Isaiah Berlin

In The Roots of Romanticism, one of the twentieth century's most influential philosophers dissects and assesses a movement that changed the course of history. Brilliant, fresh, immediate, and eloquent, these celebrated Mellon Lectures are a bravura intellectual performance. Isaiah Berlin surveys the many attempts to define romanticism, distills its essence, traces its developments from its first stirrings to its apotheosis, and shows how it still permeates our outlook. He ranges over a cast of some of the greatest thinkers and artists of the eighteenth and nineteenth centuries, including Kant, Rousseau, Diderot, Schiller, the Schlegels, Novalis, Goethe, Blake, Byron, and Beethoven. The ideas and attitudes of these and other figures, Berlin argues, helped to shape twentieth-century nationalism, existentialism, democracy, totalitarianism, and our ideas about heroic individuals, self-fulfillment, and the exalted place of art. This new edition, illustrated for the first time, also features a new foreword by philosopher John Gray, in which he discusses Berlin's belief that the influence of romanticism has been unpredictable and contradictory in the extreme, fuelling anti-liberal political movements but also reinvigorating liberalism; a revised text; and a new appendix that includes some of Berlin's correspondence about the lectures and the reactions to them.

"The fox knows many things, but the hedgehog knows one big thing." This ancient Greek aphorism, preserved in a fragment from the poet Archilochus, describes the central thesis of Isaiah Berlin's masterly essay on Leo Tolstoy and the philosophy of history, the subject of the epilogue to War and Peace. Although there have been many interpretations of the adage, Berlin uses it to mark a fundamental distinction between human beings who are fascinated by the infinite variety of things and those who relate everything to a central, all-embracing system. Applied to Tolstoy, the saying illuminates a paradox that helps explain his philosophy of history: Tolstoy was a fox, but believed in being a hedgehog. One of Berlin's most celebrated works, this extraordinary essay offers profound insights about Tolstoy, historical understanding, and human psychology. This new edition features a corrected text that supplants all previous versions, English translations of the many passages in foreign languages, a new foreword in which Berlin biographer Michael Ignatieff explains the enduring appeal of Berlin's essay, and a new appendix that provides rich context, including excerpts from reviews and Berlin's letters, as well as a startling new interpretation of Archilochus's epigram.

'People are my landscape', Isaiah Berlin liked to say, and nowhere is the truth of this observation more evident than in his letters. He is a fascinated watcher of human beings in all their variety, and revels in describing them to his many correspondents. His letters combine ironic social comedy and a passionate concern for individual freedom. His interpretation of political events, historical and contemporary, and his views on how life should be lived, are always grounded in the personal, and his fiercest condemnation is reserved for purveyors of grand abstract theories that ignore what people are really like. This second volume of Berlin's letters takes up the story when, after war service in the United States, he returns to life as an Oxford don. Against the background of post-war austerity, the letters chart years of academic frustration and self-doubt, the intellectual explosion when he moves from philosophy to the history of ideas, his growing national fame as broadcaster and lecturer, the publication of some of his best-known works, his election to a professorship, and his reaction to knighthood. These are the years, too, of momentous developments in his private life: the bachelor don's loss of sexual innocence, the emotional turmoil of his father's death, his courtship of a married woman and transformation into husband and stepfather. Above all, these revealing letters vividly display Berlin's effervescent personality - often infuriating, but always irresistible.

"Isaiah Berlin's response to the Soviet Union was central to his identity, both personally and intellectually. Born a Russian subject in Riga in 1909, he spoke Russian as a child and witnessed both revolutions in St. Petersburg in 1917, emigrating to the West in 1921. He first returned to Russia in 1945, when he met the writers Anna Akhmatova and Boris Pasternak. These formative encounters helped shape his later work, especially his defense of political freedom and his studies of pre-Soviet Russian thinkers. Never before collected, Berlin's writings about the USSR include his accounts of his famous meetings with Russian writers shortly after the Second World War; the celebrated 1945 Foreign Office memorandum on the state of the arts under Stalin; his account of Stalin's manipulative 'artificial dialectic'; portraits of Osip Mandel´shtam and Boris Pasternak; his survey of Soviet Russian culture written after a visit in 1956; a postscript stimulated by the events of 1989; and more. This collection includes essays that have never been published before, as well as works that are not widely known because they were published under pseudonyms to protect relatives living in Russia. The contents of this book were discussed at a seminar in Oxford in 2003, held under the auspices of the Brookings Institution. Berlin's editor, Henry Hardy, had prepared the essays for collective publication and here recounts their history. In his foreword, Brookings president Strobe Talbott, an expert on the Soviet Union, relates the essays to Berlin's other work. The Soviet Mind will assume its rightful place among Berlin's works and will prove invaluable for policymakers, students, and those interested in Russian politics, past, present and future. "

? Der Fuchs weiß viele Dinge, aber der Igel weiß ein großes Ding.? Dieses Versfragment des griechischen Dichters Archilochos beschreibt die zentrale These von Isaiah Berlins (1909-1997) meisterhaftem Essay über Tolstoj, in dem er eine fundamentale Unterscheidung trifft - zwischen Leuten (Füchsen), die sich von einer unendlichen Vielfalt von Dingen angezogen fühlen, und solchen (Igeln), die alles auf ein einziges, umfassendes System beziehen. Tolstoj sehnte sich nach einer einheitlichen Sicht der Dinge, aber seine Wahrnehmung von Menschen, Sachen und historischen Augenblicken war so genau, daß er nicht anders konnte, als zu schreiben, wie er sah, fühlte und verstand. Er war von Natur ein Fuchs, der ein Igel sein wollte.

