Georges Simenon

'The father of contemporary European detective fiction' Ann Cleeves'Maigret would have found it difficult to formulate an opinion of him. Intelligent, yes, certainly, and highly so, as far as one could tell from what lay beneath some of his utterances. Yet alongside that, there was a naive, rather childish side to him.'Maigret is savouring a beautiful spring morning in Paris when an aspiring film-maker draws his attention to a much less inspiring scene, one where ever-changing loyalties can have tragic consequences. 'His artistry is supreme' John Banville'One of the greatest writers of the twentieth century' Guardian

'Read him at your peril, avoid him at your loss' Sunday TimesCaptain Lannec has finally managed to buy his own ship with the financial help of his in-laws, the Pitards - and they've never let him forget it. When his temperamental wife Mathilde insists on coming along on the ship's first voyage, Lannec becomes increasingly unnerved by her presence, especially when he receives an anonymous note saying he won't make it back to port. As they hit a storm in the Atlantic, jealousy, spite, snobbery and suspicion are churned up in the boat's stiflingly close quarters... First published in 1935, The Pitards was one of the first novels Simenon wrote when he shelved his famous Maigret series in order to strike out in a new direction and make a name for himself as a literary writer. This gripping evocation of life at sea revolves around class and the tense unravelling of relationships, powerful themes that Simenon would return to throughout his writing career.

'Compelling, remorseless, brilliant' John Gray Maigret is called to the home of professional gambler, Felix Nahour, who has been found shot dead by his chambermaid. Maigret is shocked to recognise a photo of the man's wife who becomes the main suspect. All signs point to her guilt but Maigret suspects there might be more to this complicated affair. This novel has been published in a previous translation as Maigret on the Defensive.'His artistry is supreme' John Banville'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian