George Gordon Byron

This lovely collection of hundreds of verses from esteemed Romantic poets will stand out on your bookshelf. Romanticism gained traction in the late 1700s as writers moved away from the intellectualism of the Enlightenment and toward more emotional and natural themes. The major works of the movement's five most famous poets--William Wordsworth, George Gordon Byron, Percy Bysshe Shelley, John Keats, and William Blake--are represented in this handsome volume that includes an exquisite heat-burnished cover, foil stamping, and colored edges. As one of the largest and most influential artistic movements in history, Romanticism valued intuition and pastoralism, and its themes are well represented in the verses of its stars.

Title: Cai ˆn, myste €re dramatique en trois actes ... traduit en vers franc ais, et re fute dans une suite de remarques philosophiques et critiques, pre ce de d'une lettre adresse e a € Lord Byron, sur les motifs et le but de cet ouvrage, par Fabre d'Olivet. Publisher: British Library, Historical Print Editions The British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC. The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Byron, George Gordon.; d'Olivet, Antoine Fabre. 1823 248 p.; 8 . 11738.e.30.(5.) This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Title: Cai ˆn, myste €re dramatique en trois actes ... traduit en vers franc ais, et re fute dans une suite de remarques philosophiques et critiques, pre ce de d'une lettre adresse e a € Lord Byron, sur les motifs et le but de cet ouvrage, par Fabre d'Olivet. Publisher: British Library, Historical Print Editions The British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC. The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Byron, George Gordon.; d'Olivet, Antoine Fabre. 1823 248 p.; 8 . 11738.e.30.(5.) This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The organizing criterion of this volume is not biographical; the focus will not be on Byron "the man," not even on Byron "the artist," but rather on Byron the commentator. He was definitely more interested in saying his piece, in talking about his age, and, in passing, about himself. Byron was a liberal, anti-colonial aristocrat with some republican tendencies, deeply interested in the revolutionary national movements of the early 19th century. He was a Romantic poet with a major satirical vein, much attached to the 18th-century tradition of Pope, Swift, Fielding, Goldsmith, and Sheridan. The reader of this volume will not be able to grasp the development of Byron's poetical output and she will miss much of the force (but, for today's reader, also the tedium) of his long epic poems. Hopefully, however, she will find everything that was important to Byron: Italy and Greece, exile and melancholy, the intricacies of love, the fight for liberty, social criticism and moral criticism, the criticism of hypocrisy and of moral correctness (the "cant" as he called it), his willingness to defend the undefended.