Helen Carr

War, revolution, treason and love – the thrilling tale of Sir John of Gaunt brought to life by medieval history's rising star. ‘The Red Prince announces Helen Carr as one of the most exciting new voices in narrative history.’ Dan Jones Son of Edward III, brother to the Black Prince, father to Henry IV and the sire of all the Tudors. Always close to the English throne, John of Gaunt left a complex legacy. Too rich, too powerful, too haughty… did he have his eye on his nephew’s throne? Why was he such a focus of hate in the Peasants’ Revolt? In examining the life of a pivotal medieval figure, Helen Carr paints a revealing portrait of a man who held the levers of power on the English and European stage, passionately upheld chivalric values, pressed for the Bible to be translated into English, patronised the arts, ran huge risks to pursue the woman he loved… and, according to Shakespeare, gave the most beautiful of all speeches on England. *** A TIMES AND SUNDAY TIMES BEST BOOK OF 2021. SHORTLISTED FOR THE ELIZABETH LONGFORD PRIZE FOR HISTORICAL BIOGRAPHY ‘In Shakespeare’s Richard II, John of Gaunt gives the “this scepter’d isle… this England” speech. This vivid history brings to life his princely ambitions and passion.’ The Times, Best Books of 2021 ‘Superb, gripping and fascinating, here is John of Gaunt and a cast of kings, killers and queens brought blazingly, sensitively and swashbucklingly to life. An outstanding debut.’ Simon Sebag Montefiore ‘Helen Carr is one of the most exciting and talented young historians out there. She has a passion for medieval history which is infectious and is always energetic and engaging, whether on the printed page or the screen.’ Dan Snow

From the bestselling author Helen Carr, a thrilling new history of the fourteenth century – a time of catastrophe and conflict that shaped England for centuries to come. ***THE TOP TEN BESTSELLER*** 'A sparkling popular history which brings the Middle Ages' most terrible century to life for a new generation' Dan Jones 'Tells the story of the 14th-century Plantagenets with verve' The Times 'A highly engaging re-evaluation of a tumultuous century' Observer The death of Edward I in 1307 marked the beginning of a period of intense turmoil and change in England. The fourteenth century ushered in the beginning of the bloody Hundred Years’ War with France, an epic conflict with Scotland that would last into the sixteenth century, famine in Northern Europe and the largest human catastrophe in known history, the Black Death. Through the epic drama of regicide, war, the prolonged spectre of bubonic plague, religious antagonism, revolt and the end of a royal dynasty, this book tells the story of the fourteenth century via the lives of Edward II, Edward III and Richard II – three very different monarchs, each with their own egos and ambitions, each with their own ideas about England and what it meant to wield power. Alongside the lives of the last Plantagenets, it also uncovers lesser-known voices and untold stories to give a new portrait of a fractured monarchy, the birth of the struggle between Europeanism and nationalism, social rebellion and a global pandemic. Sceptred Isle is a thrilling narrative account of a century of revolution, shifting power and great change – social, political and cultural – shedding new light on a pivotal period of English history and the people who lived it. Praise for Sceptred Isle 'A sweeping look at an era of upheaval, panic and change. Gripping, powerful history' Hallie Rubenhold 'A cannily timed new history... [Sceptred Isle] tells the story of the 14th-century Plantagenets with verve' The Times 'A highly engaging re-evaluation of a tumultuous century' Observer 'Informative, anecdotal and entertaining... So many of the events of that tumultuous century find echoes today' Financial Times 'Gripping... Carr is an eloquent guide to the human realities of a century that often has a hallucinatory quality: vivid, desperate and haunting in its glories and its terrors' Spectator 'Fast-paced and thrilling... a remarkably evocative account of the high drama, excessive bloodshed and significant societal change during this tumultuous age... hugely enjoyable' Country Life 'Excellent' Clive Anderson, Loose Ends (BBC Radio4) 'In this vivid, finely researched book, Helen Carr takes us deep into England’s deadly fourteenth century and finds life and human colour. This is a sparkling popular history which brings the Middle Ages' most terrible century to life for a new generation' Dan Jones 'Full of colour, with headlong energy, Sceptred Isle brings England’s calamitous fourteenth century to life vividly. While Fortune’s Wheel turns through cycles of famine, plague and war, Helen Carr’s engrossing narrative never loses sight of the complexity, and hope, of human experience' Helen Castor

Law for Social Workers has been supporting social work students and professionals for over 25 years. Written by an expert team with practical experience, this book provides the perfect combination of legal explanation and practical insight and is the ideal text to see students through their course and career. This edition continues to provide an accurate, jargon-free account of the law social workers need to know, with helpful diagrams and case studies included throughout to explain areas of difficulty and ensure understanding for students and professionals at all levels. It also includes the Social Worker's Toolkit, which offers practical advice on topics such as going to court, preparing evidence, and writing reports, providing the ideal support while on placement or in the workplace. Digital formats and resources: The seventeenth edition is available for students and institutions to purchase in a variety of formats, and is supported by online resources. The e-book offers a mobile experience and convenient access along with functionality tools, navigation features and links that offer extra learning support: www.oxfordtextbooks.co.uk/ebooks This edition's online resources include: -Video tutorials on a range of practical topics -Multiple choice questions for students to test their knowledge -Guidance on answering the exercises from the book -Further reading suggestions -Glossary and flashcards of legal jargon - PowerPoint slides with accompanying notes for lecturers

Law for Social Workers has been supporting social work students and professionals for over 25 years. Written by an expert team with practical experience, this book provides the perfect combination of legal explanation and practical insight and is the ideal text to see students through their course and career. This edition continues to provide an accurate, jargon-free account of the law social workers need to know, with helpful diagrams and case studies included throughout to explain areas of difficulty and ensure understanding for students and professionals at all levels. It also includes the Social Worker's Toolkit, which offers practical advice on topics such as going to court, preparing evidence, and writing reports, providing the ideal support while on placement or in the workplace. Digital formats and resources The sixteenth edition is available for students and institutions to purchase in a variety of formats, and is supported by online resources. The e-book offers a mobile experience and convenient access along with functionality tools, navigation features and links that offer extra learning support: www.oxfordtextbooks.co.uk/ebooks This edition's online resources include: -Video tutorials on a range of practical topics -Multiple choice questions for students to test their knowledge -Guidance on answering the exercises from the book -Further reading suggestions -Glossary and flashcards of legal jargon - PowerPoint slides with accompanying notes for lecturers

Neglected and forgotten for many years, the arresting, elliptical novels written by Dominican-born Jean Rhys are now widely acclaimed. Her last and most famous novel, Wide Sargasso Sea, her retelling of Jane Eyre, is a central text for the imaginative re-examination of gender and colonial power relations. Helen Carr’s account draws on both recent feminism and postcolonial theory, and places Rhys’s work in relation to modernist and postmodernist writing. First published in 1996, Helen Carr’s revised edition takes full cognizance of the wide critical attention paid to Rhys since that date.

'A sparkling popular history'Dan Jones'Tells the story of the 14th-century Plantagenets with verve'The Times'Informative, anecdotal and entertaining'Financial TimesTHE TIMES BOOKS TO LOOK OUT FOR IN 2025The death of Edward I in 1307 marked the beginning of a period of intense turmoil and change in England. The fourteenth century ushered in the beginning of the bloody Hundred Years’ War with France, an epic conflict with Scotland that would last into the sixteenth century, famine in Northern Europe and the largest human catastrophe in known history, the Black Death. Through the epic drama of regicide, war, the prolonged spectre of bubonic plague, religious antagonism, revolt and the end of a royal dynasty, this book tells the story of the fourteenth century via the lives of Edward II, Edward III and Richard II – three very different monarchs, each with their own egos and ambitions, each with their own ideas about England and what it meant to wield power. Alongside the lives of the last Plantagenets, it also uncovers lesser-known voices and untold stories to give a new portrait of a fractured monarchy, the birth of the struggle between Europeanism and nationalism, social rebellion and a global pandemic. Sceptred Isle is a thrilling narrative account of a century of revolution, shifting power and great change – social, political and cultural – shedding new light on a pivotal period of English history and the people who lived it.

This groundbreaking new collection addresses the burning issue of how we interpret history today. What stories are told, and by whom, who should be celebrated, and what rewritten, are questions that have been asked recently not just within the history world, but by all of us. Featuring a diverse mix of writers, both bestselling names and emerging voices, this is the history book we need NOW. WHAT IS HISTORY, NOW? covers topics such as the history of racism and anti-racism, queer history, the history of faith, the history of disability, environmental history, escaping imperial nostalgia, hearing women's voices and 'rewriting' the past. The list of contributors includes: Justin Bengry, Leila K Blackbird, Emily Brand, Gus Casely-Hayford, Sarah Churchwell, Caroline Dodds Pennock, Peter Frankopan, Bettany Hughes, Dan Hicks, Onyeka Nubia, Islam Issa, Maya Jasanoff, Rana Mitter, Charlotte Riley, Miri Rubin, Simon Schama, Alex von Tunzelmann and Jaipreet Virdi.

This book uses a case study of a low-cost home ownership initiative at the margins of renting and owning provided by social landlords – known as shared ownership – to challenge everyday assumptions held about the ‘social’ and the ‘legal’ in property. The authors provide a study of the construction of property ownership, from the creation of this idea through to the present day, and offer a fresh consideration of key issues surrounding property, ownership, and the social. Analysing a diverse range of sources (from archives to micro-blogs, observation of housing providers, and interviews with shared owners), the authors explain the significance of the things (from the formal documents like leases, to odd materials like sweet wrappers and cigarette butts) commonly found in the narratives around shared ownership which are used to construct it as private ownership in everyday life. Ultimately, they uncover how this dream of ownership can become tarnished when people’s identities as‘owners’ come under threat, and as such, these findings will provide fascinating insight into the intricacies of so-called home ownership for scholars of Law, Criminology, and Sociology.

American mainstream culture has always been fascinated with the notion of the primitive, particularly as embodied by Native Americans. In Inventing the American Primitive, Helen Carr illustrates how responses to the existence of Native American traditions have shaped ideas of American identity and American literature. Inventing the American Primitive examines a body of work, both literary and anthropological, that describes, inscribes, translates and transforms Native American myths and poetry. Drawing on post-colonial and feminist theory, as well as ethnography's recent textual turn, Carr reveals the conflicts and ambivalence in these texts. Through their writings, the writers and anthropologists studied were attempting to preserve a culture which their country, with their help or connivance, sought to destroy. The contradictions and tensions of this position run throughout their work. Although there is no simple narrative of progress in this story, as it moves from the eighteenth-century primitivism to twentieth-century modernism, the book shows the process by which the richness and complexity of Native American traditions came to be acknowledged. Inventing the American Primitive offers a radical new reading of American literary history, as well as fresh insights into the powerful pull of primitivism in United States culture, and into the interactions of gender and race ideologies.

American mainstream culture has always been fascinated with the notion of the primitive, particularly as embodied by Native Americans. In Inventing the American Primitive, Helen Carr illustrates how responses to the existence of Native American traditions have shaped ideas of American identity and American literature. Inventing the American Primitive examines a body of work, both literary and anthropological, that describes, inscribes, translates and transforms Native American myths and poetry. Drawing on post-colonial and feminist theory, as well as ethnography's recent textual turn, Carr reveals the conflicts and ambivalence in these texts. Through their writings, the writers and anthropologists studied were attempting to preserve a culture which their country, with their help or connivance, sought to destroy. The contradictions and tensions of this position run throughout their work. Although there is no simple narrative of progress in this story, as it moves from the eighteenth-century primitivism to twentieth-century modernism, the book shows the process by which the richness and complexity of Native American traditions came to be acknowledged. Inventing the American Primitive offers a radical new reading of American literary history, as well as fresh insights into the powerful pull of primitivism in United States culture, and into the interactions of gender and race ideologies.