Henry James

This bittersweet tragicomedy centers on an odd triangle of characters: Basil Ransom, a political conservative from Mississippi; Olive Chancellor, Ransom's cousin and a Boston feminist; and Verena Tarrant, a pretty, young prot g e of Olive's in the feminist movement. The storyline concerns the struggle between Ransom and Olive for Verena's allegiance and affection, though the novel also includes a wide panorama of political activists, newspaper people, and quirky eccentrics.

Daisy Miller: A Study. In Two Parts by Henry James. The Original and Complete Version. Annie "Daisy" Miller and Frederick Winterbourne first meet in Vevey, Switzerland, in a garden of the grand hotel where Winterbourne is allegedly vacationing from his studies (an attachment to an older lady is rumoured). They are introduced by Randolph Miller, Daisy's 9-year-old brother. Randolph considers their hometown of Schenectady, New York, to be absolutely superior to all of Europe. Daisy, however, is absolutely delighted with the continent, especially the high society she wishes to enter. Winterbourne is at first confused by her attitude, and though greatly impressed by her beauty, he soon determines that she is nothing more than a young flirt. He continues his pursuit of Daisy in spite of the disapproval of his aunt, Mrs. Costello, who spurns any family with so close a relationship to their courier as the Millers have with their Eugenio. She also thinks Daisy is a shameless girl for agreeing to visit the Ch

An unnamed telegraphist works in the branch post office at Cocker's, a grocer in a fashionable London neighborhood. Her fianc , a decent if unpolished man named Mr. Mudge, wants her to move to a less expensive neighborhood to save money and to be near him at all times. She refuses because she likes the glimpses of society life she gets from the telegrams at her current location.

The Portrait of a Lady is a novel by Henry James, first published as a serial in The Atlantic Monthly and Macmillan's Magazine in 1880-81 and then as a book in 1881. It is one of James's most popular long novels, and is regarded by critics as one of his finest. The Portrait of a Lady is the story of a spirited young American woman, Isabel Archer, who in "affronting her destiny", finds it overwhelming. She inherits a large amount of money and subsequently becomes the victim of Machiavellian scheming by two American expatriates. Like many of James's novels, it is set in Europe, mostly England and Italy. Generally regarded as the masterpiece of James's early period, this novel reflects James's continuing interest in the differences between the New World and the Old, often to the detriment of the former. It also treats in a profound way the themes of personal freedom, responsibility, and betrayal.

He was not one for terror, or even horror. His fiction is impressionistic, psychological, and "courtly," but it has one pervasive emotion to it: unease -- discomfort, awkwardness, and a lurking shame buried in intentional secrecy. The fear of truth. The terror of exposure, of reality and confrontation. Henry James has long been heralded as a master of transatlantic realism, a cosmopolitan observer of human nature, and a bone-dry contributor to the novel of manners - a blue-blooded chronicler of polite society's stifled human dramas in the tradition of Jane Austen, Charles Dickens, Gustave Flaubert, Balzac, Turgenev, Tolstoy, Kipling, and de Maupassant - a thoroughly European pedigree befitting a man who left the United States in his youth and returned only twice before his death. And yet, for all his love of manners, whit, upper middle class malaise, and psychological realism, James returned time and time again throughout his career to a genre which seemed so at odds with his oeuvre: the Gothic ghost story. His most famous and influential supernatural tale, The Turn of the Screw, is considered by many - including Stephen King - to be the exemplar of the ghost story: a tale of haunted children, demonic possession, sexual frustration, and psychological terror. But this was not a one hit wonder: James wrote eighteen weird tales - most of which were ambiguously supernatural, and the best of this output is included in this volume - phantom women in black veils, haunted clothes guarded by a jealous ghost, evil doppelgangers with mutilated fingers, murderous portraits which ensure the family honor, sexually-charged liaisons between the living and the dead, a spectral stalker haunting the woman who drove him to suicide, and more. TALES INCLUDED in this ANNOTATED EDITION: The Romance of Certain Old Clothes - The Ghostly Rental -Sir Edmund Orme - Owen Wingrave - The Way it Came -The Real Right Thing - The Third Person - The Jolly Corner -The Turn of the Scre

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. Widely considered James's first great work of fiction and highly innovative in its narrative techniques, The Portrait of a Lady follows the story of an ardent, idealistic American heroine, Isabel Archer, in a cosmopolitan Europe. It explores individual freedom amidst confining circumstance, romantic choice, and the consequences of disillusionment and betrayal. This edition, based on the most reliable of the work's first book appearances (Macmillan, 1882), provides an authoritative text of one of James's finest long novels, with extensive annotations, a detailed textual history and an analysis of the reasons for its long-held popular appeal. It will be of particular interest not only to James scholars, but also book historians and students of nineteenth-century Anglo-American literature and culture.

