Imogen Reid

The definitive showcase of the year’s finest British short stories ‘Bravo to Salt’s beacon of delight and intrigue – its annual collection of the UK’s best short stories, from established and emerging voices.’ —Duncan Minshull Now relaunched for a new era, Best British Short Stories returns with a bold new look and a renewed commitment to celebrating the art of the short story. As we enter our fifteenth volume, this much-loved annual collection continues to be the go-to anthology for readers seeking the most exciting and diverse voices in contemporary British fiction. Assembled by series editor Nicholas Royle, Best British Short Stories 2025 presents a stellar selection of stories first published in 2024, drawn from magazines, journals, anthologies, collections, chapbooks, and online. Whether you’re a devoted follower or discovering the series for the first time, this new edition reaffirms our mission to champion storytelling in all its forms. ‘If the latest iteration of Salt’s Best British Short Stories collection is anything to go by then the genre remains in safe hands.’ —Lawrence Foley, TLS Featuring stories by: David Bevan, Rose Biggin, Christopher Burns, Ian Critchley, Pippa Goldschmidt, Linden Hibbert, Hannah Hoare, Catrin Kean, Roger Luckhurst, Baret Magarian, Wyl Menmuir, Alison Moore, Okechukwu Nzelu, Simon Okotie, Imogen Reid, C. D. Rose, Iain Sinclair, Elizabeth Stott, Mark Valentine, and Naomi Wood.

Two books published back-to-back in a single volume for a double gut-punch of heartfelt, angry, and funny reflections on transfemme coming of age. Imogen Reid's Accept Yourself Or Die: From Mormon Missionary to Trans Punk travels from small-town Northern Ontario, to the Missionary Training Centre in Provo, Utah, to basement shows in Ottawa. It's a story about staying stubbornly human in a world that wants to destroy you, and also about how weird it is going door-to-door trying to convert people to Mormonism. Crossdresser: Growing Up Trans in the 1990s and 2000s, by Kat Rogue, explores what it does to a closeted trans girl to grow up saturated in the transmisogyny of 1990s pop culture and to come of age online, and how she managed to build her own relationship to femininity despite that. It argues that crossdressing, femme, and transness are more closely linked than some people think, and that Ace Ventura: Pet Detective really could have been great without all the transmisogyny.