Kirjailija
Gregory J. Harris
Kirjat ja teokset yhdessä paikassa: 3 kirjaa, julkaisuja vuosilta 2015–2026, suosituimpiin kuuluu Mimi Plumb: Blazing Light. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.
3 kirjaa
Kirjojen julkaisuvuodet: 2015–2026.
Matt Siber: Idol Structures Matt Siber
Matt Siber; Gregory J. Harris; David Raskin
DePaul University Art Museum
2015
nidottu
Idol Structures accompanies an exhibition at the DePaul Art Museum of recent photographs and sculptures by Chicago-based artist Matt Siber, whose work explores the systems of corporate and mass-media communication that permeate the urban landscape. Instead of focusing on the information itself, Siber emphasizes the physical infrastructure of these systems. Photographs of the narrow edges of signs, sculptures of billboard ads hanging so loosely that their text is obscured in the folds, and other unique treatments of promotional materials distort and subvert the intended messages. The artist's deconstruction of such commercial efforts reveals an element of communication meant to remain invisible and subservient to image, text, and graphics. By highlighting the everyday objects used to persuade and influence, Siber's art undermines these communication systems' ability to do precisely what they were intended to do.
Liminal Infrastructure – The Optics Division of the Metabolic Studio
Lauren Bon; Lawrence Weschler; Gregory J. Harris; Optics Division Optics Division
DePaul University Art Museum
2015
nidottu
Led by artists Lauren Bon, Richard Nielsen, and Tristan Duke, the Optics Division of the Metabolic Studio is a team devoted to exploring and expanding the photographic medium. Working with the Liminal Camera, a massive, portable camera obscura fashioned from a shipping container, the Optics Division uses experimental technology in an ongoing effort to map and depict the American landscape. From the arid West to New York's waterways, the camera has captured dramatic scenes of regions in transition. As part of this project, The Liminal Camera presents newly commissioned photographs made in and around Chicago. Though enormous in size, the camera, transported on a semi-trailer truck, was unobtrusive from an outsider's perspective, allowing the artists to work without drawing attention. Photographs could be developed from within the shipping container, blending the image's subject with the process of photography itself. The resulting large-scale prints not only highlight the evolving history of photographic imaging, but also locate the city within a complex global network of transportation systems, industry, and commerce.