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Geoff Dyer
Kirjat ja teokset yhdessä paikassa: 44 kirjaa, julkaisuja vuosilta 2004–2027, suosituimpiin kuuluu Paris Trance: A Romance. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.
"May be the best book ever written about jazz."--David Thomson, Los Angeles Times In eight poetically charged vignettes, Geoff Dyer skillfully evokes the music and the men who shaped modern jazz. Drawing on photos, anecdotes, and, most important, the way he hears the music, Dyer imaginatively reconstructs scenes from the embattled lives of some of the greats: Lester Young fading away in a hotel room; Charles Mingus storming down the streets of New York on a too-small bicycle; Thelonious Monk creating his own private language on the piano. However, music is the driving force of But Beautiful, and wildly metaphoric prose that mirrors the quirks, eccentricity, and brilliance of each musician's style.
Born in 1958, the only child of a dinner lady and a sheet-metal worker, Geoff Dyer grew up in a world shaped by memories of shortages and the Second World War. It was a time of Airfix models, wargames, conkers and frugality: Geoff's father splurges on a mono record player - before imposing a blockade on buying records. But far from being a story of hardship overcome, Homework is a celebration of opportunities afforded to Dyer's generation. A grammar-school education leads to books, prog rock (on a new stereo), girls, beer and, eventually, a place at Oxford. He would go on to embrace a life his parents could barely recognise. In Homework, Dyer returns to the source and asks what it means to live through an era of complex social transformation.
'Moving, atmospheric, truthful, perceptive and hilariously funny' Tessa Hadley'An irresistible writer' Richard FordBorn in 1958, the only child of a dinner lady and a sheet-metal worker, Geoff Dyer grew up in a world shaped by memories of shortages and the Second World War. But far from being a story of hardship overcome, Homework is a celebration of opportunities afforded by the post-war settlement. It captures his time at primary school - discovering the tactile delights of Airfix, the combative seasons of conkers and plagues of verrucas at the local swimming baths. Then, at eleven, comes the crux, the exam that decided the future of generations of British school kids: splitting them between secondary modern and grammar schools. One of the lucky winners, Dyer goes to Cheltenham Grammar School to face the tribulations of teenage life - sport, gig-going, romantic fumblings, fights (well, getting punched in the face) - and other misadventures a place where he develops a love of literature (and beer and prog rock). At the threshold of university, Dyer gets his first intimations that a short geographical journey - just forty miles up the A40 - might drastically change the trajectory of his life. Recalling an eroded but strangely resilient England, Homework traces roots that extend into the deep foundations of class society. dyer carries us back, with characteristic comic affection, to the joys and lingering questions of every childhood, and asks what it means to live through an era of intense transformation.
Could it be that our deepest desire is for it all to be over? A book about the end of days from the award-winning author of Out of Sheer Rage and Yoga for People Who Can't Be Bothered to Do It
One of Esquire's best books of spring 2022An extended meditation on late style and last works from "one of our greatest living critics" (Kathryn Schulz, New York). How and when do artists and athletes know that their careers are coming to an end? What if the end comes early in a writer's life? How to keep going even as the ability to do so diminishes? In this ingeniously structured investigation, Geoff Dyer sets his own encounter with late middle age against the last days and last works of writers, painters, musicians, and sports stars who've mattered to him throughout his life. With playful charm and penetrating intelligence, he considers Friedrich Nietzsche's breakdown in Turin, Bob Dylan's reinventions of old songs, J. M. W. Turner's proto-abstract paintings of blazing light, Jean Rhys's late-life resurgence, and John Coltrane's final works. Ranging from Burning Man to Beethoven, from Eve Babitz to William Basinski, and from Annie Dillard to Giorgio de Chirico, Dyer's study of last things is also a book about how to go on living with art and beauty--and the sudden rejuvenation offered by books, films, and music discovered late in life. Praised by Kathryn Schulz as "one of our greatest living critics, not of the arts but of life itself," and by Tom Bissell as "perhaps the most bafflingly great writer at work in the English language today," Dyer has now blended criticism, memoir, and badinage of the most serious kind into something entirely new. The Last Days of Roger Federer is a summation of Dyer's passions and the perfect introduction to his sly and joyous work.
'Wide-ranging and eclectic' TLS'Seductively curious' Observer'A visual and intellectual journey' HeraldSee/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugène Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.
See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugène Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising. Following Dyer's previous books on photography, The Ongoing Moment and The Street Philosophy of Garry Winogrand, See/Saw brilliantly combines visual scrutiny and stylistic flair. It shows us how a photograph can simultaneously record and invent the world, and reveals a master seer at work. In the spirit of the intellectual curiosity of Berger, Sontag and Didion, Geoff Dyer helps us to see the world around us, and within us, afresh.
The story concerns a young married woman, the former Constance Reid Lady Chatterley, whose upper-class husband, Sir Clifford Chatterley, described as a handsome, well-built man, is paralysed from the waist down due to a Great War injury. In addition to Clifford's physical limitations, his emotional neglect of Constance forces distance between the couple. Her emotional frustration leads her into an affair with the gamekeeper, Oliver Mellors. The class difference between the couple highlights a major motif of the novel, which is the unfair dominance of intellectuals over the working class. The novel is about Constance's realization that she cannot live with the mind alone; she must also be alive physically. This realization stems from a heightened sexual experience that Constance has only felt with Mellors, suggesting that love can only happen with the element of the body, not just the mind.
