Henry James

In the Cage is a novella by Henry James, first published as a book in 1898. This long story centers on an unnamed London telegraphist. She deciphers clues to her clients' personal lives from the often cryptic telegrams they submit to her as she sits in the "cage" at the post office. Sensitive and intelligent, the telegraphist eventually finds out more than she may want to know.

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Confidence By Henry James American/British author of the late 19th and early 20th centuries, best-known for novels and novellas of morals. As such, he favors internal, psychological drama; his work is frequently about alienation, his prose frequently serpentine. His earlier work is considered Realist, but in fact throughout his long career he maintained a strong interest in a variety of artistic effects and movements. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Aging George Stransom holds sacred the memory of the great love of his life, Mary Antrim, who died before they could be married. One day Stransom happens to read of the death of Acton Hague, a former friend who had done him a terrible harm. Stransom starts to dwell on the many friends and acquaintances he is now losing to death. He begins to light candles at a side altar in a Catholic church, one for each of his Dead, except Hague. Later he notices a woman who regularly appears at the church and sits before his altar. He intuitively understands that she too honours her Dead, and they very gradually become friends. However Stransom later discovers that her Dead number only one: Acton Hague. Hague had wronged her too, but she has forgiven him. When his friend realises Stransom's feelings about Hague, she declares that she can no longer honour Hague at Stransom's altar. Stransom cannot bring himself to resolve the issue by forgiving Hague and adding a candle for him. This disagreement drives the two friends apart. Stransom's friend ceases visiting the altar, and Stransom himself can find no peace there. Months later, Stransom, now dying, visits his altar one last time. Collapsing before the altar, he has a vision of Mary Antrim, and it seems that Mary Antrim is asking him to forgive Hague: " H]e felt his buried face grow hot as with some communicated knowledge that had the force of a reproach. It suddenly made him contrast that very rapture with the bliss he had refused to another. This breath of the passion immortal was all that other had asked; the descent of Mary Antrim opened his spirit with a great compunctious throb for the descent of Acton Hague." He turns and sees his friend, who has finally become reconciled to him, having decided to visit the altar to honour not her own Dead but Stransom's. Stransom, dying, tries to tell her that he is ready to add a candle for Hague, but is able only to say "One more, just one more". The story ends with his face showing "the whiteness of death." Thus Stransom's last words are rendered ambiguous.

An unnamed telegraphist works in the branch post office at Cocker's, a grocer in a fashionable London neighborhood. Her fianc , a decent if unpolished man named Mr. Mudge, wants her to move to a less expensive neighborhood to save money and to be near him at all times. She refuses because she likes the glimpses of society life she gets from the telegrams at her current location. Through those telegrams, she gets "involved" with a pair of lovers named Captain Everard and Lady Bradeen. By remembering certain code numbers in the telegrams, she manages to reassure Everard at a particular crisis that their secrets are safe from detection. Later she learns from her friend Mrs. Jordan that Lady Bradeen and Everard are getting married after the recent death of Lord Bradeen. The unnamed telegraphist also learns that Everard is heavily in debt and that Lady Bradeen is forcing him to marry her, as Everard is really not interested in her. The telegraphist finally decides to marry Mudge and reflects on the unusual events of which she was a part.

An unnamed narrator listens to Douglas, a friend, read a manuscript written by a former governess whom Douglas claims to have known and who is now dead. The manuscript tells the story of how the young governess is hired by a man who has become responsible for his young nephew and niece after the deaths of their parents. He lives mainly in London and is uninterested in raising the children. The boy, Miles, is attending a boarding school, while his younger sister, Flora, is living at a summer country house in Essex. She is currently being cared for by Mrs. Grose, the housekeeper. Miles and Flora's uncle, the governess' new employer, gives her full charge of the children and explicitly states that she is not to bother him with communications of any sort. The governess travels to her new employer's country house, Bly, and begins her duties.