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George Saunders
Kirjat ja teokset yhdessä paikassa: 74 kirjaa, julkaisuja vuosilta 2001–2027, suosituimpiin kuuluu Fight of the Century. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.
Dave Cole; Viet Thanh Nguyen; Jacqueline woodson; Ann Patchett; Brit Bennett; Steven Okazaki; David Handler; Geraldine Brooks; Yaa Gyasi; Sergio De La Pava; Dave Eggers; Timothy Egan; Li Yiyun; Meg Wolitzer; Hector Tobar; Aleksandar Hemon; Elizabeth Strout; Rabih Alameddine; Moriel Rothman-Zecher; Jonathan Lethem; Salman Rushdie; Lauren Groff; Jennifer Egan; Scott Turow; Morgan Parker; Victor Lavalle; Michael Cunningham; Neil Gaiman; Jesmyn Ward; Moses Sumney; George Saunders; Marlon James; William Finnegan; Anthony Doerr
The American Civil Liberties Union partners with award-winning authors Michael Chabon and Ayelet Waldman in this “forceful, beautifully written” (Associated Press) collection that brings together many of our greatest living writers, each contributing an original piece inspired by a historic ACLU case. On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman, founded the American Civil Liberties Union. A century after its creation, the ACLU remains the nation’s premier defender of the rights and freedoms guaranteed by the Constitution. In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays “full of struggle, emotion, fear, resilience, hope, and triumph” (Los Angeles Review of Books) about landmark cases in the organization’s one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in—Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona—need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now. Familiar or little-known, each case springs to vivid life in the hands of the acclaimed writers who dive into the history, narrate their personal experiences, and debate the questions at the heart of each issue. Hector Tobar introduces us to Ernesto Miranda, the felon whose wrongful conviction inspired the now-iconic Miranda rights—which the police would later read to the man suspected of killing him. Yaa Gyasi confronts the legacy of Brown v. Board of Education, in which the ACLU submitted a friend of- the-court brief questioning why a nation that has sent men to the moon still has public schools so unequal that they may as well be on different planets. True to the ACLU’s spirit of principled dissent, Scott Turow offers a blistering critique of the ACLU’s stance on campaign finance. These powerful stories, along with essays from Neil Gaiman, Meg Wolitzer, Salman Rushdie, Ann Patchett, Viet Thanh Nguyen, Louise Erdrich, George Saunders, and many more, remind us that the issues the ACLU has engaged over the past one hundred years remain as vital as ever today, and that we can never take our liberties for granted. Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.
Dave Cole; Viet Thanh Nguyen; Jacqueline woodson; Ann Patchett; Brit Bennett; Steven Okazaki; David Handler; Geraldine Brooks; Yaa Gyasi; Sergio De La Pava; Dave Eggers; Timothy Egan; Li Yiyun; Meg Wolitzer; Hector Tobar; Aleksandar Hemon; Elizabeth Strout; Rabih Alameddine; Moriel Rothman-Zecher; Jonathan Lethem; Salman Rushdie; Lauren Groff; Jennifer Egan; Scott Turow; Morgan Parker; Victor Lavalle; Michael Cunningham; Neil Gaiman; Jesmyn Ward; Moses Sumney; George Saunders; Marlon James; William Finnegan; Anthony Doerr
To mark its 100-year anniversary, the American Civil Liberties Union partners with award-winning authors Michael Chabon and Ayelet Waldman to bring together many of our greatest living writers, each contributing an original piece inspired by a historic ACLU case. On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman, founded the American Civil Liberties Union. A century after its creation, the ACLU remains the nation’s premier defender of the rights and freedoms guaranteed by the Constitution. In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays about landmark cases in the organization’s one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in—Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona—need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now. Familiar or little-known, each case springs to vivid life in the hands of the acclaimed writers who dive into the history, narrate their personal experiences, and debate the questions at the heart of each issue. Hector Tobar introduces us to Ernesto Miranda, the felon whose wrongful conviction inspired the now-iconic Miranda rights—which the police would later read to the man suspected of killing him. Yaa Gyasi confronts the legacy of Brown v. Board of Education, in which the ACLU submitted a friend of- the-court brief questioning why a nation that has sent men to the moon still has public schools so unequal that they may as well be on different planets. True to the ACLU’s spirit of principled dissent, Scott Turow offers a blistering critique of the ACLU’s stance on campaign finance. These powerful stories, along with essays from Neil Gaiman, Meg Wolitzer, Salman Rushdie, Ann Patchett, Viet Thanh Nguyen, Louise Erdrich, George Saunders, and many more, remind us that the issues the ACLU has engaged over the past one hundred years remain as vital as ever today, and that we can never take our liberties for granted. Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.