«Nordlyset gjorde seg ikke gjeldende den natten, altså natten vi kom. Jeg sier ’den natten’, men vi befant oss i landet for den evige natt, den norske sjels mørke natt som kom til å vare minst en måned til.» Denne boksingelen, som altså har handling fra Norge og Svalbard, er hentet fra Geoff Dyers kommende bok på norsk, Vi er her for å dra et annet sted, en samling reiseessays.
Garry Winogrand—along with Diane Arbus and Lee Friedlander—was one of the most important photographers of the 1960s and 1970s, as well as one of the world’s foremost street photographers. Award-winning writer Geoff Dyer has admired Winogrand’s work for many years. Modeled on John Szarkowski’s classic book Atget, The Street Philosophy of Garry Winogrand is a masterfully curated selection of one hundred photographs from the Winogrand archive at the Center for Creative Photography, with each image accompanied by an original essay. Dyer takes the viewer/reader on a wildly original journey through both iconic and unseen images from the archive, including eighteen previously unpublished color photographs. The book encompasses most of Winogrand’s themes and subjects and remains broadly faithful to the chronological and geographical facts of his life, but Dyer’s responses to the photographs are unorthodox, eye-opening, and often hilarious. This inimitable combination of photographer and writer, images and text, itself offers what Dyer claims for Winogrand’s photography—an education in seeing.
SHORTLISTED FOR STANFORD DOLMAN TRAVEL BOOK OF THE YEARFrom a trip to The Lightning Field in New Mexico, to chasing Gauguin's ghost in French Polynesia, White Sands is a creative exploration of why we travel. Episodic, wide-ranging and funny, Geoff Dyer blends travel writing, essay, criticism and fiction with a smart and cantankerous wit that is unmatched. From one of the most original writers in Britain, this is a book for armchair travellers and procrastinating philosophers everywhere.
The Missing of the Somme has become a classic meditation upon war and remembrance. It weaves a network of myth and memory, photos and films, poetry and sculptures, graveyards and ceremonies that illuminate our understanding of, and relationship to, the Great War.
Geoff Dyer er en av de absolutt ledende engelskspråklige essayistene, og en hvis innflytelse griper langt inn i de skjønnlitterære rekker. Han er en av flere hvis skrivevirke er med på å viske ut skillene mellom romanen og essayet. Helt siden debuten med Ways of telling, om arbeidet til forfatter John Berger, har Dyer gått fram og tilbake mellom sjangrene, eller man kunne også sagt: stått stille midt i mellom dem. Denne boksingelen inneholder to av tekstene fra essaysamlingen Det jeg egentlig ville si (2016).
Sitting down to write a book about his hero D. H. Lawrence, Geoff Dyer finds himself compelled to write about anything else. He is in fact compelled to do more or less anything else instead of write. In Sicily he is too preoccupied by his hatred of seafood to follow the great writer's footsteps; in Mexico he cannot get beyond a drug-induced erotic fantasy on a nudist beach . . . And yet, incredibly, this attempt to write a 'sober academic study' reveals the hold Lawrence and his work still exert on us today. Out of Sheer Rage is a complete one-off, a richly comic study of the combination of bad temper, procrastination and the uncanny power of obliquity.
Jeff Atman, a journalist, is in Venice to cover the opening of the Biennale. He's expecting to see a load of art, go to a lot of parties and drink too many bellinis. He's not expecting to meet the spellbinding Laura, who will completely transform his few days in the city. So begins a story of erotic love and spiritual learning that will reach its conclusion amidst the ghats of Varanasi.
Alive with insight, wit and Dyer's characteristic irreverence, this collection of essays offers a guide around the cultural maze, mapping a route through the worlds of literature, art, photography and music. Besides exploring what it is that makes great art great, Working the Room ventures into more personal territory with extensive autobiographical pieces - 'On Being an Only Child', 'Sacked' and 'Reader's Block', among other gems. Dyer's breadth of vision and generosity of spirit combine to form a manual for ways of being in - and seeing - the world today.
In November 2011, Geoff Dyer fulfilled a childhood dream of spending time on an aircraft carrier. Dyer's stay on the USS George Bush, on active service in the Arabian Gulf, proved even more intense, memorable, and frequently hilarious, than he could ever have hoped. In Dyer's hands, the warship becomes a microcosm for a stocktaking of modern Western life: religion, drugs, chauvinism, farting, gyms, steaks, prayer, parental death, relationships and how to have a beach party with 5000 people on a giant floating hunk of steel. Piercingly perceptive and gloriously funny, this is a unique book about work, war and entering other worlds.
"A short, brilliant novel, The Search offers more in 150 pages than most books twice that length." --The Guardian Walker meets Rachel at a glamorous party by the bay. When she turns up at his apartment two days later, there is a hint of erotic promise in the air. But it isn't Walker she wants--at least not yet. Her husband, Malory, has gone missing, and she wants Walker to find him. So begins Walker's quest, as well as this beautiful novel that takes our hard-boiled knight across the vast landscape of an imaginary middle America that begins subtly to morph into something stranger. Walker's search intensifies, and soon it seems that somebody else is searching for him. In The Search, his second novel, Geoff Dyer concocts a sophisticated and enthralling narrative puzzle.
