Hector Berlioz

This is the first complete translation into English of Berlioz's second collection of musical articles, originally published in 1859. The work is a uniquely Berliozian combination of light-hearted journalism and serious musical comment and analysis. Hector Berlioz's Les Grotesques de la musique is the only one of his books that has never been translated into English in its entirety. It is by far the funniest of all his works, and consists of a number of short anecdotes, witticisms, open letters, and comments on the absurdities of concert life. Alastair Bruce's fluid translation brings to life this important composer and bon vivant. He does a wonderful job of conveying all the puns, jokes, and invective of Berlioz's prose as well as the nuances of his stories. He even imitates a Tahitian accent in the translation, as Berlioz does in the original. The notes will give the reader insight into the innuendos and in-jokes that fill the pages. This translation will take its place among other translations of Berlioz's prose writings, bringing to the reader more lively examples of a still misunderstood composer caught up in the musical life of mid-nineteenth century Paris. Alastair Bruce is a London-based management consultant and former treasurer of the Berlioz Society. Hugh Macdonald is General Editor of New Berlioz Edition.

Among Berlioz's best-loved works. Settings of Summer Nights, poems by Théophile Gautier, with French, English, and German singing texts. This Dover edition includes the corresponding vocal score (voice and piano), which can serve as a rehearsal addendum. Contents: 1. Villanelle More...(popular street song); 2. Le spectre de la rose (The wraith of a rose); 3. Sur les lagunes (On the lagoons); 4. Absence; 5. Au cimetière (In the graveyard); and L'ile inconnue (The unknown island).

Hector Berlioz' (1803-69) autobiography is both an account of his important place in the rise of the Romantic movement and a personal testament. He tells the story of his liaison with Harriet Smithson, and his even more passionate affairs of the mind with Shakespeare, Scott, and Byron. Familiar with all the great figures of the age, Berlioz paints brilliant portraits of Liszt, Wagner, Balzac, Weber, and Rossini, among others. And through Berlioz's intimate and detailed self-revelation, there emerges a profoundly sympathetic and attractive man, driven, finally, by his overwhelming creative urges to a position of lonely eminence. For this new Everyman's edition of The Memoirs, the translator--the composer's most admired biographer--has completely revised the text and the extensive notes to take into account the latest research. (Book Jacket Status: Not Jacketed)

During the performances of fashionable operas in an unidentified but "civilized" town in northern Europe, the musicians (with the exception of the conscientious bass drummer) tell tales, read stories, and exchange gossip to relieve the tedium of the bad music they are paid to perform. In this delightful and now classic narrative written by the brilliant composer and critic Hector Berlioz, we are privy to twenty-five highly entertaining evenings with a fascinating group of distracted performers. As we near the two-hundredth anniversary of Berlioz's birth, Jacques Barzun's pitch-perfect translation of Evenings with the Orchestra --with a new foreword by Berlioz scholar Peter Bloom--testifies to the enduring pleasure found in this most witty and amusing book. "[F]ull of knowledge, penetration, good sense, individual wit, stock humor, justifiable exasperation, understanding exaggeration, emotion and rhetoric of every kind." --Randall Jarrell, New York Times Book Review "To succeed in [writing these tales], as Berlioz most brilliantly does, requires a combination of qualities which is very rare, the many-faceted curiosity of the dramatist with the aggressively personal vision of the lyric poet."--W. H. Auden, The Griffin

Letter writing, by contrast, provided him with a freer outlet for creative expression, and his surviving correspondences number in the thousands. From that extraordinary output Hugh Macdonald has gathered some 500 letters that span the composer's life and chart the course of his artistic career. The first letter, written by a brash fifteen-year-old Berlioz to a group of music publishers, suggests that they bring out his work at their own expense. The last letter, in which Berlioz begs his brother-in-law for money, reveals the once-prodigious composer and writer reduced to a pathetic state of poverty. Dipped into or read straight through, Selected Letters of Berlioz is entertaining and informative reading for any music lover. Translated aptly and colorfully by Roger Nichols, Berlioz's letters blend personal sentiment with deep insight into nineteenth-century thought, providing an entrancing portrait of one of the century's leading artistic figures.

"Berlioz the person-composer-writer is the sensitive child of his century and a most passionate voice of his time." —The Opera Quarterly "Berlioz could hardly have been better served than by the translator of this English edition . . . It is an invaluable and long-overdue addition to the Berlioz literature in English. Elisabeth Csicsery-Rónay has given us an A travers chants for the millennium." —Music and Letters Hector Berlioz (1803-1869) was equally prominent as composer and music critic. A Travers Chants is the collection of writings he himself selected from his thirty-odd years of musical journalism. This new translation, phrased in lively, idiomatic English and annotated for the twentieth-century reader, is illustrated with lithographs and drawings from Berlioz's lifetime.