Hilma af Klint

Affordable and giftworthy postcard sets of popular works by the pioneering painter and mysticSome of Hilma af Klint's most popular motifs are now available as postcards collected in four different sets. Each box contains 40 postcards featuring four sets of 10 works.

Affordable and giftworthy postcard sets of popular works by the pioneering painter and mysticSome of Hilma af Klint's most popular motifs are now available as postcards collected in four different sets. Each box contains 40 postcards featuring four sets of 10 works.

Affordable and giftworthy postcard sets of popular works by the pioneering painter and mysticSome of Hilma af Klint's most popular motifs are now available as postcards collected in four different sets. Each box contains 40 postcards featuring four sets of 10 works.

Affordable and giftworthy postcard sets of popular works by the pioneering painter and mysticSome of Hilma af Klint's most popular motifs are now available as postcards collected in four different sets. Each box contains 40 postcards featuring four sets of 10 works.

Hilma af Klint was part of a group of female friends who called themselves ‘The Five’, which was active between 1896 and 1908. Together with Anna Cassel, Cornelia Cederberg, Sigrid Hedman, and Mathilda Nilsson, af Klint had been a member of the ‘Edelweiss Society’ – a group that combined Christian ideas, Theosophy, and Spiritualism. The Five received messages from higher spirits that they called the High Masters, and during their seances they documented the messages in trance-like states with automatic writing and drawing. There are 15 sketchbooks from this period, and Bokförlaget Stolpe are now making three of them (S2 HaK 1515, S6 HaK 1519 and S13 HaK 1526) available in a reproduction edition. The sketchbooks will be sold together in a slipcase. Hilma af Klint, 1862–1944. Anna Cassel, 1860–1937. Cornelia Cederberg, 1854–1933. Sigrid Hedman, 1855–1922. Mathilda Nilsson, 1844–1923.

“Revelatory and sublime…Her work remains conceptually open enough for viewers to draw their own conclusions, insert their own meaning and feel transported to other glorious worlds.” —The New York Times One of the most inventive artists of the twentieth century, Hilma af Klint was a pioneer of abstraction. Her first forays into her imaginative non-objective painting long preceded the work of Kandinsky and Mondrian and radically mined the fields of science and religion. Deeply interested in spiritualism and philosophy, af Klint developed an iconography that explores esoteric concepts in metaphysics, as demonstrated in Tree of Knowledge. This rarely seen series of watercolors renders orbital, enigmatic forms, visual allegories of unification and separateness, darkness and light, beginning and end, life and death, and spirit and matter. Published on the occasion of the exhibition Hilma af Klint: Tree of Knowledge at David Zwirner New York in 2021 and David Zwirner London in 2022, this catalogue features a text by the art historian Susan Aberth examining af Klint’s spiritual and anthroposophical influences. With a conversation between the curator Helen Molesworth and the US Poet Laureate Joy Harjo discussing connections between Tree of Knowledge and native theories about plant knowledge, the publication broadens the scope of philosophical interpretations of af Klint's timeless work. Also included is a newly commissioned essay by the celebrated af Klint scholar Julia Voss, a contribution by the artist Suzan Frecon, and a text by art historian Max Rosenberg that further develops the conversation around why af Klint’s work was not recognized in its time.

An authoritative, stupendously produced seven-volume publication from Bokf rlaget Stolpe

Hilma af Klint was classically trained, with a degree from the Royal Institute of Art in Stockholm. This volume shows yet another side of Hilma af Klint’s multifaceted artistry and presents her as painter of landscapes, portraits, and botanical specimens. Although landscapes and portraits are not her most famous pieces, they remain important to her collection of works. This volume includes almost 400 works and a biographical essay written by the German author and art historian Julia Voss.

A moving biography, told in vivid illustrations, this graphic novel features key moments in the life of Swedish artist and pioneer of abstract painting Hilma af Klint (1862–1944). Long-underrecognized, af Klint’s sensational rediscovery continues to take art audiences by storm. Artist Philipp Deines traces the story of now world-famous af Klint’s unique life and groundbreaking oeuvre through five chapters featuring her development as an artist, her family background, and her relationship to the spiritual. Highlighting how she came to her distinctive paintings, her spiritual quest, and the friends who helped her, this is a story of the strength it took af Klint to continue as an artist against all odds. Beautifully drawn, brightly colored, and well-researched, this graphic novel is a new way of looking at the story of an artist. Referencing Julia Voss’s new biography of af Klint, Deines presents an accessible and lively introduction for many ages. Biography, art history, and contemporary narrative style merge and complement each other in these magnificent visual worlds.