"The Altar of the Dead" is a short story by Henry James, first published in his collection Terminations in 1895. A fable of literally life and death significance, the story explores how the protagonist tries to keep the remembrance of his dead friends, to save them from being forgotten entirely in the rush of everyday events. He meets a woman who shares his ideals, only to find that the past places what seems to be an impassable barrier between them. Although James was not religious in any conventional sense, the story shows a deep spirituality in its treatment of mortality and the transcendent power of unselfish love. Aging George Stransom holds sacred the memory of the great love of his life, Mary Antrim, who died before they could be married. One day Stransom happens to read of the death of Acton Hague, a former friend who had done him a terrible harm. Stransom starts to dwell on the many friends and acquaintances he is now losing to death. He begins to light candles at a side altar in a Catholic church, one for each of his Dead, except Hague. Later he notices a woman who regularly appears at the church and sits before his altar. He intuitively understands that she too honours her Dead, and they very gradually become friends. However Stransom later discovers that her Dead number only one: Acton Hague. Hague had wronged her too, but she has forgiven him. When his friend realises Stransom's feelings about Hague, she declares that she can no longer honour Hague at Stransom's altar. Stransom cannot bring himself to resolve the issue by forgiving Hague and adding a candle for him. This disagreement drives the two friends apart. Stransom's friend ceases visiting the altar, and Stransom himself can find no peace there The Beast in the Jungle is a 1903 novella by Henry James, first published as part of the collection, The Better Sort. Almost universally considered one of James' finest short narratives, this story treats appropriately universal themes: loneliness, fate, love and death. The parable of John Marcher and his peculiar destiny has spoken to many readers who have speculated on the worth and meaning of human life. John Marcher, the protagonist, is reacquainted with May Bartram, a woman he knew ten years earlier, who remembers his odd secret: Marcher is seized with the belief that his life is to be defined by some catastrophic or spectacular event, lying in wait for him like a "beast in the jungle." May decides to buy a house in London with the money she inherited from a great aunt, and to spend her days with Marcher, curiously awaiting what fate has in store for him. Marcher is a hopeless egoist, who believes that he is precluded from marrying so that he does not subject his wife to his "spectacular fate". Once installed as the custodian, Morris begins to doubt the chatter he is forced to give to tourists who visit the home. He starts to qualify and hesitate in his spiel. This brings anguish to his wife and a warning from the shrine's proprietors. Gedge finally decides that if silliness is what's wanted, he'll supply it abundantly. The last section of the story shows him delivering a hilarious lecture on how the child Shakespeare played around the house. Of course, receipts from tourists increase and Gedge gets a raise.

The Awkward Age is a novel by Henry James, first published as a serial in Harper's Weekly in 1898-1899 and then as a book later in 1899. Originally conceived as a brief, light story about the complications created in her family's social set by a young girl coming of age, the novel expanded into a general treatment of decadence and corruption in English fin de si cle life. James presents the novel almost entirely in dialogue, an experiment that adds to the immediacy of the scenes but also creates serious ambiguities about characters and their motives. Mr. and Mrs. Edward Brookenham host an effete, rather corrupt social circle. They are the parents of worthless Harold and sweet but knowledgeable Nanda (age eighteen). Mr. Longdon attends one of their social functions and is amazed at how much Nanda resembles her grandmother, his long-ago love who married another man. Vanderbank, a young civil servant with little money, admires both Mrs. Brookenham (nicknamed "Mrs. Brook") and Nanda. Mrs. Brook seems to want an affair with "Van" but he appears more interested in Nanda. Mr. Longdon promises him a dowry if he marries Nanda. Mrs. Brook is instead trying to get her daughter married to Mitchy, a very rich but rather naive member of her social circle. But Nanda urges Mitchy to marry Aggie, the supposedly sheltered step-niece of one of Mrs. Brook's friends (the Duchess). Mitchy follows the advice, then watches helplessly as Aggie kicks over the traces and starts playing around on him. Van constantly hesitates about proposing to Nanda. She finally tells him and Mitchy to be kind to her mother, then prepares to stay at Mr. Longdon's country home as a kind of surrogate daughter. James originally wanted this novel to resemble one of Gyp's superficial but entertaining novels of social decadence. But the material drew him on, and he wound up with a lengthy book about Nanda's eventual rejection of the often sleazy social circle around her mother. A lot of the characters who drop by Mrs. Brook's house are certainly no saints, and hypocrisy and deceit seem to be their favorite pastimes. Mr. Longdon represents an idealized previous age of better morals and manners. He wants to see Nanda safely married and away from what he views as her mother's corrupting influence. Although the book ends with Nanda preparing to stay at his country house, there are no guarantees as to how her future will play out. With the novel cast almost entirely in dialogue, it's sometimes difficult for the reader to detect the characters' genuine motives. But there's little doubt James meant the book as an attack on what he saw as the increasing irresponsibility and immorality of the society around him. James was always careful to sweeten this rather dour message with a lot of witty satire on the foibles of Mrs. Brook's social circle. He was particularly proud of his treatment of the resourceful if not overly honest Mrs. Brook herself. Many critics see the novel as parallel in theme and setting to James's earlier novel What Maisie Knew, with Nanda as a slightly older version of Maisie. Henry James, OM (15 April 1843 - 28 February 1916) was an American writer. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction.