Henrik Ibsen

Henrik Ibsen: Nora oder Ein Puppenheim Lesefreundlicher Gro druck in 16-pt-Schrift Gro format, 210 x 297 mm Berliner Ausgabe, 2019 Durchgesehener Neusatz mit einer Biographie des Autors bearbeitet und eingerichtet von Theodor Borken Originaltitel: Et dukkehjem. Urauff hrung Kopenhagen, 21.12.1879, Erstdruck: Kopenhagen (Gyldendal) 1879. Hier in der bers. v. M. v. Borch. Textgrundlage ist die Ausgabe: Ibsen, Henrik: Ein Puppenheim. bers. v. M arie] von Borch], in: Henrik Ibsen: S mtliche Werke, Vierter Band. Hg. v. Julius Elias u. Paul Schlenther, Berlin: S. Fischer, 1907. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Lucien M tivet, 1898. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschr nkt)

Gjengangere er et mesterverk et dramatisk byggverk som tydelig viser oss hvorfor Ibsen regnes blant verdenslitteraturens største navn. Samtidig har skuespillet et innhold som vekker sterkt engasjement. Det skapte stor ståhei da det kom ut i 1881. Grunnen var at det tok opp en rekke emner som det gode borgerskap ønsket å fortie. Her ble det snakket høyt om utroskap, maktkamp i ekteskapet og om aktiv dødshjelp til eget barn. Ibsen ble møtt med en flom av ukvemsord, og teatrene torde ikke spille stykket. Men det tok ikke lang tid før man forstod at Gjengangere ville bli stående som en milepæl i teatrets historie. Ibsens teaterhistoriske bragd var at han gikk inn i sin tids borgerlige hverdag. Og han viser at menneskene i en vanlig familie lever under den samme utrygghet som hovedpersonene i tidligere tiders berømte tragediediktning. Den menneskelige tragedien i Gjengangere er allmenngyldig og gripende også i dag. Forlaget Vigmostad & Bjørke vil med Norske klassikere legge forholdene til rette for at nye lesere kan oppleve de verdier som klassikerne representerer. Språket i disse utgavene er lett modernisert.

Henrik Ibsens drama "En folkefjende" fra 1882 udspiller sig i en mindre, norsk kystby, hvor en nyopf rt badeanstalt hurtigt er blevet byens vigtigste indt gtskilde. Da l gen Tomas Stockmann opdager, at vandet i badet er forgiftet og vil afsl re det for byens borgere, vender stemningen i byen sig imod ham, s ikke kun han selv, men ogs hans familie, bliver lagt for had.-

A Doll's House (Norwegian: Et dukkehjem; also translated as A Doll House) is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is significant for its critical attitude toward 19th century marriage norms. It aroused great controversy at the time, as it concludes with the protagonist, Nora, leaving her husband and children because she wants to discover herself. Ibsen was inspired by the belief that "a woman cannot be herself in modern society," since it is "an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint." Its ideas can also be seen as having a wider application: Michael Meyer argued that the play's theme is not women's rights, but rather "the need of every individual to find out the kind of person he or she really is and to strive to become that person." In a speech given to the Norwegian Association for Women's Rights in 1898, Ibsen insisted that he "must disclaim the honor of having consciously worked for the women's rights movement," since he wrote "without any conscious thought of making propaganda," his task having been "the description of humanity."

Peer Gynt og hans mor Åse lever i fattigslige kår. Men Peer er stolt og fortaper seg i skryt og dagdrøm. Til slutt må han rømme bygda. Under flukten møter han en rekke skikkelser. ikke minst Den Grønnkledte, Dovregubbens datter og Solveig, som han er forelsket i.

A new version of

A Doll's House is a three-act play written by Norway's Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is set in a Norwegian town circa 1879. The play is significant for the way it deals with the fate of a married woman, who at the time in Norway lacked reasonable opportunities for self-fulfillment in a male-dominated world. It aroused a great sensation at the time, and caused a "storm of outraged controversy" that went beyond the theatre to the world newspapers and society. In 2006, the centennial of Ibsen's death, A Doll's House held the distinction of being the world's most performed play that year. UNESCO has inscribed Ibsen's autographed manuscripts of A Doll's House on the Memory of the World Register in 2001, in recognition of their historical value.

Dramaet Et dukkehjem ble utgitt 1879 og hadde premiere på Det kongelige Teater i København, 21. desember 1879. Stykket skapte furore da det utkom, og i Tyskland måtte Ibsen endre slutten, slik at Nora blir for barnas skyld. Stykket sies å være en bitende kritikk av de tradisjonelle rollene til menn og kvinner i det viktorianske ekteskapet. Et dukkehjem virker fortsatt sterkt på leseren av dramatikk og på teatergjengeren og er stadig en av verdenslitteraturens viktige tekster - som man barte må ha lest.

