George Bernard Shaw

This book edition of Love Among the Artists has been formatted to the highest digital standards and adjusted for readability on all devices. Love Among the Artists was published in the United States in 1900 and in England in 1914, but it was written in 1881. In the ambiance of chit-chat and frivolity among members of Victorian polite society a youthful Shaw describes his views on the arts, romantic love and the practicalities of matrimony. Dilettantes, he thinks, can love and settle down to marriage, but artists with real genius are too consumed by their work to fit that pattern. The dominant figure in the novel is Owen Jack, a musical genius, somewhat mad and quite bereft of social graces. From an abysmal beginning he rises to great fame and is lionized by socialites despite his unremitting crudity. George Bernard Shaw (1856 - 1950) was an Irish playwright, essayist, novelist and short story writer and wrote more than 60 plays. He is the only person to have been awarded both a Nobel Prize in Literature (1925) and an Academy Award (1938). Excerpt: ""It is certainly a magnificent piece of work, Herbert,"" said the old gentleman. ""To you, as an artist, it must be a treat indeed. I don't know enough about art to appreciate it properly. Bless us! And are all those knobs made of precious stones?"" ""More or less precious: yes, I believe so, Mr. Sutherland,"" said Herbert, smiling."" (Love Among The Artists, Book I)

When a Salvation Army officer learns that her father, a wealthy armaments manufacturer, has donated lots of money to her organization, she resigns in disgust but eventually sees the truth of her father's reasoning that social iniquity derives from poverty; it is only through accumulating wealth and power that people can help each other.

To give hope in uncertain times, this issue of Plough profiles people who have lived courageously. In unsettling times such as these, being told to “take courage” can sound like a grim joke. Yet courage is precisely what we’re in need of today: courage to stand by the truth, and courage to stand by the gospel’s claim that everyone belongs to God, because Jesus has overcome the world. To inspire such courage – and to guard against a failure of nerve or of imagination – this issue of Plough highlights people who have lived courageously. In this issue: • Chinese dissident Yu Jie looks at the challenges facing the church in China. • Cuban pastor Raúl Suárez reveals how encounters with Christians thawed Fidel Castro’s atheism. • Plough pays tribute to NYPD Det. Steven McDonald, who forgave the young shooter who paralyzed him. • Maureen Swinger tells how a young man with severe disabilities became an exceptional teacher. • Evangelical activist D. L. Mayfield finds an unsettling role model in Dorothy Day. • Comic artist Julian Peters illustrates T. S. Eliot’s poem “Little Gidding.” Plus: • Insights on courage from Teresa of Avila, George Bernard Shaw, Meister Eckhart, and Mother Teresa • Original poetry by Christopher Zimmerman • Reviews of Martin Scorsese’s Silence, Mark Sundeen’s The Unsettlers, and Craig Greenfield’s Subversive Jesus • Profiles of Thomas Müntzer, Traudl Wallbrecher, and the Sisters of Life • Art and photography by Nikolay Ge, Boris Ivanovich Kopylov, Taisia Afonina, Wayne Forte, Dave Beckerman, Luca Sartoni, Wu Guanzhong, and Sadao Watanabe Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

A collection of literary criticism from the Nobel Prize-winning playwright behind such classics as Saint Joan and Pygmalion. The Critical Shaw: On Literature is a comprehensive selection of renowned Irish playwright and Nobel Laureate Bernard Shaw's ideas and opinions on a wide range of literary forms of expression, from Shakespearean drama to ghost stories, from naturalist novels to philosophical essays. Shaw meticulously applied his comprehensive knowledge of the intricacies of writing and publishing (composition, typesetting, style, themes, censorship) and in the process produced an extensive array of critical works spanning more than fifty years. Always with an axe to grind--whether aesthetic, ethical, or otherwise--Shaw tested the boundaries of satire in his critical essays, occasionally locking horns as a result with some of the most prominent authors of his lifetime. Displaying wit and wisdom in equal proportions, some of his reviews remain fresh even though the authors and books they appraised have long since fallen into oblivion. Shaw's views about literature challenged established conventions of the canon and helped to shape a renewed collective concept of literature. The Critical Shaw series brings together, in five volumes and from a wide range of sources, selections from Bernard Shaw's voluminous writings on topics that exercised him for the whole of his professional career: Literature, Music, Politics, Religion, and Theater. The volumes are edited by leading Shaw scholars, and all include an introduction, a chronology of Shaw's life and works, annotated texts, and a bibliography. The series editor is L. W. Conolly, literary adviser to the Shaw Estate and former president of the International Shaw Society.

