Ines Arredondo

This anthology of stories is written by In s Arrendondo, a true writer of worship and one of the most interesting authors of the "half-century generation", who has been compared to important figures such as Juan Garc a Ponce and Salvador Elizondo. The anthology picks the best stories from three collections published by the author during her lifetime. The prologue is written by Geney Beltr n Fel x, one of the most important young Mexican critics in recent years. Antolog a de cuentos de la escritora sinaloense In s Arredondo, verdadera escritora de culto y una de las autoras m s interesantes de la llamada "Generaci n de medio siglo", a la que tambi n pertenecen figuras como Juan Garc a Ponce y Salvador Elizondo. La antolog a recoge los mejores cuentos de las tres colecciones de relatos que la autora public en vida. La curadur a y pr logo corren a cargo del tambi n sinaloense Geney Beltr n F lix, uno de los j venes cr ticos mexicanos m s importantes de los ltimos a os.

"Outstanding collection of stories chosen from Arredondo's Obras completas (1991), translated by Cynthia Steele, Elena Poniatowska, and the author. Informative essay by Steele, foreword by Poniatowska, and Steele's fine translation provide a welcome introduction to a body of work that deserves a wider readership in both Spanish and English. Highly recommended"--Handbook of Latin American Studies, v. 58.http://www.loc.gov/hlas/In the author's first collection of stories translated into English, she writes of erotic obsession, passionate love, depravity, and power

Inés Arredondo (1928–1989) published just three slim volumes of stories over twenty-three years, yet her reputation as a great writer, “a necessary writer,” is firmly established in Mexico. Her works dwell on obsessions: erotic love, evil, purity, perversion, prostitution, tragic separation, and death. Most of her characters are involved in ill-fated searches for the Absolute through both excessively passionate and sadomasochistic relationships. Inevitably, the perfect, pure dyad of two youthful lovers is interrupted or corrupted through the interference of a third party (a rival lover or a child), aging, death, or public morality. Set at the beginning of the twentieth century in the tropical northwestern Mexican state of Sinaloa, the stories collected in Underground River and Other Stories focus on female subjectivity. Arredondo’s adult male characters are often predators, depraved collectors of adolescent virgins, like the plantation owners in “The Nocturnal Butterflies” and “Shadows in the Shadows” and the dying uncle in “The Shunammite,” who is kept alive by incestuous lust. Since the young female protagonists rarely have fathers to protect them, the only thing standing between them and these lechers are older women. Perversely, these older women act as accomplices–along with the extended family and the Roman Catholic Church–in the sordid age-old traffic in women. Underground River and Other Stories is the first appearance of Arredondo’s stories in English.