Henry Compton

In warm, shallow waters around the world, coral reefs teem with tens of thousands of marine species. Reefs rival rain forests in biodiversity, and about a third of the world's marine fish species live part of their lives on coral reefs. In the 1960s, marine biologist Henry ""Hank"" Compton (1928–2005) of the Texas Parks and Wildlife Department's Rockport Marine Lab participated in the Gulf of Mexico and Caribbean research cruises on which some of these fishes were collected. A talented artist, Compton painted watercolors based on photographs of collected specimens. Along with taxonomic descriptions, Compton wrote imaginative narratives to accompany the paintings, humorous and quirky stories of the fishes in their light-filled, busy, colorful coral worlds. Fishes of the Rainbow introduces art lovers and tropical fish enthusiasts to Compton's world. Marine biologist David McKee provides context for Compton's work as well as an informative overview of the science of coral reef ecosystems. Artist and art historian Mark Anderson explains Compton's unique technique. This beautifully illustrated, informative, and whimsical book will appeal to aquarium buffs, art aficionados, scuba divers, and marine conservationists. Around the world, warming ocean waters and increased ocean acidification threaten coral reefs. This book offers readers a glimpse into this vibrant ecosystem and the wildlife we stand to lose.

The cold, stygian dark of the extreme sea depths is home to some of our planet’s strangest creatures. Even their names evoke a science fiction adventure: dragonfishes, greeneyes, viperfishes, mirrorbellies, lanternfishes. Marine biologist Henry “Hank” Compton (1928–2005) of the Texas Parks and Wildlife Department’s Rockport Marine Lab was present on some of the earliest Gulf of Mexico cruises on which these fishes were collected for the first time in Texas waters. Upon returning, Compton would retire to the darkroom he had constructed beneath a stairwell at the lab and photograph the specimens. A talented artist, Compton then painted watercolors based on his photographs. He allowed free rein to both his scientific judgment and his artistic vision as he constructed representations of how the specimens might have appeared in the crushing pressure of their alien environment. Compton dubbed the series of deep-water paintings “Fire in the Sea” because of the shimmering bioluminescence common to these deep-water species. Then, along with taxonomic descriptions, he drafted fanciful narratives to accompany the paintings: quirky, humorous, and sometimes cryptic stories of the fishes in their unreachable habitat. Professor, researcher, and author David A. McKee has taken Compton’s work, discovered in cardboard boxes following his death, and, along with others, provided chapters on bioluminescence, life in the deep, taxonomic arrangement, and life history information.