Deucalion, stern, just, and loyal, and the Empress Phorenice, brilliant, ambitious, and passionate. The old and new Atlantis collide in a titanic showdown between Deucalion and Phorenice, a struggle that soon affects the destiny of an entire civilization.

Just before sailing off to war in the Sudan, British guardsman Harry Feversham quits his regiment. He immediately receives four white feathers-symbols of cowardice-one each from his three best friends and his fianc e. To disprove this grave dishonor, Harry dons an Arabian disguise and leaves for the Sudan, where he anonymously comes to the aid of his three friends, saving each of their lives. Having proved his bravery, Harry returns to England, hoping to regain the love and respect of his fianc e. This suspenseful tale movingly depicts a distinctive code of honor that was deeply valued and strongly promoted by the British during the height of their imperial power. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.