Hilda Raz

Hilda Raz has an ability “to tell something every day and make it tough,” says John Kinsella in his introduction. Letter from a Place I’ve Never Been shows readers the evolution of a powerful poet who is also one of the foremost literary editors in the country. Bringing together all seven of her poetry collections, a long out-of-print early chapbook, and her newest work, this collection delights readers with its empathetic and incisive look at the inner and outer lives we lead and the complexities that come with being human. Showcasing the work of a great American voice, Letter from a Place I’ve Never Been at last allows us to see the full scope and range of Raz’s work.

This elegant and moving collection of poems grew out of Hilda Raz’s experience with her son’s journey to a transgender identity. Born Sarah, now Aaron, Raz’s child has had a profound impact on her understanding of what it means to be a family, to be whole, and to know oneself. The collection moves between past and present, allowing Raz to reflect on her own childhood and on her experience with breast cancer to find ways to connect with Aaron. The journey takes us from intimacy to strangeness and back again, from denial to humor to grief and rage, but always laced with love and acceptance. “Trans” means across, through, over, to or on the other side, and beyond. This book documents some major transformations of body, self, society, and spirit that art requires and life allows. The poems are accessible and finely wrought. They are equally testaments to Raz’s insistence on making an order out of chaos, of finding ways to create and understand and eventually accept new definitions of self and family. The physical and sensuous language of Raz’s poems, and their humanity, keep them intimately bound to the world and to the senses.

This collection of poems is an exploration of lives and selves transformed by choice and by chance. Formally and thematically diverse, these poems are testament to the will to redefine oneself in a world of constant, and often painful, change. Beginning intimately with poems of personal examination and moving gradually to the world of shared experience, Hilda Raz rethinks the structures of family and community while examining the impact of loss and growth. All Odd and Splendid takes its title from a quotation attributed to Diane Arbus, the American photographer known for her portraits. Raz's poems share Arbus's steadfast celebration of the strangeness in the ordinary, bringing us into contact with a beauty and pain that are inseparable when we see things as they truly are.

“Being a man, like being a woman, is something you have to learn,” Aaron Raz Link remarks. Few would know this better than the coauthor of What Becomes You, who began life as a girl named Sarah and twenty-nine years later began life anew as a gay man. Turning from female to male and from teaching scientist to theatre performer, Link documents the extraordinary medical, social, legal, and personal processes involved in a complete identity change. Hilda Raz, a well-known feminist writer and teacher, observes the process as both an “astonished” parent and as a professor who has studied gender issues. All these perspectives come into play in this collaborative memoir, which travels between women’s experience and men’s lives, explores the art and science of changing sex, maps uncharted family values, and journeys through a world transformed by surgery, hormones, love, and . . . clown school. Combining personal experience and critical analysis, the book is an unusual-and unusually fascinating-reflection on gender, sex, and the art of living.

This elegant and moving collection documents Hilda Raz’s experience with breast cancer. The journey, from diagnosis to chemotherapy to mastectomy, from denial to humor to grief and rage, is ultimately one of courage and creativity. The poems themselves are accessible and finely wrought. They are equally testaments to Raz's insistence on making an order out of chaos, of finding ways to create and understand and eventually accept new definitions of good and evil, health, blame, and personal boundaries-in short, a new sense of self. These poems remain intimately bound to the world and of the senses, becoming documents of transformation.

In What Happens these musically wrought and emotionally candid poems explore the pleasure and pain of family relationships, the complicated joy of being a woman, and the unconventional beauty of the Great Plains. Readers will meet Raz’s son, Aaron, and find themselves drawn to fundamental questions about identity and belonging.

Hilda Raz has long been a significant voice for American poetry. She writes of widows dancing and of squirrels fat in late September, of the power of a woman's voice, solitary, 'blessed to be the womb put to use or not.' Raz brings to her poetry and all the things it may encompass an authority wrought of compassion, of awareness and hard-won wisdom. She writes, 'I bent over the mess, began to gather it up' and this is an apt description for how a life might be crafted into poetry. She knows where poetry comes from, as Yeats did in his 'foul rag and bone shop,' that 'I'm not afraid anymore. / How heavy you were on my body. / How burnt I was from exposure.' The reader will remember the triumphs and heartbreaks, where 'I lean on rituals of the house. / Is it possible to live forever in silence?' and where a mother, dreaming,. . . sits in the rocking chair. From the shut closet, a cry. In the closet, wrapped in a snowsuit, under the zipper, one of the twinsshe gave birth to, this child in her arms. One twin died, she remembers,but this one is alive and mewing, a swollen belly, a perfect little head, a face. She'd forgotten him. No. I can fix everything.

After ten years of selecting great books from writers, new and established, Prairie Schooner celebrates the first decade of its Book Prize series by offering this collection of excerpts from each year's winners in fiction and poetry. Writers such as Brock Clarke, Anne Finger, Rynn Williams, and Paul Guest open windows to ordinary and fantastic experience showcasing the liveliness and power of contemporary literature. Greg Hrbek's darkly comic, genre-bending tales stand alongside Ted Gilley's stories about achieving bliss through pain and John Keeble's reflections on community and the difficulty of love. Here Shane Book's poems serve as an elegiac witness to suffering, while Kathleen Flenniken's poems consider ordinary women constructing their own significance, and Kara Candito's explore sex, loss, and human passions. Whether the topic is fantastic or quotidian, childbirth or monsters, South American airplane disaster or suburban Wisconsin, this writing carries us to the furthest reaches of human experience.

Before recovery comes the preparation to recover. In City of Slow Dissolve, John Cha´vez takes readers through this journey--the "slow dissolve," the unpacking and re-packing of self that must take place before healing can begin. Fusing language poetry, lyric, and narrative, Cha´vez uses syntactical play, rhythm, and repetition of key words and lines to lend immediacy to emotions and actions. He tips words and images on their heads and invites readers to reexamine people and places that are at once familiar and utterly unfamiliar.

"Being a man, like being a woman, is something you have to learn," Aaron Raz Link remarks. Few would know this better than the coauthor of What Becomes You, who began life as a girl named Sarah and twenty-nine years later began life anew as a gay man. Turning from female to male and from teaching scientist to theatre performer, Link documents the extraordinary medical, social, legal, and personal process involved in a complete identity change. Hilda Raz, a well-known feminist writer and teacher, observes the process as both an "astonished" parent and as a professor who has studied gender issues. All these perspectives come into play in this collaborative memoir, which travels between women's experience and men's lives, explores the art and science of changing sex, maps uncharted family values, and journeys through a world transformed by surgery, hormones, love, and ...clown school. Combining personal experience and critical analysis, the book is an unusual - and unusually fascinating - reflection on gender, sex, and the art of living.