Simvolicheskie znachenija pripisyvalis tsvetam izdavna - v religii, geraldike, zhivopisi, literature i v povsednevnoj zhizni. V XIX veke tsvety davali vljublennym vozmozhnost otkrytsja drug drugu, ne narushaja pri etom strogie pravila povedenija: s pomoschju ikh mozhno bylo peredavat poslanija samym ocharovatelnym obrazom. Tak postepenno pojavilsja nastojaschij, tschatelno prorabotannyj jazyk - jazyk tsvetov, Lingua Flora. Eta uvlekatelnaja kniga poznakomit vas s jazykom tsvetov s dvukh tochek zrenija: istoricheskoj i sovremennoj. Illjustrativnoj osnovoj dlja pervoj chasti stala izyskannaja kollektsija akvarelej XIX veka - "Kniga pamjati", sozdannaja Fanni Robinson, talantlivoj khudozhnitsej i strastnoj ljubitelnitsej tsvetov. Vo vtoroj chasti avtory prodolzhat issledovat mir tsvetov na primere rabot drugikh khudozhnikov, pokazyvaja, kakoe vlijanie tsvety okazyvali na ljudej v proshlom i kakuju rol igrajut segodnja. Perevodchik: Lisenkova O.
Not for the first time – in fact, for the 343rd time – Jill 'Doll' Blaine finds herself crashing down to earth, head-first, rear-up, to accompany her latest charge into the afterlife. She soon realises however that this man is not quite like the others. For powerful oil tycoon K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold life, and the world is better for it… isn't it? As death approaches, a cast of worldly and otherworldly visitors arrive. Crowds of people and animals – alive and dead – materialise, birds swarm the dying man's room, and associates from decades past show up, all clamouring for a reckoning. In this electric novel brimming with explosive imagination, George Saunders confronts the biggest issues of our time with his trademark humour and warmth, spinning a tale that encompasses life and death, good and evil, and the inevitable question: who else could we be but exactly who we are?
Det är inte första gången Jill ”Doll” Blaine kraschlandar på jorden utanför ett hus där någon ligger för döden. Närmare bestämt är det här den 343:e gången hon utför sin heliga plikt att ledsaga de döende vidare till livet efter detta. Hon inser dock snart att hennes skyddsling denna gång är en man som inte liknar någon annan. Oljemagnaten K. J. Boone vill nämligen inte bli tröstad. Han ångrar inget. Han levde ett storslaget och djärvt liv och har gjort världen till en bättre plats. Medan slutet närmar sig flockas en rad besökare vid Boones dödsbädd – såväl levande som hädangångna, och Jill blir alltmer frustrerad. Samtidigt som ett slocknande liv ska granskas och summeras gör sig minnen från ett annat, förlorat liv påminda på nytt – hennes eget. ”Vaka” är George Saunders första roman sedan den uppmärksammade ”Lincoln i bardo”, som tilldelades Bookerpriset 2017.
Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty three hundred and forty-three343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others: the powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold life, and the world is better for it. Isn’t it? Vigil transports us, careening, through the wild final evening of an epic, complicated life. Crowds of people and animals—worldly and otherworldly, alive and dead—arrive, clamoring for a reckoning. Birds swarm the dying man’s room, a black calf grazes on the love seat, a man from a distant, drought-ravaged village materializes, two oil-business cronies from decades past show up with chilling plans for Boone’s post-death future.
Not for the first time – in fact, for the 343rd time – Jill 'Doll' Blaine finds herself crashing down to earth, head-first, rear-up, to accompany her latest charge into the afterlife. She soon realises however that this man is not quite like the others. For powerful oil tycoon K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold life, and the world is better for it… isn't it? As death approaches, a cast of worldly and otherworldly visitors arrive. Crowds of people and animals – alive and dead – materialise, birds swarm the dying man's room, and associates from decades past show up, all clamouring for a reckoning. In this electric novel brimming with explosive imagination, George Saunders confronts the biggest issues of our time with his trademark humour and warmth, spinning a tale that encompasses life and death, good and evil, and the inevitable question: who else could we be but exactly who we are?
