Hiroko Oyamada

Baboons chatter in the zoo. Tadpoles writhe in a pond. A gecko is stuck to the window. And ants are crawling everywhere. Nature runs wild and mysterious in this stunning collection of stories by Hiroko Oyamada in which the everyday reality of the human world, with its social norms and familial ties, slides into something altogether more strange. As children begin to explore the landscape around them and adults are forced to navigate the bumpy terrain of marriage, parenthood and grief, the non-human world pulsates with a life of its own, and humans are revealed to be the most incomprehensible species of all.

Tre yngre personer, en kvinde og to mænd, bliver ansat på Fabrikken, et gigantisk, anonymt industrikompleks, der fremstiller ”produkter”. Den ene skal makulere papir, den anden læse korrektur på dokumenter, og den tredje skal indsamle prøver af de mosser, der gror på fabrikkens område. Alle tre har de brug for en løn, og romanen følger deres forsøg på at komme til rette med et arbejde, der fylder deres liv og dog er fuldstændig tomt. Individualiteten slibes umærkeligt ned, og selv sproget, der skulle fordre kommunikationen mellem mennesker, brydes i omgangen med kollegaerne ned til fraser og konventioner. Hvad laver jeg her? spørger en af de ansatte i et øjebliks desperation over manglen på mening og indhold. Ikke engang naturen tilbyder et frirum, ødelagt som den er: de sorte fabriksskarver, der flakser rundt nede ved floden uden at kunne flyve, og sumpbæverne, der formerer sig uhæmmet i kloakkerne under fabrikkens bygninger og bliver monstrøst store. Fabrikken giver et stilfærdigt rystende billede af, hvad den moderne korporative arbejdskultur gør ved mennesker "Konstant insisterende og dragende." - Berlingske, 4 stjerner

Beyond the town, there is the factory. Beyond the factory, there is nothing. Within the sprawling industrial complex, three employees are assigned to different departments. There, each must focus on a specific task: one shreds paper, one proofreads documents, and another studies the moss growing all over the expansive grounds. As they grow accustomed to the routine and co-workers, their lives become governed by their work. Days take on a strange logic and momentum, and little by little, the margins of reality seem to be dissolving: Where does the factory end and the rest of the world begin? What's going on with the strange animals here? And after a while - it could be weeks or years - the three workers struggle to answer the most basic question: what am I doing here? With hints of Kafka and Beckett and unexpected moments of creeping humour, The Factory is a vivid, and sometimes surreal, portrait of the absurdity and meaninglessness of the modern workplace.

When Asa's husband is offered a new job away from the city, the couple end up relocating. And since his new office is very close to his family's home, it makes sense to move in next door to his parents. Through the long hot summer, Asa does her best to adjust to their new rural lives, to the constant presence of her in-laws, to the emptiness of her existence and the incessant buzz of cicadas. And then one day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole - a hole that seems to have been made specifically for her. Thus begins a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape and the family she has married in to, leading her to question her role in this world and, eventually, who she even is.

'As I tried to move, I realized how narrow the hole really was. The hole felt as though it was exactly my size - a trap made just for me' When Asa's husband is offered a new job away from the city, the couple end up relocating. And since his new office is very close to his family's home, it makes sense to move in next door to his parents. Through the long hot summer, Asa does her best to adjust to their new rural lives, to the constant presence of her in-laws, to the emptiness of her existence and the incessant buzz of cicadas. And then one day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole - a hole that seems to have been made specifically for her. Thus begins a series of bizarre experiences that drives Asa deeper into the mysteries of this rural landscape and the family she has married in to, leading her to question her role in this world and, eventually, who she even is. 'A great book' Patti Smith 'Surreal and mesmerizing' New York Times 'A rare literary page-turner' Monique Truong 'A haunting and transformative work of fiction' Laura van den Berg

En novellecyklus om maskulinitet, ægteskab og forældreskab i det moderne Japan, fortalt fra en yngre mands perspektiv. Med præcision og underspillet humor synliggør de tre historier de uudtalte understrømme, der findes i de fleste menneskelige relationer. I den første novelle er fortælleren på besøg hos akvariebutiksejeren Urabe, hvis hårdkogte tanker om lighederne mellem fisk og mennesker sætter hans egen barnløshed i relief. I "Væslens sidste skrig" kommer fortællerens kone, der drømmer om at blive gravid, med et kontroversielt forslag til en løsning på problemet med væsler på loftet. I "Snebarnet" sner fortælleren inde hos venneparret, der netop har fået barn, og tilbringer en urolig nat til lyden af babygråd. Hiroko Oyamada skildrer de fortrængte sider af det moderne liv med den surrealistiske sensibilitet og urovækkende følelsestone, der er blevet hendes litterære signatur. "En stor roman i enkel indpakning." - Søndag"Eventyrligt afskyelig og stilfærdigt foruroligende." - Weekendavisen"En af Japans bedste nye forfatterstemmer." - Politiken, 4 hjerter"Novellerne virker på mig. Med deres sært flagrende mænd, lidt fjerne eller rekvisitagtige kvinder og den sælsomme atmosfære af latent, endnu ikke eksploderet gru, jeg fascineres af." - Kr. Dagblad, 4 stjerner

