Horatio Alger

A man of middle age, muffled up in an overcoat, got out of a Third Avenue car, just opposite a small drug shop. Quickly glancing up and down the street with a furtive look, as if he wished to avoid recognition from any passerby who might know him, he entered the shop. It was a small shop, not more than twelve feet wide by eighteen deep. The only person in attendance was a young man approaching thirty years of age, his eyes and hair very light, and his features small and insignificant. He was the druggist's clerk, working on a small salary of ten dollars a week, and his name was James Cromwell.

From Canal Boy to President - Or, the Boyhood and Manhood of James A. Garfield is an unchanged, high-quality reprint of the original edition of 1881. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Jed was a good boy, but the new directors of the poorhouse didn't think so. Life became so unbearable for Jed, that when an actor accidentally thought the poorhouse was a hotel and Jed found him in his bed.. Jed jumped at the chance to leave the poorhouse. Through many trials and tribulations Jed comes out shining in the end.

From Canal Boy to President - The boyhood and manhood of James A. Garfield is an unchanged, high-quality reprint of the original edition of 1881. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

"Sit up to the table, children, breakfast's ready." The speaker was a woman of middle age, not good-looking in the ordinary acceptation of the term, but nevertheless she looked good. She was dressed with extreme plainness, in a cheap calico; but though cheap, the dress was neat. The children she addressed were six in number, varying in age from twelve to four. The oldest, Harry, the hero of the present story, was a broad-shouldered, sturdy boy, with a frank, open face, resolute, though good-natured. "Father isn't here," said Fanny, the second child. "He'll be in directly. He went to the store, and he may stop as he comes back to milk." The table was set in the center of the room, covered with a coarse tablecloth. The breakfast provided was hardly of a kind to tempt an epicure. There was a loaf of bread cut into slices, and a dish of boiled potatoes. There was no butter and no meat, for the family were very poor.

"Oh, well, they can stand it," said James. "So can you," said Ben. "Your father is pretty well off, and you won't suffer." "Oh, I shall have enough to eat, and so on; but I shan't have any spending money, and I can't get a new suit, as I expected to this fall." "I wish that was all I had to fear," said Ben; "but you know how it is with me. I don't see how Aunt Jane is going to get along without my earnings." "Oh, you'll get along somehow," said James carelessly, for he did not care enough about other people's prospects to discuss them. "Yes, I guess so," said Ben, more cheerfully. "There's no use in worrying. Wait and Hope-that's my motto.

"Nat, where have you been?" "Been fishing," answered the boy addressed, a sturdy youth of sixteen, with clear blue eyes and sandy hair. "Fishin'? And who said you could go fishin'?" demanded Abner Balberry, in his high, nervous voice. "Nobody said I could go," answered the boy, firmly. "But I thought you'd all like to have some fish for supper, so I went." "Humph I suppose you thought as how them taters would hoe themselves, eh?" sneered Abner Balberry, who was not only Nat's uncle, but also his guardian. "I hoed the potatoes," was the boy's answer. "Got through at half-past two o'clock."

Washing the face and hands is usually considered proper in commencing the day, but Dick was above such refinement. He had no particular dislike to dirt, and did not think it necessary to remove several dark streaks on his face and hands. But in spite of his dirt and rags there was something about Dick that was attractive. It was easy to see that if he had been clean and well dressed he would have been decidedly good-looking. Some of his companions were sly, and their faces inspired distrust; but Dick had a frank, straight-forward manner that made him a favorite. Dick's business hours had commenced. He had no office to open. His little blacking-box was ready for use, and he looked sharply in the faces of all who passed, addressing each with, "Shine yer boots, sir?" "How much?" asked a gentleman on his way to his office. "Ten cents," said Dick, dropping his box, and sinking upon his knees on the sidewalk, flourishing his brush with the air of one skilled in his profession. "Ten cents Isn't that a little steep?" "Well, you know 'taint all clear profit," said Dick, who had already set to work. "There's the blacking costs something, and I have to get a new brush pretty often." "And you have a large rent too," said the gentleman quizzically, with a glance at a large hole in Dick's coat.

All of Alger's juvenile novels share essentially the same theme, known as the "Horatio Alger myth" a teenage boy works hard to escape poverty. Often it is not hard work that rescues the boy from his fate but rather some extraordinary act of bravery or honesty. The boy might return a large sum of lost money or rescue someone from an overturned carriage. This brings the boy-and his plight-to the attention of a wealthy individual. By the time he died in 1899, Alger had published around a hundred volumes. Scholar John Geck observes that Alger's themes have been transformed in modern America from their original meanings into a male Cinderella myth and are an Americanization of the traditional Jack tales. Each story has its clever hero, its "fairy godmother", and obstacles and hindrances to the hero's rise. "However", he writes, "the true Americanization of this fairy tale occurs in its subversion of this claiming of nobility; rather, the Alger hero achieves the American Dream in its nascent form, he gains a position of middle-class respectability that promises to lead wherever his motivation may take him". The reader may speculate what Cinderella achieved as Queen and what an Alger hero attained once his middle-class status was stabilized, and " i]t is this commonality that xes Horatio Alger rmly in the ranks of modern adaptors of the Cinderella myth". This classic title has been published by RADLEY BOOKS. Each RADLEY CLASSIC is a meticulously restored, luxurious and faithful reproduction of a classic book; produced with elegant text layout, clarity of presentation, and stylistic features that make reading a true pleasure. Special attention is given to legible fonts and adequate letter sizing, correct line length for readability, generous margins and triple lead (lavish line separation); plus we do not allow any mistakes/changes/additions to creep into the author's words. Visit RADLEY BOOKS at www.radleybooks.com (or search RADLEY CLASSIC on Amazon) to see more classic book titles in this series.

All of Alger's juvenile novels share essentially the same theme, known as the "Horatio Alger myth" a teenage boy works hard to escape poverty. Often it is not hard work that rescues the boy from his fate but rather some extraordinary act of bravery or honesty. The boy might return a large sum of lost money or rescue someone from an overturned carriage. This brings the boy-and his plight-to the attention of a wealthy individual. By the time he died in 1899, Alger had published around a hundred volumes. Scholar John Geck observes that Alger's themes have been transformed in modern America from their original meanings into a male Cinderella myth and are an Americanization of the traditional Jack tales. Each story has its clever hero, its "fairy godmother", and obstacles and hindrances to the hero's rise. "However", he writes, "the true Americanization of this fairy tale occurs in its subversion of this claiming of nobility; rather, the Alger hero achieves the American Dream in its nascent form, he gains a position of middle-class respectability that promises to lead wherever his motivation may take him". The reader may speculate what Cinderella achieved as Queen and what an Alger hero attained once his middle-class status was stabilized, and " i]t is this commonality that xes Horatio Alger rmly in the ranks of modern adaptors of the Cinderella myth". This classic title has been published by RADLEY BOOKS. Each RADLEY CLASSIC is a meticulously restored, luxurious and faithful reproduction of a classic book; produced with elegant text layout, clarity of presentation, and stylistic features that make reading a true pleasure. Special attention is given to legible fonts and adequate letter sizing, correct line length for readability, generous margins and triple lead (lavish line separation); plus we do not allow any mistakes/changes/additions to creep into the author's words. Visit RADLEY BOOKS at www.radleybooks.com (or search RADLEY CLASSIC on Amazon) to see more classic book titles in this series.