George Miles

Photographic survey of the architecture, decoration, and setting of all 50 US state capitol buildings with descriptive text. Master photographers Robert Lisak and David Ottenstein have created an unprecedented photographic portrait of all 50 US state capitol buildings, exploring architecture, interior spaces, furnishings, landscape settings, and urban locations. These portraits of America's state capitol buildings present shining examples of various architectural styles, including: • Neoclassical • Renaissance • Art deco • Bauhaus • Gothic • Modernist Their intention is not merely to record the look of these secular civic temples, but to evoke their meaning and spirit through the rich visual language of photography. Paintings and sculpture, wood and stone, landscaping: these all contribute to the multilayered story of how we, as a people, value the civic structures we erect. The book further pays homage to these capitols with the following features: • Foreword by George Miles, curator of the Yale Collection of Western Americana, that elaborates on the themes and ideas subtly revealed by the precise and thoughtful photographs. • The 50 state capitol buildings are presented in order of their admission to the Union, to provide a historical flow. • Each building has a written introduction by Robert Morton, a premier editor of photography books and works on the history or art and architecture, that provides a rich context for the images. • Captions accompany four to six images of each structure. The rich photographs in this book bring the viewer into a shared contemplation of the meaning and significance of these proud buildings.

A photography book that is a vital accompaniment to the many fans of Hilary Mantel’s bestselling Wolf Hall Trilogy, now a major TV series ‘At the very beginning of the twentieth century, Zola said, ‘’In my view you cannot claim to have really seen something till you have photographed it.’’ The act of photographing, at least for a moment, distinguishes its object and estranges it from its context . . . Every stroke of the pen releases a thousand pictures inside the writer’s head. This book has made some of them visible.’ Hilary Mantel Hilary Mantel, Ben Miles, the stage’s celebrated Thomas Cromwell, and his brother, photographer George Miles, spent many years exploring the locations we know Thomas Cromwell visited and inhabited – Putney, Austin Friars, Wolf Hall, the Tower of London – to capture the faint traces of Tudor England and his extraordinary life. Accompanied with extracts from The Wolf Hall Trilogy, some of them published here for the first time, and including a stunning new essay by its author, these photographs reveal a world that is shadowy, frightening, sometimes whimsical – a portrait of a country in conversation with its past. ‘The present rubs up against the past, accompanied by excerpts from the novels, some taken from deleted scenes that, thrillingly for Mantel fans, have never before been released. Among other things, it is an interrogation of the way we interact with history; of the gaps in the record; its elusive nature; and its unexpected resonances with our contemporary lives’ Guardian

More than forty years ago, Richard S. Buswell chose the relics of Montana’s past as his raw material. Over time, in five books, he has sharpened his focus, moving from panoramic vistas of abandoned buildings to meticulously composed, tightly framed depictions of natural and man-made objects against stark black backgrounds. He has shifted the viewer’s attention from his subjects to the form and structure of his pictures. Although rooted in Buswell’s experience as a lifelong Montanan, the photographs in this book are no more (or less) “about” Montana than James Joyce’s Dubliners, Portrait of an Artist, or Ulysses are “about” Dublin. Most books about Western ghost towns and historical artifacts abound in sentiment. They comfort us with the illusion that we can recover what has been lost. What They Left Behind reminds us that time carries us onward despite our wishes to remain in the past.