Henry James

First published in 1903 by best-selling author Henry James, this dark comedy, seen as one of the masterpieces of James's final period, follows the trip of protagonist Lewis Lambert Strether to Europe in pursuit of Chad Newsome, his widowed fianc e's supposedly wayward son; he is to bring the young man back to the family business, but he encounters unexpected complications. The third-person narrative is told exclusively from Strether's point of view.

The Golden Bowl, Volume I & II By Henry James

The Ambassadors is a 1903 novel by Henry James, originally published as a serial in the North American Review (NAR). This dark comedy, seen as one of the masterpieces of James's final period, follows the trip of protagonist Lewis Lambert Strether to Europe in pursuit of Chad Newsome, his widowed fianc e's supposedly wayward son; he is to bring the young man back to the family business, but he encounters unexpected complications. The third-person narrative is told exclusively from Strether's point of viewLambert Strether, a middle-aged, yet not broadly experienced, man from Woollett, Massachusetts, agrees to assume a mission for his wealthy fianc e: go to Paris and rescue her son, Chad Newsome, from the clutches of a presumably wicked woman. On his journey, Strether stops in England and there meets Maria Gostrey, an American who has lived in Paris for years. Her cynical wit and worldly opinions start to rattle Strether's preconceived view of the situation. In Paris, Strether meets Chad and is impressed by the much greater sophistication Chad seems to have gained during his years in Europe. Chad takes him to a garden party, where Strether meets Marie de Vionnet, a lovely woman of impeccable manners, separated from her reportedly unpleasant husband, and Jeanne, her exquisite daughter. Strether is confused as to whether Chad is more attracted to the mother or the daughter.

The Ambassadors is a 1903 novel by Henry James. This dark comedy, seen as one of the masterpieces of James's final period, follows the trip of protagonist Lewis Lambert Strether to Europe in pursuit of Chad Newsome, his widowed fianc e's supposedly wayward son; he is to bring the young man back to the family business, but he encounters unexpected complications. The third-person narrative is told exclusively from Strether's point of view. Lewis Lambert Strether is the protagonist of Henry James's 1903 novel The Ambassadors. He is a cultured man in his fifties from the fictional town of Woollett, Massachusetts, who is dispatched to Paris to find Chad, the wayward son of his fiancee Mrs Newsome. The book is entirely told from Strether's point of view and chronicles his change from an American to a European view of things.

The original American in Paris. This dark comedy, seen as one of the masterpieces of James's final period, has all the elements of great writing, brilliant plot and gorgeous setting- An Edwardian gentleman from the States arrives in seedy and sophisticated Paris to rescue his wayward future step son. But his innocent American background has not prepared him for such seduction... Beautiful hardback gift edition of this collectable classic. This complex tale of self-discovery -- considered by the author to be his best work -- traces the path of an aging idealist, Lambert Strether. Arriving in Paris with the intention of persuading his young charge to abandon an obsession with a French woman and return home, Strether reaches unexpected conclusions.

Daisy Miller is a novella by Henry James that first appeared in Cornhill Magazine in June-July 1878, and in book form the following year. 1] It portrays the courtship of the beautiful American girl Daisy Miller by Winterbourne, a sophisticated compatriot of hers. His pursuit of her is hampered by her own flirtatiousness, which is frowned upon by the other expatriates when they meet in Switzerland and Italy. Plot summary Annie "Daisy" Miller and Frederick Winterbourne first meet in Vevey, Switzerland, in a garden of the grand hotel 2] where Winterbourne is allegedly vacationing from his studies (an attachment to an older lady is rumoured). They are introduced by Randolph Miller, Daisy's 9-year-old brother. Randolph considers their hometown of Schenectady, New York, to be absolutely superior to all of Europe. Daisy, however, is absolutely delighted with the continent, especially the high society she wishes to enter. Winterbourne is at first confused by her attitude, and though greatly impressed by her beauty, he soon determines that she is nothing more than a young flirt. He continues his pursuit of Daisy in spite of the disapproval of his aunt, Mrs. Costello, who spurns any family with so close a relationship to their courier as the Millers have with their Eugenio. She also thinks Daisy is a shameless girl for agreeing to visit the Ch teau de Chillon with Winterbourne after they have known each other for only half an hour. The next day, the two travel to Ch teau de Chillon and although Winterbourne had paid the janitor for privacy, Daisy is not quite impressed. Winterbourne then informs Daisy that he must go to Geneva the next day. Daisy feels disappointment and chaffs him, eventually asking him to visit her in Rome later that year. In Rome, Winterbourne and Daisy meet unexpectedly in the parlor of Mrs. Walker, an American expatriate. Her moral values have adapted to those of Italian society. Rumors about Daisy meeting with young Italian gentlemen make her socially exceptionable under these criteria. Winterbourne learns of Daisy's increasing intimacy with a young Italian of questionable society, Giovanelli, as well as the growing scandal caused by the pair's behavior. Daisy is undeterred by the open disapproval of the other Americans in Rome, and her mother seems quite unaware of the underlying tensions. Winterbourne and Mrs. Walker attempt to persuade Daisy to separate from Giovanelli, but she refuses any help that is offered. One night, Winterbourne takes a walk through the Colosseum and sees a young couple sitting at its center. He realizes that they are Giovanelli and Daisy. Winterbourne, infuriated with Giovanelli, asks him how he could dare to take Daisy to a place where she runs the risk of catching "Roman Fever". Daisy says she does not care and Winterbourne leaves them. Daisy falls ill and dies a few days later.......... Henry James (15 April 1843 - 28 February 1916) was an American-born writer. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction....

Henry James's experience of drama began in the New York theatres of his 1850s childhood; in Europe he became familiar with the London theatre and the Théâtre-Français in Paris. He went on to experiment continuously with the 'scenic art' in his fiction, and to write plays himself. This complete collection of James's essays and reviews on drama discusses a range of theatre, including productions of Shakespeare, Tennyson, 'well-made' French plays and early performances of Ibsen. In addition, he characterises some of the great performers of the day, including Irving, Terry, Kemble, Ristori, Coquelin and Salvini. Readers will find James's texts as they first appeared, with a wealth of editorial support, which evokes the colourful world of late Victorian theatre. Many of the items included have not previously been available in a scholarly edition. The editorial apparatus includes a general introduction, a chronology, a textual variants section, and a biographical guide to actors.

Henry James records in his autobiography a transformative childhood experience in the Louvre when he foresaw the 'fun' that art might bring him. Many of his novels and stories indeed go on to dramatise the circumstances of the artist's life, and their allusions to art are extensive. This complete collection of essays and reviews presents the observations of a major author whose critical judgments have become central to an understanding of late-nineteenth-century art. Readers will find James's texts as they first appeared, with a wealth of editorial support, which captures the mood and values of the art scene in Britain, France and America - its interesting minor figures, as well as names still familiar. Many of these items are difficult to access and have not previously been available in a scholarly edition. The editorial apparatus includes a general introduction, a chronology, a textual variants section, and a biographical guide to artists.