George Eliot

A tale of rural tragedy and redemption, George Eliot's first novel. It may seem like an old tale: the beautiful village girl, her faithful admirer, a country squire's seduction. But seen through the eyes of any of its players, the old tale becomes one of fresh heartbreak, innocent hopes, best intentions gone awry, and better selves lost and restored. George Eliot's first novel shows all her humane intelligence and intimate knowledge of the richness and complexity of ordinary life.

Maggie Tulliver and her brother Tom grow up in the Mill on the River Floss. Although Maggie adores Tom, she often finds him cruel and cold. All she wants is for life to be full and warm. The Tulliver family’s traditional way of living is threatened by changes beyond their control. Will the educated world of lawyers and lawsuits destroy what generations have enjoyed? As Maggie grows into adulthood, how can she control her passionate nature? With a destiny like an unmapped river; full, deep and rapid, where will love and desire lead her? Where will it all end?

In her third novel, reissued here in its first edition of 1861, George Eliot (1819–80) charts the life of the cataleptic, miserly weaver Silas Marner. Arriving in insular Raveloe after a wrongful expulsion from his Calvinist community in the north, Silas is a foreign and outcast figure, left alone to accumulate a useless fortune through his loom in the dawn of the new industrial age. His unhappy life is rendered unrecognisable when his fortune is stolen and he adopts a child. Eliot's first two novels, Adam Bede and Mill on the Floss, had dealt with tragedy and the injustices faced by fallen women. With its happy ending and suffusion of fairy-tale elements, Silas Marner marks a turning point in her career. Alongside this development, however, the novel continues to raise Eliot's characteristic questions about social inequalities, the effects of extreme religion, and the worth of human experience.

From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers--featuring cover art by type superstar Jessica Hische It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and gift-worthy hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet by superstar type designer Jessica Hische, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's film "Moonrise Kingdom" to Penguin's own bestsellers "Committed" and "Rules of Civility." A collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series design encompasses foil-stamped paper-over-board cases in a rainbow-hued spectrum across all twenty-six book spines and a decorative stain on all three paper edges. Penguin Drop Caps debuts with an "A" for Jane Austen's "Pride and Prejudice," a "B" for Charlotte Bronte's "Jane Eyre," and a "C" for Willa Cather's "My antonia," and continues with more classics from Penguin. E is for Eliot. Considered one the masterpieces of realist fiction, George Eliot's novel, "Middlemarch: A Study of Provincial Life," explores a fictional nineteenth-century Midlands town in the midst of modern changes. The proposed Reform Bill promises political change; the building of railroads alters both the physical and cultural landscape; new scientific approaches to medicine incite public division; and scandal lurks behind respectability. The quiet drama of ordinary lives and flawed choices are played out in the complexly portrayed central characters of the novel--the idealistic Dorothea Brooke; the ambitious Dr. Lydgate; the spendthrift Fred Vincy; and the steadfast Mary Garth. The appearance of two outsiders further disrupts the town's equilibrium--Will Ladislaw, the spirited nephew of Dorothea's husband, the Rev. Edward Casaubon, and the sinister John Raffles, who threatens to expose the hidden past of one of the town's elite. "Middlemarch" displays George Eliot's clear-eyed yet humane understanding of characters caught up in the mysterious unfolding of self-knowledge.