Gayatri Chakrav Spivak

This collection offers a broad range of Spivak’s recent essays, lectures, and other writings that speak to her groundbreaking work in feminism, deconstruction, Marxism, and subaltern studies. The pieces collected in Spivak Moving touch on a variety of topics, including her crucial thinking on pan-Africanism and W. E. B. DuBois, reproductive heteronormativity, art and film, class apartheid in education, practices of institutional critique, and the training of imaginative activism through a sustained engagement with the humanities. She moves from a look at the unsystematized first languages of continental Africa into a broader consideration of human rights, international civil society practice, the question of terror, the “freedom” of the academic, and the place of the digital. About half the essays are collected here for the first time and are not found in Spivak’s several published essay collections.

A collection that brings together Spivak’s wide-ranging writings on translation for the first time. Living Translation offers a powerful perspective on the work of distinguished thinker and writer Gayatri Chakravorty Spivak, revealing how, throughout her long career, she has made translation a central concern of the comparative humanities. Starting with her landmark “Translator’s Preface” to Jacques Derrida’s Of Grammatology in 1976, and continuing with her foreword to Mahasweta Devi’s Draupadi and afterword to Devi’s Chotti MundaandHis Arrow, Spivak has tackled questions of translatability. She has been interested in interrogating the act of translation from the ground up and at the political limit. She sees at play at border checkpoints, at sites of colonial pedagogy, in acts of resistance to monolingual regimes of national language, at the borders of minor literature and schizo-analysis, in the deficits of cultural debt and linguistic expropriation, and, more generally, at theory’s edge, which is to say, where practical criticism yields to theorizing in untranslatables. This volume also addresses how Spivak’s institution-building as director of comparative literature at the University of Iowa—and in her subsequent places of employment—began at the same time. From this perspective, Spivak takes her place within a distinguished line-up of translator-theorists who have been particularly attuned to the processes of cognizing in languages, all of them alive to the coproductivity of thinking, translating, writing.

On a second wave of anti-colonial revolutions. State and Capital reign over the Age of Sorrow. We face inequality, pandemics, ethnocide, climate crisis, and mass extinction. Our desire for security and power governs us as State. Our desire for possessions governs us as Capital. Our desires imprison and rule us beings as Unbeing. Yet, from Nagaland to New Zealand, Bhutan to Bolivia, a second wave of anti-colonial revolutions has begun. Arising from assemblies of humans and other-than-humans, these revolutions replace possessive individualism with non-exploitative interdependence. Naga elders, Bhutanese herders and other indigenous communities, feminists, poets, seers, yaks, cranes, vultures, and fungi haunt this pamphlet. The original Subaltern Studies narrated how Indian peasant communities destroyed the British empire. Subaltern Studies 2.0 prophesies the multi-being demos and liberates Being from Unbeing. Re-kin, Re-nomad, Re-animate, Re-wild! The Animist Revolution has come.

Mahasweta Devi is one of India's foremost literary figures. Mother of 1084 is one of her most widely read works, written during the height of the Naxalite agitation - a militant communist uprising that was brutally repressed by the Indian government and led to the widespread murder of young rebels across Bengal. This novel focuses on the trauma of a mother who awakens one morning to the shattering news that her son is lying dead in the morgue and her struggle to understand his decision to be a Naxalite. Breast Stories is a collection of short fiction about the breast as more than a symbol of beauty, eroticism, or motherhood, but as a harsh indictment of an exploitative social system and a weapon of resistance. At a time when violence towards women in India has escalated exponentially, Devi exposes the inherently vicious systems in Indian society. Old Women tells the touching, poignant tales of two timeworn women - Dulali, a widow since childhood, who is now an old woman preoccupied only with day-to-day survival, and Andi, who loses her eyesight due to a combination of poverty, societal indifference, and government apathy. All three volumes, written in Devi's hard-hitting yet sensitive prose, are significant milestones in India's feminist literary landscape.