Henry James

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. Widely considered James's first great work of fiction and highly innovative in its narrative techniques, The Portrait of a Lady follows the story of an ardent, idealistic American heroine, Isabel Archer, in a cosmopolitan Europe. It explores individual freedom amidst confining circumstance, romantic choice, and the consequences of disillusionment and betrayal. This edition, based on the most reliable of the work's first book appearances (Macmillan, 1882), provides an authoritative text of one of James's finest long novels, with extensive annotations, a detailed textual history and an analysis of the reasons for its long-held popular appeal. It will be of particular interest not only to James scholars, but also book historians and students of nineteenth-century Anglo-American literature and culture.

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. The Outcry, James's last completed novel, is an ironic depiction of the contemporary art market in which wealthy Americans are plundering British-owned treasures. James adapted the work, originally written as a play, into novel form with great success. This edition, based on the work's first book appearance in 1911, reconstructs the novel's literary, cultural and historical contexts, includes extensive annotation, and gives a detailed textual history. In exploring the process of adaptation it allows particular insight into James's skills as a novelist. The volume will be of interest to James scholars, art and theatre historians and students of nineteenth- and twentieth-century Anglo-American literature, while also contributing to the developing field of adaptation studies.

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. The Jolly Corner and Other Tales, 1903–1910 includes the final ten stories James wrote. Many involve satirical critiques of an increasingly narcissistic, acquisitive society - from 'The Papers', with its attack on celebrity culture, to 'The Birthplace', offering a sardonic view of the Shakespeare industry, and 'A Round of Visits', which conducts a horrified tour through selfishness and swindling in early twentieth-century New York. The title story itself was in James's own view 'a miraculous masterpiece in the line of the fantastic-gruesome, the supernatural-thrilling … the best thing of this sort I've ever done'. With its extensive textual history and wide-ranging notes, this volume will interest not only James scholars, but all students of early twentieth-century Anglo-American literature and culture.

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. Published in three volumes in 1886, The Princess Casamassima follows Hyacinth Robinson, a young London craftsman who carries the stigma of his illegitimate birth, and his French mother's murder of his patrician English father. Deeply impressed by the poverty around him, he is driven to association with political dissidents and anarchists including the charismatic Princess Casamassima - who embodies the problems of personal and political loyalty by which Hyacinth is progressively torn apart. This edition is the first to provide a full account of the context in which the book was composed and received. Extensive explanatory notes enable modern readers to understand its nuanced historical, cultural and literary references, and its complex textual history.

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. One of James's strangest works, The Sacred Fount, explores ideas of sexual desire and power in an English country house setting. The novel aroused considerable critical bewilderment and hostility on its original publication in 1901 but was retrieved by a subsequent generation of critics who found its ambiguity and stylistic elaboration an instance of James's 'mastery' and an early example of literary modernism. This is the first critical edition of James' landmark text and is supported by a full critical apparatus including introduction, notes, glossary, textual variants and bibliography. The volume will be of interest to researchers, scholars and advanced students of Henry James, and of nineteenth- and twentieth-century British and American fiction and literature.

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. While Watch and Ward has long been dismissed as an early apprentice work, it marks an important stage in James's development as a fiction writer, building upon the stories he wrote during the late 1860s and pointing, at the same time, to the works he would write during the ensuing decade and which would secure his reputation, including 'Daisy Miller', The American and The Portrait of a Lady. Extensive explanatory notes enable modern readers to understand the novel's historical, cultural and literary references.

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. James wrote the eighteen Prefaces included in this volume to accompany the revised, selective New York Edition of his novels and tales (1907–9). They are unique and various writings: at once a digest of James's critical principles, an unsystematic treatise on fiction theory, an account of his rereading and revision of his own work, an oblique autobiography of the writing life and a public performance of authorial identity. This is the first scholarly edition of the Prefaces, and includes a detailed contextual introduction, a full textual history and extensive explanatory notes. It will be of value to researchers, scholars and advanced students of Henry James, and of 19th- and 20th-century British and American literature and book history.

