Harold Evans

The massacres of the Sierra Leone Civil War, the bloody struggle for liberation during the Arab Spring, the plight of the Kurdish refugees in the Gulf War and the ongoing devastation of the Israeli-Palestinian conflict - in the midst of the upheavals that have shattered and re-shaped the late-20th and 21st centuries, there was Yannis Behrakis - just Yannis, just a man with a camera and a mission to capture history unfolding. As a Reuters photojournalist for over three decades, Behrakis put his life on the line, braving riots, sniper fire and air raids to seek out the best of humanity in the worst of circumstances. Just Yannis looks back at the iconic photographs that have shaped our understanding of the world - its sorrows, pain, despair, courage, and hope - and pays homage to the legacy and enduring impact of the man behind the viewfinder.

Thalidomide: patented in Germany as a non-toxic cure-all for sleeplessness and morning sickness. A wonder drug with no side effects. We know differently now. Today, thalidomide is a byword for tragedy and drug reform – a sign of what happens when things aren’t done ‘the right way’. But when it was released in the 1950s, it was the best thing since penicillin – something that doctors were encouraged to prescribe to all of their patients. Nobody could anticipate what it actually did: induce sleeping, prevent morning sickness, and drastically harm unborn children. But, whilst thalidomide rampaged and ravaged throughout most of the West, it never reached the United States. It landed on the desk of Dr Frances Kelsey, and there it stayed as she battled bureaucracy, patriarchy, and the Establishment in an effort to prove that it was dangerous. Frankie is her story.

Harold Evans has edited everything from the urgent files of battlefield reporters to the complex thought processes of Henry Kissinger, and he has been knighted for his services to journalism. In Do I Make Myself Clear?, his definitive guide to writing well, Evans brings his indispensable insight to the art of clear communication. The right words are oxygen to our ideas, but the digital era, with all of its TTYL, LMK and WTF, has been cutting off that oxygen flow. The compulsion to be precise has vanished from our culture, and in writing of all kinds we see a trend towards more - more speed and more information, but far less clarity. Evans provides practical examples of how editing and rewriting can make for better communication, even in the digital age. Do I Make Myself Clear? is an essential text, and one that will provide every reader an editor at their shoulder.

A wise and entertaining guide to writing English the proper way by one of the greatest newspaper editors of our time. Harry Evans has edited everything from the urgent files of battlefield reporters to the complex thought processes of Henry Kissinger. He's even been knighted for his services to journalism. In Do I Make Myself Clear?, he brings his indispensable insight to us all in his definite guide to writing well. The right words are oxygen to our ideas, but the digital era, with all of its TTYL, LMK, and WTF, has been cutting off that oxygen flow. The compulsion to be precise has vanished from our culture, and in writing of every kind we see a trend towards more -- more speed and more information but far less clarity. Evans provides practical examples of how editing and rewriting can make for better communication, even in the digital age. Do I Make Myself Clear? is an essential text, and one that will provide every writer an editor at his shoulder.

A Convenient Hatred chronicles a very particular hatred through powerful stories that allow readers to see themselves in the tarnished mirror of history. It raises important questions about the consequences of our assumptions and beliefs and the ways we, as individuals and as members of a society, make distinctions between us and them, right and wrong, good and evil. These questions are both universal and particular.

Benjamin Pogrund, who spent 26 years as a journalist in South Africa investigating apartheid and who has been living in Israel for the past 15 years, investigates the accusation that Israel is practicing apartheid and the motives of those who make it. His study is founded on a belief in Israel, combined with frank criticism, to provide a balanced view of Israel’s strengths and problems. To understand Israel today, one must first look at the past and so the book first outlines key foundational events to explain current attitudes. It then explores the contradictions found in the region, including discrimination against Israeli Arabs and among Jews, before concluding that it is wrong to affix the apartheid label to Israel inside the Green Line of 1948/1967. It also deconstructs the criticisms of Israel and the boycott movement before arguing for two states, Israeli and Palestinian, as the only way forward for Jews and Arabs. This detailed and balanced study offers a unique comparison between South Africa and Israel and explains complex political and social situations in language accessible to all readers.

Benjamin Pogrund, who spent 26 years as a journalist in South Africa investigating apartheid and who has been living in Israel for the past 15 years, investigates the accusation that Israel is practicing apartheid and the motives of those who make it. His study is founded on a belief in Israel, combined with frank criticism, to provide a balanced view of Israel’s strengths and problems. To understand Israel today, one must first look at the past and so the book first outlines key foundational events to explain current attitudes. It then explores the contradictions found in the region, including discrimination against Israeli Arabs and among Jews, before concluding that it is wrong to affix the apartheid label to Israel inside the Green Line of 1948/1967. It also deconstructs the criticisms of Israel and the boycott movement before arguing for two states, Israeli and Palestinian, as the only way forward for Jews and Arabs. This detailed and balanced study offers a unique comparison between South Africa and Israel and explains complex political and social situations in language accessible to all readers.

Upon its publication, My Paper Chase received rave reviews from newspapers, broadcasters, and bloggers across three continents, and was a 2009 Notable Book of the "New York Times"-and for good reason. It's the wild and wonderful tale of a newspapering and publishing odyssey that took Harold Evans from wartime Manchester to London and finally to America. Editor of two of the world's most renowned newspapers, the "Sunday Times" and "The Times," publisher of Random House, and a bestselling author in his own right, Evans brings to life print media's glorious history as he recalls his own-from unmasking the greatest Soviet spy to taking on the lost cause of the thalidomide children-and winning-to clashes with politicians, government agencies, and Rupert Murdoch, to finally achieving what Scott Fitzgerald has declared impossible-A Second Act in America. In an age when newspapers everywhere are under threat, My Paper Chase is a witty and inspiring personal story but also a poignant and timely reminder of all that newspapers have been, and all that can be again.

* A moving memoir by a unique character which delivers a penetrating insight into some of the major events in post-war Britain

In the world of magazines, no recognition is more highly coveted than an "Ellie," the National Magazine Award presented by the American Society of Magazine Editors to the best of the American magazines. The Awards are the magazine equivalents to the Pulitzer Prizes of the newspaper industry. Each year, hundreds of editors-in-chief, journalism professors, and art directors winnow more than a thousand submissions to about seventy-five nominees in categories such as Reporting, Feature Writing, Profiles, Public Interest, Essays, Reviews and Criticism. Interest in the nominees is keen, and this collection will allow people both in the magazine world and beyond to find in one place, read, and admire the year's best. It is a wonderful, browsable volume of interest to writers and readers who appreciate magazine writing and journalism at its highest level.

Essential English is an indispensable guide to the use of words as tools of communication. It is written primarily for journalists, yet its lessons are of immense value to all who face the problem of giving information, whether to the general public or within business, professional or social organisations. FULLY REVISED AND UPDATED BY CRAWFORD GILLANRECOMMENDED BY THE SOCIETY OF EDITORS