Geri L. Smith

Christine de Pizan (ca. 1364–ca. 1431) has long been recognized as France’s first professional woman of letters, and interest in her voluminous and wide-ranging corpus has been steadily rising for decades. During the tumultuous later years of the Hundred Years’ War, Christine’s lone but strong feminine voice could be heard defending women, expounding the highest ideals for good governance, and lamenting France’s troubled times alongside her own personal trials. In The Mutability of Fortune, Christine fuses world history with autobiography to demonstrate mankind’s subjugation to the ceaselessly changing, and often cruel, whims of Fortune. Now, for the first time, this poem is accessible to an English-speaking audience, further expanding our appreciation of this ground-breaking woman author and her extraordinary body of work.

One of the most popular genres created and performed by Medieval troubadours and trouveres was the pastourelle. Though it varied greatly in its details, the genre was dominated by the following theme: a passing knight encounters and attempts to seduce a shepherdess who, in turn, defends herself against his advances in a variety of ways. The brilliance of the artists who manipulated the genre was revealed in their ability to innovate, synthesize, and elaborate upon the constraints of the form. In this work - the first major evaluation of the Northern French pastourelle to appear in decades - Geri Smith examines the genre in the hands of three Medieval masters: Adam de la Halle, Jean Froissart, and Christine de Pizan. She explores the very different ways in which these individuals engaged with the form and subject matter of the pastourelle and transformed it, variously, into a stage for their dramatic artistry, a forum for their responses to social and ideological conditions, and, ultimately, into a distinctive statement bearing their individual mark. The result sheds new light on the evolving concept of author in the Middle Ages.