H. L. Mencken

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H. L. Mencken, an American writer and cultural critic, put together a book of essays called Prejudices: First Series. The book is split into two parts. The first part talks about politics, literature, religion, and social problems. The second part criticizes politicians, writers, and public intellectuals who were important at the time. Mencken's sharp wit, biting snark, and cynicism about American society and culture are all shown in this book. He criticizes politicians for being self-centered and lying, religious fanatics for being closed-minded, and literary pretenses and trends of the time. Mencken's writings are very opinionated, and not all of his ideas are politically correct. This made the book controversial at the time it came out. But the book is considered a classic of American writing and a good way to learn about the social, cultural, and political problems of the early 20th century.

Notes on Democracy is a harsh critique of democracy. The book places political leaders into two categories: the demagogue, who "preaches doctrines he knows to be untrue to men he knows to be idiots" and the pandering politician, "who listens to what these idiots have to say and then pretends that he believes it himself." Mencken depicts politicians as "men who have sold their honor for their jobs."

The American Credo stands as a remarkable compilation exploring the vast landscape of American beliefs and idiosyncrasies. Through a diverse array of essays and reflections, the collection delves into the cultural and philosophical fabric that weaves the American ethos. Written with sharp intellect and wit, the anthology covers a breadth of themes ranging from politics and religion to social mores and cultural critiques. Each piece offers a unique perspective, contributing to a rich tapestry of insights that are as varied as they are thought-provoking, ensuring readers navigate through both celebrated and contested ideas that define the American identity. Contributors to this collection, including the renowned H. L. Mencken and George Jean Nathan, bring together a wealth of experience and a keen observational lens. Known for their critical and oftentimes satirical examination of society, Mencken and Nathan, alongside other voices, provide a multi-faceted exploration grounded in the cultural and intellectual movements of their time. The anthology aligns itself with early 20th-century discourses, where humor and criticism were employed as potent tools to dissect and understand societal norms, creating an intricate dialogue that resonates with historical and contemporary relevance. This anthology invites readers to traverse a myriad of voices that illuminate the intricacies of American thought. It is a compelling invitation to explore the myriad beliefs and ideas that have shaped and continue to influence the American landscape. Readers are encouraged to engage with this collection not only for its educational depth but also for the robust dialogue it fosters among its diverse essays. The American Credo is an indispensable resource for anyone seeking to deepen their understanding of American culture and its underlying philosophical currents.

Europe After 8:15, is many of the old books which have been considered important throughout the human history. They are now extremely scarce and very expensive antique. So that this work is never forgotten we republish these books in high quality, using the original text and artwork so that they can be preserved for the present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

"Through Shaw, I found my vocation at last."-H. L. MenckenGeorge Bernard Shaw: His Plays (1905), by H. L. Mencken, is a "little handbook" for readers interested in his favorite playwright George Bernhard Shaw's work. It consists of summaries of Shaw's plays and some of his other writings, with analysis by Mencken.

A Book of Prefaces is H. L. Mencken's 1917 collection of essays criticizing American culture, authors, and movements. Mencken described the work as " My] most important book in its effects upon my professional career." In fact, the book was considered vitriolic enough that Mencken's close friend Alfred Knopf was concerned about publishing it because of the massive increase in patriotism during World War I in America. The book was short, a brief eighty pages divided into four essays. The four subjects included Theodore Dreiser, Joseph Conrad and James Gibbons Huneker. But perhaps the most important, and certainly the most outspoken essay was entitled "Puritanism as a Literary Force," during which he alleged that William Dean Howells, Henry James, and Mark Twain were victims of the Puritan spirit.

The Philosophy of Friedrich Nietzsche by H. L. Mencken. Friedrich Wilhelm Nietzsche was a German philosopher, cultural critic, composer, poet, philologist and a Latin and Greek scholar whose work has exerted a profound influence on Western philosophy and modern intellectual history. When this attempt to summarize and interpret the principal ideas of Friedrich Wilhelm Nietzsche was first published, in the early part of 1908, several of his most important books were yet to be translated into English and the existing commentaries were either fragmentary and confusing or frankly addressed to the specialist in philosophy. It was in an effort to make Nietzsche comprehensible to the general reader, at sea in German and unfamiliar with the technicalities of the seminaries, that the work was undertaken. It soon appeared that a considerable public had awaited that effort, for the first edition was quickly exhausted and there was an immediate demand for a special edition in England. The larger American edition which followed has since gone the way of its predecessor, and so the opportunity offers for a general revision, eliminating certain errors in the first draft and introducing facts and opinions brought forward by the publication of Dr. Oscar Levy's admirable complete edition of Nietzsche in English and by the appearance of several new and informative biographical studies, and a large number of discussions and criticisms.

Nietzsche's classic critique of the composer Wagner is paired with three other works, including The Antichrist, in translations to English which render the philosopher's arguments vividly cogent. First published in 1888, The Case for Wagner is a selection of essays and aphorisms levy a variety of criticisms, with Nietzsche ironically making a comparison between Wagner and a French composer, Georges Bizet. The Antichrist comprises a total of sixty-two short chapters, each containing a distinct philosophical argument or angle upon the targets of Christianity, organised religion, and those who masquerade as faithful but are in actuality anything but. This edition also includes a selection of aphorisms penned by Nietzsche, many of which effectively summarize points he visited in his philosophy.