Fosse har omsett meisterverket Peer Gynt til nynorsk. Stykket er utan tvil det mest kjende norske teaterstykket gjennom tidene, og figuren Peer Gynt har vore med og forma biletet av kven nordmenn er. Henrik Ibsens skreiv Peer Gynt i 1867. Stykket vart urframført på Christiana Theater i februar 1876 med musikk av Edvard Grieg. Først i 1948 blei stykket spelt på nynorsk. At Det Norske Teatret hadde fått omsett teksten til nynorsk, skapte kraftige reaksjonar. Ibsen har sidan den gong blitt spelt på nynorsk mange gonger. I 2005 var det premiere på ei legendarisk Peer Gynt-framsyning på Det Norske Teatret. Peer Gynt blei sett opp av den verdskjende regissøren Robert Wilson. Jon Fosse hadde omsett teksten til nynorsk. Fosse har sidan den gong gjort ein del endringar i teksten i retning meir tradisjonell nynorsk. Fosses nye versjon av Peer Gynt blir sett opp på nytt på Det Norske Teatret hausten 2018.

Nora is leaving her husband and children because she wants to discover herself. Henrik Johan Ibsen was a major Norwegian playwright, theatre director, and poet. He is often referred to as the father of realism and is one of the founders of Modernism in theatre. His major works include: An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, Rosmersholm, The Master Builder, and other texts.

A successful entrepreneur Stockmann, a popular citizen of a small coastal town turned into a villain as he discovers that the town's source of pride and income is contaminated. The town has invested a large amount of public and private money towards the development of baths, a project led by Stockmann and his brother, Peter, the Mayor. The town is expecting a surge in tourism and prosperity from the new baths, which are said to be of great medicinal value, and as such, a source of great local pride. Just as the baths are proving successful, Stockmann discovers that waste products from the town's tannery are contaminating the waters, causing serious illness amongst the tourists. Henrik Johan Ibsen was a major Norwegian playwright, theatre director, and poet. He is often referred to as the father of realism and is one of the founders of Modernism in theatre. His major works include: An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, Rosmersholm, The Master Builder, and other texts.

Hedda Gabler, the daughter of an aristocratic general, has just returned to her villa from her honeymoon. Her husband is an aspiring, young, and reliable academic who continued his research during their honeymoon. Hedda has never loved him and married him because she thinks her years of youthful abandon are over. Jealousy, murder and controversy follows, providing us with much food for thought. Was Hedda a victim of circumstance or a manipulative villain? Henrik Johan Ibsen was a major Norwegian playwright, theatre director, and poet. He is often referred to as the father of realism and is one of the founders of Modernism in theatre. His major works include: An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, Rosmersholm, The Master Builder, and other texts.

Halvard Solness is a middle-aged master builder of a small town in Norway who has become a successful architect of some distinction and local reputation. One day while having a visit from his friend Doctor Herdal, Solness is visited by Hilda Wangel, a young woman of 23, whom Doctor Herdal recognizes from a recent trip that he had taken. The doctor leaves, Solness is alone with Hilda, and she reminds him that they are not strangers - they have previously met in her home town 10 years ago when she was 13 years old. When Solness does not respond immediately, she reminds him that at one point during their encounter he had made advances to her, had offered her a romantic interlude, and promised her "a kingdom", all of which she believed. He denies this. She gradually convinces him, however, that she can assist him with his household duties, and so he takes her into his home. Solness is also the manager of an architectural office in which he employs Knut Brovik, his son Ragnar Brovik, and Kaia Fosli. Kaia and Ragnar are romantically linked, and Ragnar has ambitions to become promoted in his architectural vocation, which Solness is reluctant to grant or support. Solness also has a complicated relationship with his wife Aline, and the two are revealed to have lost children some years ago as a result of a fire. During this time, Solness builds a closer tie with Hilda while she is in his home, and she supports his architectural vocation and new projects. During the construction of his most recent project which includes a towering steeple, Hilda learns that Solness suffers from acrophobia, a morbid fear of extreme heights, but nonetheless she encourages him to climb the steeple to the top at the public opening of the newly completed building. Solness, inspired by her words, achieves the top of the tower, when he suddenly loses his footing and crashes to his death on the ground before the spectators who have arrived for the opening of the new building. Among the spectators standing aghast at the sight, only Hilda comes forward as if in silent triumph. She waves her shawl and cries out with wild intensity. "My-my Master Builder "

’Ibsen i dag’ er en genudgivelse af Henrik Ibsens ’En folkefiende’ fra 1882, genaktualiseret gennem nutidens feministiske magt- og identitetspolitiske problemstillinger. I denne klassiker af Henrik Ibsen udråbres den stålfaste idealist Doktor Stockmann til en folkefjende, fordi han kritiserer magten, går mod majoriteten og kæmper for sandheden. Sandheden kan som bekendt være ilde hørt, og spørgsmålet er om sandheden altid skal frem for enhver pris? ’En folkefiende’ er et tidsløst drama om demokratiets slagsider, minoriteters oprør, pressens indflydelse, folkets vilje og autoriteters magt. Og om at være udenfor fællesskabet. Med denne genudgivelse sættes dramaet ind i en nutidig kontekst, hvor fokus på dynamikker omkring magt, normer og strukturelle uligheder hjælper os til at gentænke identitetskampe og samfundsdiskussioner dengang som i dag. Bogen henvender sig særligt til unge, herunder gymnasiale uddannelsesinstitutioner. Det er Forlaget Mangfold, der i samarbejde med aktivist Ulrik Frost står bag udgivelsen.