iowyth hezel ulthiin

The Political Economy of Alternative Media provides in-depth insights into media practices used by grassroots projects to organize, produce, and distribute the media that supports and reports on social movements. The book is based on five years of participatory research with intersectional media activist projects. Mapping out the rich and varied textures of the political economy of media activist projects from small to large and from simple to complex, the book considers structures, funding models, media labour, and intersectional power, foregrounding the voices of global media activists. It reflects on the changes wrought by shifts to digital media ecologies and economies in the contemporary alternative new media space. This book will be of great interest to students and scholars of Politics and Communication Studies interested in the political economy of media, social movements, digital media, alternative media, radical media, critical media, and alternative journalism. It will also appeal to media activists and journalists, providing a roadmap for crucial considerations when developing organizational structures in new independent media projects.

The Political Economy of Alternative Media provides in-depth insights into media practices used by grassroots projects to organize, produce, and distribute the media that supports and reports on social movements. The book is based on five years of participatory research with intersectional media activist projects. Mapping out the rich and varied textures of the political economy of media activist projects from small to large and from simple to complex, the book considers structures, funding models, media labour, and intersectional power, foregrounding the voices of global media activists. It reflects on the changes wrought by shifts to digital media ecologies and economies in the contemporary alternative new media space. This book will be of great interest to students and scholars of Politics and Communication Studies interested in the political economy of media, social movements, digital media, alternative media, radical media, critical media, and alternative journalism. It will also appeal to media activists and journalists, providing a roadmap for crucial considerations when developing organizational structures in new independent media projects.

The Witch: A Pedagogy of Immanence is a deeply personal journey through trauma to resilience and renewal in a process to find the core of an Indigenous way of knowing. Raised a M tis person within white settler culture, ulthiin seeks the seeds of an Indigenous way of being within the texts of their life, looking for the echoes of a hidden, grounded, ecological humanity within the entrails of a culture that eats stories. In an act of epistemological revolution, they seek to reconstruct a lost animist way of being contained within the very core of Western Culture. Witchcraft becomes a set of tools by which the individual may take apart the stories of their own becoming, to engage in parallel deconstructions of the oppressions brought about by settler cultures, finding instead a new path by which humanity may rediscover their place within nature. ulthiin calls for a radical recasting of the human as an emergent phenomena of spirit via nature, calling forth a pedagogy of Eros, of wild erotic passion for the world as a missing piece of the self.

The Capitol Riots maps out the events of the January 6, 2021 insurrectionary riots at the United States Capitol building, providing context for understanding the contributing factors and ongoing implications of the uprising. This definitive text explores the rise of populism, disinformation, conspiracy theories, the alt-right, and white supremacy during the lead-up to and planning of the Stop the Steal campaign, as well as the complex interplay during the riots of political performances, costumes, objectives, communications, digital media, datafication, race, gender, and—ultimately—power. Assembling raw data from social media, selfie photos and videos, and mainstream journalism, the authors develop a timeline and data visualizations representing the events. They delve into the complex, openly shared narratives, motivations, and actions of people on the ground that day who violated the symbolic center of U. S. democracy. An analysis of visual data reveals an affective outpouring of mutually amplifying expressions of frustration, fear, hate, anger, and anomie that correspond to similar logics and counter-logics in the polarized and chaotic contemporary media environment that have only been intensified by COVID-19 lockdowns, conspiracy theories, and a call to action at the Capitol from the outgoing POTUS and his inner circle. The book will appeal to both a general audience of those curious about how and why the Capitol riots unfolded and to students and scholars of communications, political science, media studies, sociology, education, surveillance studies, digital humanities, gender studies, critical whiteness studies, and datafication studies. It will also find an audience within computer science and technology studies through its approach to big data, data visualization, AI, algorithms, data tracking, and other data sciences.

The Capitol Riots maps out the events of the January 6, 2021 insurrectionary riots at the United States Capitol building, providing context for understanding the contributing factors and ongoing implications of the uprising. This definitive text explores the rise of populism, disinformation, conspiracy theories, the alt-right, and white supremacy during the lead-up to and planning of the Stop the Steal campaign, as well as the complex interplay during the riots of political performances, costumes, objectives, communications, digital media, datafication, race, gender, and—ultimately—power. Assembling raw data from social media, selfie photos and videos, and mainstream journalism, the authors develop a timeline and data visualizations representing the events. They delve into the complex, openly shared narratives, motivations, and actions of people on the ground that day who violated the symbolic center of U. S. democracy. An analysis of visual data reveals an affective outpouring of mutually amplifying expressions of frustration, fear, hate, anger, and anomie that correspond to similar logics and counter-logics in the polarized and chaotic contemporary media environment that have only been intensified by COVID-19 lockdowns, conspiracy theories, and a call to action at the Capitol from the outgoing POTUS and his inner circle. The book will appeal to both a general audience of those curious about how and why the Capitol riots unfolded and to students and scholars of communications, political science, media studies, sociology, education, surveillance studies, digital humanities, gender studies, critical whiteness studies, and datafication studies. It will also find an audience within computer science and technology studies through its approach to big data, data visualization, AI, algorithms, data tracking, and other data sciences.