From the award-winning author of Weasels in the Attic, a modern fable about the world of work Beyond the town, there is the factory. Beyond the factory, there is nothing. Within the sprawling industrial complex, three new employees are each assigned a department. There, each must focuses on a specific task: one shreds paper, one proofreads documents, and another studies the moss growing all over the expansive grounds. As they grow accustomed to the routine and co-workers, their lives become governed by their work--days take on a strange logic and momentum, and little by little, the margins of reality seem to be dissolving: Where does the factory end and the rest of the world begin? What's going on with the strange animals here? And after a while--it could be weeks or years--the three workers struggle to answer the most basic question: What am I doing here? With hints of Kafka and Beckett and unexpected moments of creeping humour, The Factory is a vivid, and sometimes surreal, portrait of the absurdity and meaninglessness of the modern workplace.

A UK debut from a fresh, prize-winning talent, this quietly surreal novel is perfect for fans of Sayaka Murata and Mieko Kawakami Two friends meet across three dinners. In the back room of a pet shop, they snack on dried shrimps and discuss fish-breeding. In a remote new home in the mountains, they look for a solution to a weasel infestation. During a dinner party in a blizzard, a mounting claustrophobia makes way for uneasy dreams. Their conversations often take them in surprising directions, but when one of the men becomes a father, more and more is left unsaid. With emotional acuity and a wry humour, Weasels in the Attic it is an uncanny and striking reflection on fertility, masculinity, and marriage in contemporary Japan.

Asas ægtefælle får nyt job, og det unge par flytter fra Tokyo ud på landet til hans forældre. Det er en ekstremt varm sommer, og Asa forsøger at vænne sig til ensomheden, sin svigerfamilies nærvær og cikadernes intense summen. En dag hvor hun er ude at gå, ser hun et sort dyr, følger efter det og falder i et hul, der virker som om det er lavet specielt til hende. Herefter følger andre gådefulde begivenheder og møder der hensætter hende – og læseren med – i en tilstand af uro og tvivl om, hvad der er virkeligt og hvad der ikke er. "En meget fin læseoplevelse." - Jyllands-Posten, 5 stjerner"En fantastisk lille roman." - Femina, 5 hjerter "En præcis portrættering af, hvad det vil sige at være kvinde i en kultur, hvor man ikke betyder noget i kraft af sig selv." - Politiken, 4 hjerter"Oyamada fremmaner dygtigt og stilsikkert et snigende ubehag."- Weekendavisen"Intens og tryllebindende roman af en af Japans store samtidsforfattere." - Litteratursiden

In three interconnected scenes, Hiroko Oyamada revisits the same set of characters at different junctures in their lives. In the back room of a pet store full of rare and exotic fish, old friends discuss dried shrimp and a strange new relationship. A couple who recently moved into a rustic home in the mountains discovers an unsettling solution to their weasel infestation. And a dinner party during a blizzard leads to a night in a room filled with aquariums and unpleasant dreams. Like Oyamada's previous novels, Weasels in the Attic sets its sights on the overlooked aspects of contemporary Japanese society, and does so with a surreal sensibility that is entirely her own.

Asa’s husband is transferring jobs, and his new office is located near his family’s home in the countryside. During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: she makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time. One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole—a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.

The English-language debut of one of Japan's most exciting new writers, The Factory follows three workers at a sprawling industrial factory. Each worker focuses intently on the specific task they've been assigned: one shreds paper, one proofreads documents, and another studies the moss growing all over the expansive grounds. But their lives slowly become governed by their work—days take on a strange logic and momentum, and little by little, the margins of reality seem to be dissolving: Where does the factory end and the rest of the world begin? What's going on with the strange animals here? And after a while—it could be weeks or years—the three workers struggle to answer the most basic question: What am I doing here? With hints of Kafka and unexpected moments of creeping humor, The Factory casts a vivid—and sometimes surreal—portrait of the absurdity and meaninglessness of the modern workplace.