Pre-order the latest book from the Booker Prize–winning author of Lincoln in the Bardo – a playful, wise, electric novel taking place at the bedside of an oil company CEO, in the twilight hours of his life, as he is ferried from this world into the next 'He will be read long after these times have passed' Zadie Smith What a lovely home I found myself plummeting toward. . . Not for the first time – in fact, for the 343rd time – Jill ‘Doll’ Blaine finds herself crashing down to earth, head-first, rear-up, to accompany her latest charge into the afterlife. She soon realises however that this man is not quite like the others. For powerful oil tycoon K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold life, and the world is better for it… isn’t it? As death approaches, a cast of worldly and otherworldly visitors arrive. Crowds of people and animals – alive and dead – materialise, birds swarm the dying man’s room, and associates from decades past show up, all clamouring for a reckoning. In this electric novel brimming with explosive imagination, George Saunders confronts the biggest issues of our time with his trademark humour and warmth, spinning a tale that encompasses life and death, good and evil, and the inevitable question: who else could we be but exactly who we are?
An electric novel from the #1 New York Times bestselling, Booker Prize-winning author of Lincoln in the Bardo, taking place at the bedside of an oil company CEO in the twilight hours of his life as he is ferried from this world into the next Not for the first time, Jill "Doll" Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn't like the others. The powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn't it? Vigil transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man's room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone's postdeath future. With the wisdom, playfulness, and explosive imagination we've come to expect, George Saunders takes on the gravest issues of our time--the menace of corporate greed, the toll of capitalism, the environmental perils of progress--and, in the process, spins a tale that encompasses life and death, good and evil, and the thorny question of absolution.
OT BUKEROVSKOGO LAUREATA DZHORDZHA SONDERSA, AVTORA "LINKOLN V BARDO" I "DESJATOE DEKABRJa". Sekrety literatury legko raskryt - dostatochno lish perevernut stranitsu. CHEKHOV. TURGENEV. TOLSTOJ. GOGOL. SEM rasskazov izvestnykh russkikh pisatelej - SEM esse, kotorye Dzhordzh Sonders sozdal na osnove kursa, kotoryj vot uzhe mnogo let on chitaet v Sirakjusskom universitete. "Kogda chitaesh etikh avtorov, oni tebja menjajut, a mir vokrug slovno by nachinaet izlagat druguju, gorazdo bolee interesnuju, istoriju - istoriju, v kakoj mozhno sygrat znachimuju rol i gde na chitatelja vozlozhena otvetstvennost", - pishet vo vstuplenii sam Sonders. Ved izuchat literaturu - eto izuchat samu zhizn. "Oda kazhdomu pisatelju i chitatelju". - O, The Oprah Magazine "Eta kniga osobenno velikolepna tem, chto eto ne ocherednoj "khau-tu" ili kriticheskoe esse. Eto nastojaschee pogruzhenie v istoriju, Sonders naschupal idealnyj balans mezhdu pisatelskim preparirovaniem i chitatelskoj zavorozhennostju". - The Guardian "Slava velikogo russkogo romana ogromna; velikomu russkomu rasskazu povezlo menshe. Amerikanskij pisatel i prepodavatel Dzhordzh Sonders probuet ispravit etu nespravedlivost - i pokazyvaet, kak po-novomu vzgljanut na korotkie veschi Chekhova, Turgeneva, Tolstogo i Gogolja. V ego ostroumnykh i pedantichnykh razborakh razlichaesh zhar fanata i kholod issledovatelja - sochetanie, kotoroe prisusche kazhdomu khoroshemu chitatelju i sochinitelju khudozhestvennoj prozy. Sobstvenno, buduschim avtoram eta kniga vo mnogom i prednaznachena: "Kupanie v prudu pod dozhdem" - odno iz luchshikh posobij po literaturnomu masterstvu, kniga s toj zhe polki, chto i nabokovskie "Lektsii po literature" ili filologicheskie esse Kutzee". - Igor Kirienkov, knizhnyj kritik, avtor "Polki"