Few, if any, English-language critics have written as perceptively as Isaiah Berlin about Russian thought and culture. Russian Thinkers is his unique meditation on the impact that Russia's outstanding writers and philosophers had on its culture. In addition to Tolstoy's philosophy of history, which he addresses in his most famous essay, 'The Hedgehog and the Fox,' Berlin considers the social and political circumstances that produced such men as Herzen, Bakunin, Turgenev, Belinsky, and others of the Russian intelligentsia, who made up, as Berlin describes, 'the largest single Russian contribution to social change in the world.'

'I was exhausted at the end,yet I am sure that if ever I sawheard anyone in a true state of inspiration it was then.' So wrote a listener to her friend after attending one of the lectures based on the book. Political Ideas in the Romantic Age is the text Berlin wrote for four of the lectures, delivered in 1952.

Isaiah Berlins Buch handelt von Freiheit als Leitbegriff einer Humanität, von der programmatische Zurichtungen des Freiheitsbegriffs in spekulativer wie politischer Absicht doch oft genug abirrten. In Philosophie und Gesellschaftstheorie verfolgt Berlin die negativen (Abwesenheit von Zwang) wie positiven (Möglichkeiten der Wahl) Bestimmungen von Freiheit. Eine klassische Studie zur politischen Ideengeschichte, die nichts von ihrer Aufschlußkraft verloren hat.

Berlin's letters are marvellously accessible, and as entertaining. During the two decades covered here his personality and career grow and bloom. In America, during the war, he writes a regular telegram to his anxious parents, often saying just 'Flourishing'; the word fits not only his wartime experience, but the whole of his early life, vividly displayed in this book in all its multi-faceted delightfulness.

This first volume of letters inaugurates a keenly awaited edition of Berlin’s letters. Berlin’s life was enormously worth living, both for himself and for us; and fortunately he said a great deal to his friends on paper as well as in person. When this volume opens Berlin is eighteen, a pupil at St Paul's School in London. He becomes an undergraduate at Oxford, then a Fellow at All Souls, where he writes his famous biography of Karl Marx. When that is complete he moves to New College to teach philosophy, and after the outbreak of the Second World War sails to America in somewhat mysterious circumstances with Guy Burgess. He stays in the USA, working for the British Government (apart from visits home and his famous trip to the Soviet Union in 1945-6) until July 1946, when he returns to Oxford, and the volume closes.

Freedom and its Betrayal is one of Isaiah Berlin's earliest and most convincing expositions of his views on human freedom and the history of ideas, views which later found expression in such famous works as 'Two Concepts of Liberty', and were at the heart of his lifelong work on the Enlightenment and its critics.

An expanded edition of Isaiah Berlin's classic of liberalism. Berlin's editor, Henry Hardy, has incorporated a fifth essay, as Berlin wished, and added further pieces on the same topic, so that Berlin's principal statements on liberty are available together.

These essays focus on the social and political role - past, present and future - of ideas and of their progenitors. Contents include "My Intellectual Path", an autobiographical survey of Berlin's main preoccupations, and "Jewish Slavery and Emancipation", the classic statement of his Zionist views.

The Roots of Romanticism is the long-awaited text of Isaiah Berlin's most celebrated set of lectures, the Mellon Lectures, delivered in Washington in 1965 and heard since by a much wider audience on BBC radio.

Now in one volume--"Berlin's most influential essays". Isaiah Berlin was one of the leading thinkers of our time and one of its finest writers. The Proper Study of Mankind brings together his most celebrated writing: here the reader will find Berlin's famous essay on Tolstoy, "The Hedgehog and the Fox"; his penetrating portraits of contemporaries from Pasternak and Akhmatova to Churchill and Roosevelt; his essays on liberty and his exposition of pluralism; his defense of philosophy and history against assimilation to scientific method; and his brilliant studies of such intellectual originals as Machiavelli, Vico, and Herder.

Although Isaiah Berlin liked to say that he left philosophy for the history of ideas after the Second World War, there is a decided continuity between his more purely philosophical writings, most of which are collected in this volume, and the more historical work for which he is better known.

A New York Times Notable Book of the Year Isaiah Berlin's The Sense of Reality contains an important body of previously unknown work by one of our century's leading historians of ideas, and one of the finest essayists writing in English. Eight of the nine pieces included here are published for the first time, and their range is characteristically wide: the subjects explored include realism in history; judgement in politics; the history of socialism; the nature and impact of Marxism; the radical cultural revolution instigated by the Romantics; Russian notions of artistic commitment; and the origins and practice of nationalism. The title essay, starting from the impossibility of historians being able to recreate a bygone epoch, is a superb centerpiece.

Eight of the nine pieces in The Sense of Reality are published here for the first time. The range is characteristically wide: realism in history; the history of socialism; the radical cultural revolution instigated by romanticism; The title essay, starting from the impossibility of recreating a bygone epoch, provides a superb centrepiece.

Berlin's main theme in these essays is the importance in the history of ideas of dissenters whose thinking still challenges conventional wisdom - among them Machiavelli, Vico, Montesquieu, Herzen and Sorel.