George MacDonald

There was once a little princess whose father was king over a great country full of mountains and valleys. These mountains were full of hollow places underneath; huge caverns, and winding ways, some with water running through them, and some shining with all colors of the rainbow when a light was taken in. Now in these subterranean caverns lived a strange race of beings, called by some gnomes, by some kobolds, by some goblins. They were not ordinarily ugly, but either absolutely hideous, or ludicrously grotesque both in face and form. It will become pretty evident why the little princess had never seen the sky at night. They were much too afraid of the goblins to let her out of the house then, even in company with ever so many attendants; and they had good reason, as we shall see by-and-by.

There was once a little princess whose father was king over a great country full of mountains and valleys. These mountains were full of hollow places underneath; huge caverns, and winding ways, some with water running through them, and some shining with all colors of the rainbow when a light was taken in. Now in these subterranean caverns lived a strange race of beings, called by some gnomes, by some kobolds, by some goblins. They were not ordinarily ugly, but either absolutely hideous, or ludicrously grotesque both in face and form. It will become pretty evident why the little princess had never seen the sky at night. They were much too afraid of the goblins to let her out of the house then, even in company with ever so many attendants; and they had good reason, as we shall see by-and-by.

This is the Original and unabridged text of Lilith. Lilith is considered among the darkest of George MacDonald's works, and among the most profound. It is a story concerning the nature of life, death, and salvation. In the story, MacDonald mentions a cosmic sleep that heals tortured souls, preceding the salvation of all. MacDonald was a Christian universalist, believing that all will eventually be saved. However, in this story, divine punishment is not taken lightly, and salvation is hard-won. Mr. Vane owns a library that seems to be haunted by the former librarian, who looks much like a raven from the brief glimpses he catches of the wraith. After finally encountering the supposed ghost, the mysterious Mr. Raven, Vane learns that Raven had known his father; indeed, Vane's father had visited the strange parallel universe from which Raven comes and goes and now resides therein. Vane follows Raven into the world through a mirror.

Original and unabridged textFirst published in Dealings with the Fairies, The Golden Key is a fairy tale written by George MacDonald and is particularly well noted for the intensity of its imagery. A woman tells her great-nephew of a golden key found at the end of a rainbow. One day, he sees a rainbow and sets out to find the end. The sun sets, but as the forest is in Fairyland, the rainbow only glows the brighter, and he finds the key, and it dawns on him that he does not know where the lock is. Also on the borders of this forest, a merchant's daughter is being cared for by servants, who are such poor housekeepers that they disgust the local fairies, who resolve to get them sent away by frightening off the child. Their first attempts, by animating the furniture in her room, make her laugh, but as she has been reading Silverhair, when they make her think three bears are coming into her bedroom, she flees into the woods.

Phantastes: A Faerie Romance for Men and Women is a fantasy novel written by George MacDonald. This the original and unabridged text formatted for modern readers. The story centres on the character Anodos ("pathless" or "ascent" in Greek) who is a young man who is pulled into a dreamlike world and there hunts for his ideal of female beauty, embodied by the "Marble Lady". Anodos lives through many adventures and temptations while in the other world, until he is finally ready to give up his ideals. C. S. Lewis wrote, concerning his first reading of Phantastes at age sixteen, "That night my imagination was, in a certain sense, baptized; the rest of me, not unnaturally, took longer. I had not the faintest notion what I had let myself in for by buying Phantastes."

