Hugh Macdonald

After a childhood reckoning with the dystopic world he was born into, Adam is now fifteen and living peacefully in the woods with other escapees from collapsed city-states. Having studied the teachings of First Nations peoples, the communities are thriving in harmony with the natural world. But recently there's a discordant note -- children are being kidnapped from some other communities; some places have been burned down. There is trouble brewing in the woods, and uncovering its source leads Adam and his friends to the most astonishing discovery of their lives. An engaging adventure and satisfying end to Hugh MacDonald's trilogy, Our Rock and Our Salvation explores community, restorative justice, and the potential for our very planet.

The stage works of Saint-Saëns range from grand open-air pageants to one-act comic operas, and include the first composed film score. Yet, with the exception of Samson et Dalila, his twelve operas have lain in the shadows since the composer's death in 1921. Widely performed in his lifetime, they vanished from the repertory - never played, never recorded - until now. With four twenty-first-century revivals as a backdrop, this timely book is the first study of Saint-Saëns's operas, demonstrating the presence of the same breadth and versatility as in his better known works. Hugh Macdonald's wide knowledge of French music in the nineteenth century gives a powerful understanding of the different conventions and expectations that governed French opera at the time. The interaction of Saint-Saëns with his contemporaries is a colourful and important part of the story.

The first English translation of Bizet's letters and journals from his stay in Italy, with explanatory texts from one of the leading authorities on the composer's life and music. In 1857, Georges Bizet (1838-1875) won the prestigious Prix de Rome scholarship which allowed him to study in Italy for a few years at the expense of the French state. While Bizet's correspondence from this time suggests that he was not fond of Italian music, he was especially drawn to the landscape and Italian Renaissance art and painting. Though Bizet's thoughts later turned away from rural life and the masterpieces of the Renaissance, his letters and journals from this period document the growth of a young musician who would eventually write Carmen. Translated into English for the first time, Bizet's letters from his stay in Italy (at the Villa Medici in Rome, with expeditions to various other parts of the country) reveal much about his character and tastes. These extraordinary documents are fully annotated, and presented alongside never-before-published translations of Bizet's journals from the same years. Linking textual guides supplied by one of the leading authorities on the composer provide unique insights into the composer's formative years that cannot be found anywhere else.

The stage works of Saint-Saëns range from grand open-air pageants to one-act comic operas, and include the first composed film score. Yet, with the exception of Samson et Dalila, his twelve operas have lain in the shadows since the composer's death in 1921. Widely performed in his lifetime, they vanished from the repertory - never played, never recorded - until now. With four twenty-first-century revivals as a backdrop, this timely book is the first study of Saint-Saëns's operas, demonstrating the presence of the same breadth and versatility as in his better known works. Hugh Macdonald's wide knowledge of French music in the nineteenth century gives a powerful understanding of the different conventions and expectations that governed French opera at the time. The interaction of Saint-Saëns with his contemporaries is a colourful and important part of the story.

After years of struggle by Blanchfleur to maintain its independence, the idyllic walled city of Aahimsa, a community of girls and women dedicated to making a life of peace free of the brutality and aggression of outsiders, and its prospering Manuhome, are suddenly victims of a brutal surprise attack by the forces of The World Federation of City States. Mabon and Nora are in hiding outside the city where they witness all the horrors of the assault. Adam, their adoptive son, is no longer with them, having been placed under the protection of Doctor Ueland at the Manuhome. Adam, known to the federation as The Last Wild Boy has been hunted down since his unauthorized birth in Aahimsa. Blanchfleur the mayor of Aahimsa along with her daughter and granddaughter Tish, flee for their lives along with hundreds of the Manuhome workers. A few of them are thrown together and, although some are strangers and long-time enemies, they are forced by circumstance to attempt to find a way to escape extinction in the outside world against powerful and relentless common enemies, traitors and especially the federation's murderous and heartless robotic army. They must deal with great dangers and unexpected revelations. Can they manage to work together and adjust their thinking enough to survive and find happiness against such seemingly insurmountable odds?

