Gregory Rabassa

" Bomarzo] is a novel that will make any reader happy.... A] novel to be read aloud, with the whole family gathered around." --Roberto Bola o A lavishly written gothic historical fantasy novel that centers around Pier Francesco Orsini, the tortured duke of Bomarzo and creator of the Italian town's famously bizarre "Garden of the Monsters." Pier Francesco Orsini, duke of Bomarzo, created a park of monsters in which the nightmares of the Renaissance are preserved, set in stone yet still writhingly alive. In Bomarzo, Manuel Mujica Lainez--one of the great Argentine novelists of the twentieth century--re-creates the dark and legendary duke as a brilliant memoirist recalling the trials and travails of his sixteenth-century life from a modern point of view (Freudian psychoanalysis and Lolita both put in an appearance) while ensconced in a city that sounds suspiciously like Mujica Lainez's own Buenos Aires. Bomarzo is a historical novel in the grand manner, a first-person portrait of an aristocratic hunchback bullied by his family and determined to prove a villain (a portrait so convincing that Edmund Wilson assumed it to be fact). It is also, of course, a commentary on such historical fictions. But above all it's an immersive story told in a sumptuous style--a bit as if Proust were rewriting one of Poe's Italian tales--as Gregory Rabassa's translation (out of print for many years) conveys beautifully.

This vital collection is as eclectic and electric as Brazil itself. These stories -- ranging from vignettes, sketches, and prose poems to traditional narratives -- cover a wide geography, physically, thematically, and stylistically. Tales of nature and magic, humor and tragedy, brutality and delicacy, sex and violence are played out against every corner of this vast and diverse land: the Amazon, the Northeast, the Central West, and the South, as well as in Brazil's two metropolises, Sao Paulo and Rio de Janeiro. The earliest story, Machado de Assis' "The Wallet," was written at the end of the nineteenth century. The most recent were written especially for this book. Brazil is noted for its vibrant music and celebrations; this book shows an equally rich literary scene for the traveler or fan of world -- and world-class -- fiction.

A Los Angeles Times Favorite Book of the Year for 2005. Gregory Rabassa's influence as a translator is tremendous. His translations of Gabriel Garcia Marquez's One Hundred Years of Solitude and Julio Cortazar's Hopscotch have helped make these some of the the most widely read and respected works in world literature. (Garcia Marquez was known to say that the English translation of One Hundred Years was better than the Spanish original.) In If This Be Treason: Translation and Its Dyscontents, Rabassa offers a cool- headed and humorous defense of translation, laying out his views on the translator's art. Anecdotal and always illuminating, Rabassa traces his career from a boyhood on a New Hampshire farm, his school days "collecting" languages, the two and a half years he spent overseas during WWII, and his South American travels, until one day "I signed a contract to do my first translation of a long work [Cortazar's Hopscotch] for a commercial publisher." Additionally, Rabassa offers us his "rap sheet," a consideration of the various authors and the over 40 works he has translated. This long-awaited memoir is a joy to read, an instrumental guide to translating, and a look at the life of one of its great practitioners.

Gregory Rabassa's influence as a translator is incalculable. His translations of Gabriel Garcia Marquez's One Hundred Years of Solitude and Julio Cortazar's Hopscotch have helped make these some of the most widely read and respected works in world literature. (Garcia Marquez was known to say that the English translation of One Hundred Years was better than the Spanish original.) In If This Be Treason: Translation and Its Dyscontents Rabassa offers a cool-headed and humorous defense of translation, laying out his views on the art of the craft. Anecdotal, and always illuminating, If This Be Treason traces Rabassa's career, from his boyhood on a New Hampshire farm, his school days "collecting" languages, the two-and-a-half years he spent overseas during WWII, his travels, until one day "I signed a contract to do my first translation of a long work [Cortazar's Hopscotch] for a commercial publisher." Rabassa concludes with his "rap sheet," a consideration of the various authors and the over 40 works he has translated. This long-awaited memoir is a joy to read, an instrumental guide to translating, and a look at the life of one of its great practitioners.

Translated by Gregory Rabassa, winner of the National Book Award for Translation, 1967 Horacio Oliveira is an Argentinian writer who lives in Paris with his mistress, La Maga, surrounded by a loose-knit circle of bohemian friends who call themselves "the Club." A child's death and La Maga's disappearance put an end to his life of empty pleasures and intellectual acrobatics, and prompt Oliveira to return to Buenos Aires, where he works by turns as a salesman, a keeper of a circus cat which can truly count, and an attendant in an insane asylum. "Hopscotch" is the dazzling, freewheeling account of Oliveira's astonishing adventures.