Glenn W. Most

Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

'Inspired and enlightening ... here is a work of staggering ambition, exceptional accomplishment, and surprisingly pleasant reading ... an excellent gift for anyone interested in classical literature' A. E. Stallings, Telegraph'Read cover to cover, The Penguin Book of Greek and Latin Lyric Verse offers the reader an unprecedented and shockingly complete grasp of the most influential lyric corpus in the Western world. This is not a book one should simply ‘check out’. This is a book to own and treasure all one’s life, shelved beside one’s preferred Homer, Virgil, Dante, and Collected Shakespeare. This book is one of the major literary events of this decade' Elijah Perseus Blumov, Literary Matters'An extraordinary feat ... Over and over, I was impressed both by Childers's technical abilities and his vivid way of evoking the multiple voices in this rich tradition' Emily Wilson, translator of the Odyssey and the Iliad'Where does the lyric begin? One answer – a capacious and generous one – is given by Christopher Childers's anthology, in which translations of both Greek and Latin lyric poetry are offered in large servings, with extensive and ambitious commentary ... bold and worthwhile ... readable and learned' Peter McDonald, TLS'An extraordinary achievement, in scope, scale and skill' Richard Jenkyns, author of Classical LiteratureThe poems in this lively, wide-ranging and richly enjoyable anthology are the work of priestesses and warriors; of philosophers and statesmen; of teenage girls, concerned for their birthday celebrations; of drunkards and brawlers; of grumpy old men, and chic young things. Their authors write – or sing – about hopes, fears, loves, losses, triumphs and humiliations. Every one of them lived and died between 1,900 and 2,800 years ago. The Penguin Book of Greek and Latin Lyric Verse is a volume without precedent. It brings together the best of two traditions normally treated in isolation, and in doing so tells a captivating story about how literature and book-culture emerged from an oral society in which memory and learning were transmitted through song. The classical vision of lyric poetry as understood by the greatest ancient poets – Sappho and Horace, Bacchylides and Catullus – mingles and interacts with our expansive modern vision of the lyric as the brief, personal, emotional poetry of a human soul laid bare. Anyone looking for a picture of what ancient poets were up to when they were simply singing to the gods, or to their friends, or otherwise opening little verbal windows into their life and times can find it here. It is a volume full of fire and life: an undertaking of astonishing reach, and an accomplishment magisterial in its scope.