In this hardcover edition, Nietzsche's classic critique of the composer Wagner is paired with three other works, including The Antichrist, in translations to English which render the philosopher's arguments vividly cogent. First published in 1888, The Case for Wagner is a selection of essays and aphorisms levy a variety of criticisms, with Nietzsche ironically making a comparison between Wagner and a French composer, Georges Bizet. The Antichrist comprises a total of sixty-two short chapters, each containing a distinct philosophical argument or angle upon the targets of Christianity, organised religion, and those who masquerade as faithful but are in actuality anything but. This edition also includes a selection of aphorisms penned by Nietzsche, many of which effectively summarize points he visited in his philosophy.

The original goal of this work was to clarify Mencken's views on women as inconsistently presented in newspaper columns, reviews, and plays. According to Mencken's biographer ''...he was either a great defender of women's rights or, as a critic labelled him in 1916, 'the greatest misogynist since Schopenhauer', 'the country's high-priest of woman-haters.'''

The Philosophy of Friedrich NietzscheBy H. L. MenckenWhen this attempt to summarize and interpret the principal ideas of Friedrich Wilhelm Nietzsche was first published, in the early part of 1908, several of his most important books were yet to be translated into English and the existing commentaries were either fragmentary and confusing or frankly addressed to the specialist in philosophy. It was in an effort to make Nietzsche comprehensible to the general reader, at sea in German and unfamiliar with the technicalities of the seminaries, that the work was undertaken. It soon appeared that a considerable public had awaited that effort, for the first edition was quickly exhausted and there was an immediate demand for a special edition in England. The larger American edition which followed has since gone the way of its predecessor, and so the opportunity offers for a general revision, eliminating certain errors in the first draft and introducing facts and opinions brought forward by the publication of Dr. Oscar Levy's admirable complete edition of Nietzsche in English and by the appearance of several new and informative biographical studies, and a large number of discussions and criticisms.

H. L. Mencken’s reputation as a journalist and cultural critic of the twentieth century has endured well into the twenty-first. His early contributions as a writer, however, are not very well known. He began his journalistic career as early as 1899 and in 1910 cofounded the Baltimore Evening Sun. The next year he initiated a column-The Free Lance-that ran six days a week for four and a half years, until the Sun discontinued it, partially in response to Mencken’s controversial defense of Germany during World War One. In this early forum for his renowned wit, Mencken broached many of the issues to which he would return again and again over his career, establishing himself as a fearless iconoclast willing to tackle the most divisive subjects and apply a heady mix of observation, satire, and repartee to clear away what he regarded as the “saturnalia of bunk” that clouded American thinking. The Free Lance reveals Mencken at his scintillating best as a journalist, polemicist, and satirist. These columns are collected here for the first time, edited and annotated by Mencken expert and critic S. T. Joshi. This extraordinary collection is an invaluable resource for Mencken scholars and fans and provides an entertaining immersion into the early twentieth-century American zeitgeist.

Henry Louis Mencken (September 12, 1880 - January 29, 1956) was an American journalist, satirist, cultural critic and scholar of American English. Known as the "Sage of Baltimore", he is regarded as one of the most influential American writers and prose stylists of the first half of the twentieth century. He commented widely on the social scene, literature, music, prominent politicians and contemporary movements. His satirical reporting on the Scopes trial, which he dubbed the "Monkey Trial", also gained him attention. In the six volumes of Prejudices (1919-1927), Mencken attacked what he felt to be American provincialism and hypocrisy, and championed writers and thinkers he saw as harbingers of a new candor and maturity. Laced with savage humor and delighting in verbal play, Mencken's prose remains a one-of-a-kind roller coaster ride over a staggering range of thematic territory: literature and journalism, politics and religion, sex and marriage, food and drink, music and painting, the absurdities of Prohibition and the dismal state of American higher education, and the relative merits of Baltimore and New York.

Henry Louis Mencken (September 12, 1880 - January 29, 1956) was an American journalist, satirist, cultural critic and scholar of American English. Known as the "Sage of Baltimore", he is regarded as one of the most influential American writers and prose stylists of the first half of the twentieth century. He commented widely on the social scene, literature, music, prominent politicians and contemporary movements. His satirical reporting on the Scopes trial, which he dubbed the "Monkey Trial", also gained him attention. In the six volumes of Prejudices (1919-1927), Mencken attacked what he felt to be American provincialism and hypocrisy, and championed writers and thinkers he saw as harbingers of a new candor and maturity. Laced with savage humor and delighting in verbal play, Mencken's prose remains a one-of-a-kind roller coaster ride over a staggering range of thematic territory: literature and journalism, politics and religion, sex and marriage, food and drink, music and painting, the absurdities of Prohibition and the dismal state of American higher education, and the relative merits of Baltimore and New York.x