This is a new young adult novel by P. E. I.'s Poet Laureate. It is a dystopic story about Nora who lives in the walled city of Aahimsa, an idyllic community of girls and women working together to make a peaceful life free of the brutality of the outsiders. As the companion of the mayor of Aahimsa's daughter, Alice, she enjoys privileges that other women from the working class can only dream of. But when she and Alice find an outsider baby abandoned within the city walls, Nora starts to question whether the outsiders pose as much of a threat to her civilization as she's been taught. With the baby's life in danger, Nora must decide whether she's willing to give up everything she has to save him, and who she can trust to help her.

Today Georges Bizet is most immediately recognized as the composer of the acclaimed opera Carmen. One of the most frequently performed operas for over a century, Carmen explores concepts such as the femme fatale and murderous jealousy with vivacity, color, and a wealth of melody. Yet it is only one act in Bizet's story. In Bizet, renowned musicologist Hugh Macdonald goes beyond the composer's most famous opera to take an in-depth look at his entire life and oeuvre. In so doing, Macdonald identifies a number of previously unknown pieces by Bizet, assembling the first comprehensive catalogue of the composer's work. Incorporating these little-known pieces with a thorough reading of primary sources, Macdonald considers the latest in Bizet scholarship to create a complete biography of the composer. Revealing the true extent of Bizet's work as arranger and transcriber, Macdonald sheds light on the composer's complex relationships with his contemporaries, and traces the strange misrepresentation of Bizet's work by French publishers and opera houses in the 1880s, when Carmen rose to worldwide popularity ten years after the composer's early death. The first biography of Bizet in the Master Musicians series in nearly four decades, Bizet will be essential reading for students and scholars of nineteenth-century opera, as well as for Carmen devotees and opera fans.

WINNER: 2013 CHOICE Outstanding Academic Title Award No one composer is at the centre of this fascinating story, but a larger picture emerges of a shift in musical scenery, from the world of the innocent Romanticism of Berlioz and Schumann to the more potent musical politics of Wagner, and of his antidote (as many saw him), Brahms. Why 1853? For many leading composers this year brought far-reaching changes to their lives: Brahms emerged from obscurity to celebrity, Schumann ceased to be an active composer, and both Berlioz and Wagner became active again after long silences. By limiting the perspective to a single year yet extending it to a group of musicians, their constant interconnections become the central motif: Brahms meets Berlioz and Liszt as well as Schumann; Liszt is a constant link in every chain; Joachim is close to all of them; Wagner is on everyone's mind. No one composer is at the centre of the story, but a network of musicians spreads across the map of Europe from London and Paris to Leipzig and Zurich. Music in 1853 shows how musicians were now more closely connected than ever before, through the constant exchange of letters and the rapidly expanding railway network. The book links geography and day-to-day events to show how international the European musical scene had become. A larger picture emerges of a shift in musical scenery, from the world of the innocent Romanticism of Berlioz and Schumann to the more potent musical politics of Wagner and of his antidote (as many saw him) Brahms. HUGH MACDONALD is Avis H. Blewett Professor Emeritus of Music at Washington University, St Louis. He has authored books on Skryabin and Berlioz and has previously published Beethoven's Century: Essays on Composers and Themes with Boydell/URP.

A Prince Edward Island Alphabet

Mr. Chung Lee is a retired restaurant cook who buys one lobster a month with his old age pension cheque, takes the lobster to the seashore, and releases it into the sea. This book, a PEI favourite, was originally published in 1992 by Annick Press, but it has since gone out-of-print. New illustrations and fresh text will make it a favourite for a new generation of Islanders. This story won the L. M. Montgomery Children's Literature Award in 1990.

Title: Days at the Coast: a series of sketches descriptive of the Frith of Clyde ... Monumental edition. Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC. The HISTORY OF BRITAIN & IRELAND collection includes books from the British Library digitised by Microsoft. As well as historical works, this collection includes geographies, travelogues, and titles covering periods of competition and cooperation among the people of Great Britain and Ireland. Works also explore the countries' relations with France, Germany, the Low Countries, Denmark, and Scandinavia. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Macdonald, Hugh; 1874. 390 p.; 8 . 10369.e.16.

I'm off to play hockey but I'm starting to think dad's dreams are the reason we go to the rink. He's doing the driving with Mum at his side, our frisky dog Crosby comes along for the ride. And dad is reminding me how I ought to play. He says the same things almost every day My mom sits knitting my new hockey sweater while my dad raves on about how to play better