From the Nobel Prize-winning playwright behind Pygmalion and Saint Joan, a collection of his critical writings on religion. The Critical Shaw: On Religion is a comprehensive selection of renowned Irish playwright and Nobel Laureate Bernard Shaw's pronouncements--many of them deliberately inflammatory--on all facets of religion and belief: on Christianity and the Church; on various religions, among them Protestantism, Catholicism, Quakerism, Christian Science, Fundamentalism, Calvinism, Hinduism, Judaism, and Islam; on atheism and agnosticism, atonement and salvation; the crucifixion, the resurrection, transubstantiation, and the Immaculate Conception; on the Bible, the Ten Commandments, the Book of Common Prayer, and the Thirty-nine Articles of the Anglican Church. And much more. In speeches, essays, and prefaces, Shaw relentlessly scrutinized and critiqued scores of religions--only to find most of their doctrines in need of exhaustive reform. And yet, in keeping with his many other paradoxes, though Shaw was fond of calling himself an atheist, he nonetheless recognized the importance, indeed the necessity, of religion. The Critical Shaw series brings together, in five volumes and from a wide range of sources, selections from Bernard Shaw's voluminous writings on topics that exercised him for the whole of his professional career: Literature, Music, Politics, Religion, and Theater. The volumes are edited by leading Shaw scholars, and all include an introduction, a chronology of Shaw's life and works, annotated texts, and a bibliography. The series editor is L. W. Conolly, literary adviser to the Shaw Estate and former president of the International Shaw Society.

A collection of critical writings on theater from the Nobel Prize-winning playwright behind Man and Superman and Pygmalion. The Critical Shaw: On Theater is a comprehensive selection of essays and addresses about drama and theater by renowned Irish playwright and Nobel Laureate Bernard Shaw. An outspoken critic of the melodramas and formulaic farces that comprised most of the popular theater in the late nineteenth century, Shaw relentlessly campaigned for audiences, actors, theater managers, and even government officials to take theater more seriously, to use the stage as a forum for representing complex real issues such as poverty, marriage and divorce laws, sexual attraction, gender equality, and political power, so that through seeing them acted out, audiences could better understand and address them when they left the theater. Shaw's commitment to social reform through theater was matched by his expertise in the artistic and practical aspects of drama: whether he was reviewing productions, lecturing about acting, or schooling agents on royalties and copyright law, Shaw set a standard for intelligent professionalism that our own theaters might still aspire to and be measured against. The Critical Shaw series brings together, in five volumes and from a wide range of sources, selections from Bernard Shaw's voluminous writings on topics that exercised him for the whole of his professional career: Literature, Music, Politics, Religion, and Theater. The volumes are edited by leading Shaw scholars, and all include an introduction, a chronology of Shaw's life and works, annotated texts, and a bibliography. The series editor is L. W. Conolly, literary adviser to the Shaw Estate and former president of the International Shaw Society.

""Don Juan in Hell"" is a play within a play, originally included as Act III of George Bernard Shaw's ""Man and Superman"". The play is a philosophical exploration of love, marriage, and the nature of human relationships. In the play, Don Juan, the legendary seducer, is transported to Hell, where he engages in a debate with the Devil, a woman named Ana, and her former lover, the philosopher Henry Straker. Through their conversation, the characters discuss the meaning of life, the role of women in society, and the importance of individual freedom. Shaw's play is a witty and thought-provoking commentary on human nature and the complexities of love and relationships. This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Andrew Undershaft, a millionaire armaments manufacturer, loves money and despises poverty. His estranged daughter Barbara, on the other hand, shows her love for the poor by throwing her energies into her work as a Major in the Salvation Army, and sees her father as another soul to be saved. But when the Army needs funds to keep going, it is Undershaft who saves the day with a large cheque - forcing Barbara to examine her moral assumptions. Are they right to accept money that has been obtained by 'Death and Destruction'? Full of lively comedy and sparkling debate, Major Barbara is one of Shaw's most forward-looking plays, brilliantly testing the tensions between religion, wealth and power, benevolence and equality, and metaphors and realities of war.