Iris Brooke

Originally published in 1952, this book, profusely illustrated, describes the various styles of wall decoration that have been used in England from the time of Henry VII up to the reign of Queen Victoria. The houses illustrated are mainly the smaller English houses where economics of various sorts have been a greater factor in their original decoration than the actual fashions of the time. The ingenuity with which such contemporary fashion has been adapted to the smaller home makes a fascinating study. All forms of contemporary design are discussed: from the single panel and post partition wall of the late 15th century to the fascinating imitation of Classic and Oriental design in the 18th. The book closes with the Industrial Revolution when printed wall papers were manufactured for the millions and the craftsman was no longer required in the smaller home.

Originally published in 1937 and reprinted as a fourth edition in paperback in 1979, this is a history of dress in England from the Norman Conquest to the mid-20th century. Despite being an excellent resource for the student or designer, this book also provides a wealth of material for the social historian. Indeed, the author argues that costume is important because it is custom, and custom and habit have helped to shape history just as much as political machinations and geographical discoveries.

Originally published in 1958, this book deals with the details of dress – formal and informal – from the time of Charles II to the end of the eighteenth century. Most of the illustrations are taken from existing garments preserved in private collections or museums. Many verbatim descriptions are quoted from contemporary sources such as magazines, diaries, letters and newspapers. The popular idea of costume in this period is the formal aspect as shown in portraits, and the undress clothes of the time are little known although obviously commonly worn. These the author has illustrated together with the stays, hops, puffs and panniers, hairdressing and shoes that help to make up the complete appearance. The book will be of interest to those in theatre studies, costume design and social history.

Originally published in 1937 and reprinted as a fourth edition in paperback in 1979, this is a history of dress in England from the Norman Conquest to the mid-20th century. Despite being an excellent resource for the student or designer, this book also provides a wealth of material for the social historian. Indeed, the author argues that costume is important because it is custom, and custom and habit have helped to shape history just as much as political machinations and geographical discoveries.

Originally published in 1958, this book deals with the details of dress – formal and informal – from the time of Charles II to the end of the eighteenth century. Most of the illustrations are taken from existing garments preserved in private collections or museums. Many verbatim descriptions are quoted from contemporary sources such as magazines, diaries, letters and newspapers. The popular idea of costume in this period is the formal aspect as shown in portraits, and the undress clothes of the time are little known although obviously commonly worn. These the author has illustrated together with the stays, hops, puffs and panniers, hairdressing and shoes that help to make up the complete appearance. The book will be of interest to those in theatre studies, costume design and social history.

Originally published in 1952, this book, profusely illustrated, describes the various styles of wall decoration that have been used in England from the time of Henry VII up to the reign of Queen Victoria. The houses illustrated are mainly the smaller English houses where economics of various sorts have been a greater factor in their original decoration than the actual fashions of the time. The ingenuity with which such contemporary fashion has been adapted to the smaller home makes a fascinating study. All forms of contemporary design are discussed: from the single panel and post partition wall of the late 15th century to the fascinating imitation of Classic and Oriental design in the 18th. The book closes with the Industrial Revolution when printed wall papers were manufactured for the millions and the craftsman was no longer required in the smaller home.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.