'One of the best science fiction short stories to be published in the 21st century so far' SFX Review 'Saunders is funny and kind as ever, and his narrative virtuosity puts him up there with the best' Anne Enright, Guardian 'A triumph of storytelling' i paper'A joy. 'Effortlessly stylish, funny and smart' Daily Mail____________The first short story collection in ten years from the Man Booker Prize-winning, New York Times-bestselling author of Lincoln in the Bardo MacArthur genius and Booker Prize-winner George Saunders returns with a collection of short stories that make sense of our increasingly troubled world, his first since the New York Times bestseller and National Book Award finalist Tenth of December The 'best short story writer in English' (Time) is back with a masterful collection that explores ideas of power, ethics, and justice, and cuts to the very heart of what it means to live in community with our fellow humans. With his trademark prose - wickedly funny, unsentimental, and perfectly tuned - Saunders continues to challenge and surprise: here is a collection of prismatic, deeply resonant stories that encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality. 'Love Letter' is a tender missive from grandfather to grandson, in the midst of a dystopian political situation in the not-too-distant future, that reminds us of our obligations to our ideals, ourselves, and each other. 'Ghoul' is set in a Hell-themed section of an underground amusement park in Colorado, and follows the exploits of a lonely, morally complex character named Brian, who comes to question everything he takes for granted about his 'reality.' In 'Mother's Day', two women who loved the same man come to an existential reckoning in the middle of a hailstorm. And in 'Elliott Spencer', our eighty-nine-year-old protagonist finds himself brainwashed - his memory 'scraped' - a victim of a scheme in which poor, vulnerable people are reprogrammed and deployed as political protesters. Together, these nine subversive, profound, and essential stories coalesce into a case for viewing the world with the same generosity and clear-eyed attention as Saunders does, even in the most absurd of circumstances. ____________'The only way to experience Saunders's oblique, farcical, tragic world is to dive right in. It will take the top of your head off, but it's worth it' The Times'The world's best short story writer ... Liberation Day is great art' Daily Telegraph
NEW YORK TIMES BESTSELLER - "One of our most inventive purveyors of the form returns with pitch-perfect, genre-bending stories that stare into the abyss of our national character. . . . An exquisite work from a writer whose reach is galactic."--Oprah Daily Booker Prize winner George Saunders returns with his first collection of short stories since the New York Times bestseller Tenth of December. ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The New Yorker, Oprah Daily, NPR, Time, USA Today, The Guardian, Esquire, Newsweek, Kirkus Reviews, Booklist, Library Journal The "best short-story writer in English" (Time) is back with a masterful collection that explores ideas of power, ethics, and justice and cuts to the very heart of what it means to live in community with our fellow humans. With his trademark prose--wickedly funny, unsentimental, and exquisitely tuned--Saunders continues to challenge and surprise: Here is a collection of prismatic, resonant stories that encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality. "Love Letter" is a tender missive from grandfather to grandson, in the midst of a dystopian political situation in the (not too distant, all too believable) future, that reminds us of our obligations to our ideals, ourselves, and one another. "Ghoul" is set in a Hell-themed section of an underground amusement park in Colorado and follows the exploits of a lonely, morally complex character named Brian, who comes to question everything he takes for granted about his reality. In "Mother's Day," two women who loved the same man come to an existential reckoning in the middle of a hailstorm. In "Elliott Spencer," our eighty-nine-year-old protagonist finds himself brainwashed, his memory "scraped"--a victim of a scheme in which poor, vulnerable people are reprogrammed and deployed as political protesters. And "My House"--in a mere seven pages--comes to terms with the haunting nature of unfulfilled dreams and the inevitability of decay. Together, these nine subversive, profound, and essential stories coalesce into a case for viewing the world with the same generosity and clear-eyed attention Saunders does, even in the most absurd of circumstances.
Novellemesteren George Saunders er tilbake med en mesterlig samling der han fortsetter å utfordre og overraske leseren. Dette er noveller som utforsker ideer om makt, etikk og rettferdighet, som går rett til kjernen av hva det vil si å leve i fellesskap med våre medmennesker. Saunders’ noveller kjennetegnes av lek med språk og sjanger, og er utsøkt skrevet, med humor, empati og vidd. Frigjøringsdagen byr på ni noveller som er like forskjellige som de er fornøyelige – om ansvar og makt, om fortvilelse og glede, om fantasi og undring i møte med en brutal verden. Når virkeligheten kommer stadig nærmere dystopien, etterlater Saunders’ fortellinger et sterkere avtrykk enn noensinne.