teNeues NYC Stationery is proud to share our newest offering, classic Playing Cards with our signature style curated from museum art and illustrations from our favourite artists around the world printed on embossed, premium blue-core card stock in a gift box with flip-top magnetic closure. Group X, No. 1, Altarpiece by Hilma af Klint is a dynamic painting by this largely unsung prolific fine artist, painted over 100 years ago. She was so forward thinking and beyond her contemporaries that we are only beginning to appreciate her talent now. Our little portable box is giftable and great for travel, fits in any bag and the magnetic closure keeps the cards together between games. Standard deck of 54 playing cards including 2x joker cardsFull-colour, richly -printed artwork on embossed, blue-core card stockGiftable flip-top box with magnetic closureBox measures: 69 x 95 x 25 mm Hilma af Klint (1862-1944) was a Swedish artist. Her abstract artworks, may featuring bold colours, geometric, and free form shapes, were created as visual representations of af Klint's spiritual experiences. These avant-garde works are now widely considered to be among the first pieces of the Abstract art movement.

Hilma af Klint's wonderous painting The Ten Greatest - No. 3 is a bright example of intellect coming together with art and creativity. This painting was carefully reproduced on the cover of our lined notebook to inspire you to write, draw, create in your own space on your own time. This soft-covered paperback notebook has full-colour artwork on the front and back cover by the best illustrators and artists from around the world. 140 pages of 5mm dot-grid paper is an excellent canvas for bullet journaling, list-making, all forms of writing and doodling. Bring it everywhere you go. Handsome exposed, section-sewn binding means the notebook lies flat when open on any page. Soft-covered paperback notebookFull-colour artwork on front and back cover 140 pages with 5 mm dot-grid printed paperExposed, section-sewn binding lies flat when openMatching orange dip-dyed edgesMeasures: 209 x 146 x 10 mmPaper weight: 100 gsm wood freeEnd page weight: 120 gsm wood freeCover weight: 300 gsm artboard with rounded corners Hilma af Klint (1862-1944) was a Swedish artist. Her abstract artworks, may featuring bold colours, geometric, and free form shapes, were created as visual representations of af Klint's spiritual experiences. These avant-garde works are now widely considered to be among the first pieces of the Abstract art movement.

Our Small Bullet Journals are slim paperback notebooks with dot-grid or lined pages and are the perfect place to make your list, jot ideas or doodle. 120 lined pages. Pages edged with indigo dip-dyed edges. Exposed binding lays flat. We choose the best images from well-known classic and contemporary fine artists, plus talented emerging illustrators and designers from around the globe. Hilma af Klint (1862-1944) was a Swedish artist. Her abstract artworks, may featuring bold colours, geometric, and free form shapes, were created as visual representations of af Klint's spiritual experiences. These avant-garde works are now widely considered to be among the first pieces of the Abstract art movement.

At the turn of the twentieth century, Swedish artist Hilma af Klint (1862–1944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian. Many consider her the first trained artist to create abstract paintings. With Hilma af Klint: Notes and Methods, we get to experience the arc of Klint’s artistic investigation in her own words. Hilma af Klint studied at the Royal Swedish Academy in Stockholm where she was part of the first generation of female students. Up until the beginning of the century, she painted mainly landscapes and detailed botanical studies. Her work from this period was that of a young artist of her time who meticulously observed the world around her. But, like many of her contemporaries, af Klint was also interested in the invisible relationships that shape our world, believing strongly in a spiritual dimension. She joined the Theosophical Society, and, with four fellow female members who together called themselves “The Five,” began to study mediumship. Between 1906 and 1915, purportedly guided by a higher power, af Klint created 193 individual works that, in both scale and scope of imagery, are like no other art created at that time. Botanically inspired images and mystical symbols, diagrams, words and geometric series, all form part af Klint’s abstract language. These abstract techniques would not be seen again until years later. Notes and Methods presents facsimile reproductions of a wide array of af Klint’s early notebooks accompanied by the first English translation of af Klint’s extensive writings. It contains the rarely seen “Blue Notebooks,” hand-painted and annotated catalogues af Klint created of her most famous series “Paintings for the Temple,” and a dictionary compiled by af Klint of the words and letters found in her work. An introduction by Iris Müller-Westermann illuminates this unique and important contribution to the legacy of Hilma af Klint.