Gregor Hens

In The City and the World, Gregor Hens explores the city in the twenty-first century – a space we shape and are shaped by in turn – and our place within it. Travelling from Berlin to Las Vegas, Shenzhen to Santiago de Chile, he moves through these pulsing, ever-expanding cityscapes, reading, walking, swimming, riding the metro and catching the bus, bearing witness to the strange vitality of urban life. Everywhere, catalysts for new understandings emerge. Pushing his young daughter’s pram turns Berlin upside-down. Students’ exercises in getting lost and reorienting themselves throw into question notions of centre and periphery. Google Maps becomes an unexpected gallery, offering new ways of encountering art and architecture. Buildings hold their own histories and secrets, illuminated by chroniclers of Hens’s cities, from Virginia Woolf and Georges Perec to Rem Koolhaas and Valeria Luiselli. Even libraries become cities in their own right. Blending memoir, travelogue and philosophy with photography and literary insights, The City and the World is a witty, captivating, illuminating and expansive journey into the heart of the modern city.

NAMED A BEST BOOK OF THE YEAR BY THE ECONOMIST By turns philosophical and darkly comic, an ex-smoker's meditation on the nature and consequences of his nearly lifelong addiction. Written with the passion of an obsessive, Nicotine addresses a lifelong addiction, from the thrill of the first drag to the perennial last last cigarette. Reflecting on his experiences as a smoker from a young age, Gregor Hens investigates the irreversible effects of nicotine on thought and patterns of behavior. He extends the conversation with other smokers to meditations on Mark Twain and Italo Svevo, the nature of habit, and the validity of hypnosis. With comic insight and meticulous precision, Hens deconstructs every facet of dependency, offering a brilliant analysis of the psychopathology of addiction. This is a book about the physical, emotional, and psychological power of nicotine as not only an addictive drug, but also a gateway to memory, a long trail of streetlights in the rearview mirror of a smoker's life. Cigarettes are sometimes a solace, sometimes a weakness, but always a witness and companion. This is a meditation, an ode, and a eulogy, one that will be passed hand-to-hand between close friends.

Written with the passion of an obsessive, Nicotine addresses a life of addiction, from the epiphany of the first drag to the perennial last last cigarette. Reflecting on his experiences as a smoker from a young age, Gregor Hens investigates the irreversible effects of nicotine on thought and patterns of behaviours. He extends the conversation with other smokers to meditations on Mark Twain and Italo Svevo, the nature of habit, the validity of hypnosis, and the most insignificant city in the United States, where he lived for far too long. With comic insight and meticulous precision, Hens deconstructs every facet of the dependency and offers a brilliant disquisition on the psychopathology of addiction.

Study of the three most signficant late works of the Austrian novelist and playwright Thomas Bernhard. (In German language.) Three late prose works of the Austrian novelist and playwright Thomas Bernhard (1931-1989), published between 1983 and 1985, display a number of interesting similarities and intertextual references in form and content. They are considered here as a single, trilogy-like work, replacing the monumental Extinction (which appeared in 1986 but was completed as early as 1981/2) as Bernhard's magnum opus. Taking as its point of departure a close textual analysis, the work attempts to unveil the internal construction of the novel rather than second-guess the author and his intentions. The underlying model for this project is Nabokov's famous reading of Kafka's "Metamorphosis." The three novels under consideration share a common core of narrative structure. Each one derives its composition from the form of art that is also central to the plot: music, drama, and painting respectively. In all three works, the untenability of the narrative situation is thematized. As the inherent perspective is dissolved, the musical, dramatic, and compositional structures are revealed that form the basis of these prose experiments.