The Princess and the Goblin is a children's fantasy novel by George MacDonald. It was published in 1872 by Strahan & Co. The sequel to this book is The Princess and Curdie. Anne Thaxter Eaton writes in A Critical History of Children's Literature that The Princess and the Goblin and its sequel "quietly suggest in every incident ideas of courage and honor." Jeffrey Holdaway writing in New Zealand Art Monthly said that both books start out as "normal fairytales but slowly become stranger", and that they contain layers of symbolism similar to that of Lewis Carroll's work. Film adaptations In the 1960s, the novel was adapted in animated form by Jay Ward for his Fractured Fairy Tales series. This version involved a race of innocent goblins who are forced to live underground. The goblin king falls in love with a princess, but a prince saves her by reciting poetry because goblins hate it. A full-length animated adaptation of the book, directed by J zsef G mes, was released in 1992 in the United Kingdom, and in June 1994 in the United States. This Hungary/Wales/Japan co-production, created at Budapest's Pann niaFilm, Japan's NHK, and S4C and Siriol Productions in Great Britain, starred the voices of Joss Ackland, Claire Bloom and William Hootkins. The film's producer, Robin Lyons, also wrote the screenplay. However, it was not well received commercially nor critically upon its U. S. release from Hemdale Film Corporation in summer 1994, reportedly grossing only $1.8 million domestically and receiving mainly negative reviews (compared to Disney's very successful The Lion King that was released during the same month in the United States). The film's title is "De Prinses van het Zonnevolk" in Dutch (English: The Princess of the Sun-people), "Prinsessan og durtarnir" in Icelandic (The Princess and the Trolls), and "La princesse et la for t magique" (The princess and the magic forest) in French.

The Light Princess, the princess who lost her gravity, has enchanted readers for generations. A young princess is cursed, at her christening, to have no gravity by the uninvited Princess Makemnoit, sister to the King and a spiteful and bitter woman. As a result the princess is in constant danger of being blown away by the wind. An enchanting tale, The Light Princess is one of George MacDonald's most loved stories. MacDonald himself said, "I write, not for children, but for the child-like, whether they be of five, or fifty, or seventy-five." He inspired C. S. Lewis, Lewis Carroll and Tolkin. This edition preserves the authentic text as George MacDonald intended.

This is the original unabridged text of The Princess and Curdie, a children's classic fantasy. The Princess and the Curdie is the sequel to The Princess and the Goblin. The adventure continues with Princess Irene and Curdie a year or two older. They must overthrow a set of corrupt ministers who are poisoning Irene's father, the king. Irene's grandmother also reappears and gives Curdie a strange gift.

"We are all very anxious to be understood, and it is very hard not to be. But there is one thing much more necessary.' What is that, grandmother' To understand other people.' Yes, grandmother. I must be fair - for if I'm not fair to other people, I'm not worth being understood myself. I see." George MacDonald, The Princess and the Goblin The Princess and the Goblin is a children's fantasy novel by George MacDonald. It was published in 1872 by Strahan & Co. The sequel to this book is The Princess and Curdie. Anne Thaxter Eaton writes in A Critical History of Children's Literature that The Princess and the Goblin and its sequel "quietly suggest in every incident ideas of courage and honor." Jeffrey Holdaway writing in New Zealand Art Monthly said that both books start out as "normal fairytales but slowly become stranger", and that they contain layers of symbolism similar to that of Lewis Carroll's work. Film adaptations In the 1960s, the novel was adapted in animated form by Jay Ward for his Fractured Fairy Tales series. This version involved a race of innocent goblins who are forced to live underground. The goblin king falls in love with a princess, but a prince saves her by reciting poetry because goblins hate it. A full-length animated adaptation of the book, directed by J zsef G mes, was released in 1992 in the United Kingdom, and in June 1994 in the United States. This Hungary/Wales/Japan co-production, created at Budapest's Pann niaFilm, Japan's NHK, and S4C and Siriol Productions in Great Britain, starred the voices of Joss Ackland, Claire Bloom and William Hootkins. The film's producer, Robin Lyons, also wrote the screenplay. However, it was not well received commercially nor critically upon its U. S. release from Hemdale Film Corporation in summer 1994, reportedly grossing only $1.8 million domestically and receiving mainly negative reviews (compared to Disney's very successful The Lion King that was released during the same month in the United States). The film's title is "De Prinses van het Zonnevolk" in Dutch (English: The Princess of the Sun-people), "Prinsessan og durtarnir" in Icelandic (The Princess and the Trolls), and "La princesse et la for t magique" (The princess and the magic forest) in French.