Isabelle Cahn

Pierre Bonnard was a leading figure in the transition from Impressionism to Modernism. Across his rich and varied oeuvre, he returned frequently to self-portraits, of which this 1939 example is a key late work. In its depiction of an intimate and enclosed world, the painting creates a powerful emotional impact, standing as one of the most sensitive and deeply affecting self-portraits of its time. This volume contains newly commissioned essays by Isabelle Cahn of the Musée d’Orsay, who curated the exhibition Pierre Bonnard: Designed by India Mahdavi, a collaboration between the Musée d’Orsay and the National Gallery of Victoria, Melbourne in 2023, and Sarah Whitfield, who in 1998 organised a major retrospective of Pierre Bonnard at London's Tate Gallery and the New York Museum of Modern Art, featuring loans from numerous public and private collections.

One of the most innovative and influential artists of the early twentieth century, the master of color, subjective realism, and emotional depth is rediscovered by an internationally renowned scholar in a ravishing, monumental volume. At the end of the nineteenth century, as a member of the avant- garde Nabis group, Pierre Bonnard actively participated in the construction of aesthetic modernity. His painting proposed new, radical formulas for transforming space and narrative as he advocated for art that embraced all techniques and challenged the traditional hierarchy of genres. Elegantly packaged, and filled with large, full-color, high quality reproductions this volume covers every facet of Bonnard's creative work. It opens with an examination of the artist's association with the Nabis group, exploring the influences of Symbolism and Japanese prints on his early work and looks at the development of his unique visual language, which is characterized by the interplay of vibrant colors, intimate perspectives, and a poetic rendering of everyday scenes. It explores his intimate connections to settings such as Paris, Normandy, and the Co te d'Azur as well as his innovative use of fragmentation, the importance of drawing and sketches, his masterful use of color and composition, and the role of dueling forces-isolation and intimacy, vitality and impermanence, realism and ambiguity. A final chapter discusses Bonnard's most prominent collectors and patrons and tackles the question of his relevance and legacy. As sumptuous as it is informative, this comprehensive, authoritative work reveals how Bonnard helped explore the human experience through the lens of vibrant and emotionally charged canvases.

Paul Gauguin. Paul Gauguin gave up his promising career at the bank in 1883, deciding that "from now onwards I will paint every day." The co-founder of Synthetism and trailblazer of Expressionism turned his back on the world of the bourgeoisie, left his wife and children, and departed for the South Seas in 1891, having financed the journey by selling 30 paintings. His thoughts on art, his existential worries, his discovery of color, and his search for paradise are brought back to life in this volume through excerpts from letters and quotations. Complemented by approximately 40 color reproductions of his works, his biography and a foreword by an expert, the volume provides a very special view of Gauguin's cosmos.