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. James's The Europeans gently satirizes both early nineteenth-century New England society and the sophisticated visiting Europeans who encounter it. While this wryly comic novel has had its critical champions - F. R. Leavis and Richard Poirier among them - it has not previously received the scholarly attention it deserves. This edition, based on the work's first book appearance (Macmillan, 1878), reconstructs the novel's literary, cultural and historical contexts, provides extensive annotation, and gives a detailed textual history of the work, drawing on newly available James letters. It will be of interest to James scholars, book historians and students of nineteenth-century Anglo-American literature and culture, and will also re-introduce readers to the pleasures of Henry James's early style.

Often overlooked by modern critics, The Reverberator was a departure from Henry James' immediately preceding novels, The Bostonians and The Princess Casamassima, returning to the popular 'international theme' of his earlier fiction. Its comedy of manners explores the conflicting values of American and Europeanized characters in the context of topical cultural concerns. Most notably, in its satire on popular journalism and an emerging mass-media through the scandal sheet 'The Reverberator', the novel dramatizes what James presciently saw as the 'devouring publicity' of modern life. This edition, based on the most reliable of the work's first book appearances (Macmillan, 1888), provides a thorough account of the novel's sources and composition, literary and historical contexts, and extensive revision for the New York Edition (1908), as well as extensive annotation. It will be of interest to James scholars, students of nineteenth-century Anglo-American literature and culture, and historians of journalism and new media.

Rediscover a lost gem of literary brilliance with Henry James's "Watch and Ward," a novel that has captivated readers for generations and is now available once more after decades out of print. This timeless tale, republished by Alpha Editions, has been meticulously restored to offer both casual readers and classic literature collectors a unique experience. Dive into the compelling story of Roger Lawrence, a man who adopts a young girl, Nora, with the intention of molding her into his ideal wife. As Nora grows, the complexities of love, morality, and societal expectations unfold in a narrative that is as thought-provoking as it is emotionally engaging. James's masterful exploration of human relationships and ethical dilemmas makes this novel a cultural treasure, offering insights that resonate even today. This edition is not just a reprint; it is a beautifully crafted collector's item, ensuring that "Watch and Ward" will be cherished by today's readers and preserved for future generations. Embrace the opportunity to own a piece of literary history and experience the enduring power of Henry James's storytelling.

Henry James's classic details the complications following the haplessly innocent behavior of Daisy Miller, a nouveau riche American woman traveling through Switzerland and Rome. Includes the preface James wrote for the later New York edition.

Henry James's classic details the complications following the haplessly innocent behavior of Daisy Miller, a nouveau riche American woman traveling through Switzerland and Rome. Includes the preface James wrote for the later New York edition.

A new selection of Henry James's essays on the art of writing, from his famous essay "The Art of Fiction" to pieces on George Eliot, Ivan Turgenev, Honor de Balzac, and others. Witty, erudite, and passionate, James's essays are a delight for any lover of the written word. Best known as a master novelist, Henry James was also an incisive critic whose essays on the novel had as profound an influence on its development as did his fiction. Here, Pulitzer-finalist Michael Gorra, author of Portrait of a Novel: Henry James and the Making of an American Masterpiece, gathers some of the most virtuosic essays from across fifty years of James's career. From his landmark essay "The Art of Fiction," an exhilarating treatise on the complexity of literary form, to "The Lesson of Balzac," a tender portrait of one of James's greatest touchstones, to career-defining assessments of writers such as George Eliot and Ivan Turgenev, James reveals himself as a passionate and sensitive reader, one whose unerring ability to locate the currents within Anglophone literature was matched only by his uncommon prescience regarding its future. Slyly humorous and unabashedly opinionated, On Writers and Writing is a compelling artistic biography of a writer at his cogent and stylish best.