Ivan Sergeevich Turgenev

"Lettres Madame Viardot" de Ivan Sergeevich Turgenev. Romancier, crivain, nouvelliste et dramaturge russe (1818-1883).

"Eaux printani res" de Ivan Sergeevich Turgenev. Romancier, crivain, nouvelliste et dramaturge russe (1818-1883).

Home of the Gentry or A House of Gentlefolk is a novel by Ivan Turgenev published in the January 1859 issue of Sovremennik. It was enthusiastically received by the Russian society and remained his least controversial and most widely read novel until the end of the 19th century. It was turned into a movie by Andrey Konchalovsky in 1969. The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother, who was known for her cruelty. Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother, who was known for her cruelty.

On the Eve is the third novel by famous Russian writer Ivan Turgenev, best known for his short stories and the novel Fathers and Sons. Turgenev embellishes this love story with observations on middle class life and interposes some art and philosophy. Nikolay Dobrolyubov was critical of On the Eve, offending Turgenev. The story revolves around Elena, a girl with a hypochondriac mother and an idle father, a retired guards lieutenant with a mistress. On the eve of the Crimean War, Elena is pursued by a free-spirited sculptor (Shubin) and a serious-minded student (Berzyenev). But when Berzyenev's revolutionary Bulgarian friend, Insarov, meets Elena, they fall in love. In secretly marrying Insarov Elena disappoints her mother and enrages her father, who had hoped to marry her to a dull, self-satisfied functionary, Kurnatovski. Insarov nearly dies from pneumonia and only partly recovers. On the outbreak of war Insarov tries to return with Elena to Bulgaria, but tragically dies in Venice. Elena takes Insarov's body to the Balkans for burial and then vanishes.

Rudin, by Ivan Turgenev, is a Russian fiction classic and a nostalgic story of a man in his late twenties, torn between his much loved but barbaric homeland and a comfortable but unsatisfactory life in Europe. Translated by Constance Garnett, 1894 edition. The novel begins with the introduction of three of the characters - Aleksandra, Lezhnev, and Pandalevskii. Pandalevskii relates to Aleksandra Dar'ya Mikhailovna's invitation to come and meet a Baron Muffel'. Instead of the Baron, Rudin arrives and captivates everyone immediately with his intelligent and witty speeches during the argument with Pigasov. Interestingly, Rudin's arrival is delayed until Chapter Three. After his success at Dar'ya Mikhailovna's, he stays the night and the next morning meets Lezhnev who arrives to discuss some business affairs with Dar'ya Mikhailovna. This is the first time the reader finds out that Rudin and Lezhnev are acquainted, and studied together at university. During the day that follows Rudin has his first conversation with Natasha; as she speaks of him highly and says he "ought to work", he replies with a lengthy speech. What follows is a description quite typical of Turgenev, where the character of Rudin is shown not through his own words, but through the text which underlines Rudin's contradictory statements: "Yes, I must act. I must not bury my talent, if I have any; I must not squander my powers on talk alone - empty, profitless talk - on mere words, ' and his words flowed in a stream. He spoke nobly, ardently, convincingly, of the sin of cowardice and indolence, of the necessity of action." 5] On the same day, Sergei leaves Dar'ya Mikhailovna's early and arrives to see that Lezhnev is visiting. Lezhnev then gives his first description of Rudin.

In the classic Ivan Turgenev novel, Fathers and Sons, called Marino, but Nikolai's brother, Pavel, soon becomes upset by the strange new philosophy called "nihilism" which the young men advocate. Arkady Kirsanov has just graduated from the University of Petersburg and returns with a friend, Bazarov, to his father's modest estate in an outlying province of Russia. His father, Nikolai, gladly receives the two young men at his estate, called Maryino, but Nikolai's brother, Pavel, soon becomes upset by the strange new philosophy called "nihilism" which the young men, especially Bazarov, advocate. Nikolai, initially delighted to have his son return home, slowly begins to feel uneasy, and a certain awkwardness in his regard, as it emerges that Arkady's views, much influenced by Bazarov, are radical and make his own beliefs feel dated. Nikolai has always tried to stay as current as possible, by doing things such as visiting his son at school so the two can stay as close as they are, but this in Nikolai's eyes has failed. To complicate this, the father has taken a servant, Fenechka, into his house to live with him and has already had a son by her. Arkady however is not troubled by the relationship: to the contrary, he openly celebrates the addition of a younger brother. The two young men stay over at Maryino for some weeks, then decide to visit a relative of Arkady's in a neighboring province. There, they observe the local gentry and meet Madame Anna Sergevna Odintsova, an elegant woman of independent means, who cuts a seductively different figure from the pretentious or humdrum types of her surrounding provincial society of gentry. Both are attracted to her, and she, intrigued by Bazarov's singular manner, invites them to spend a few days at her estate, Nikolskoe. While Bazarov at first feels nothing for Anna, Arkady falls head over heels in love with her. At Nikolskoe, they also meet Katya, Anna Sergevna's sister. Although they remain for only a short period, both characters undergo significant change: their relationship with each other is especially affected, as Arkady has begun to find himself and drift from the position of Bazarov's follower. Bazarov in particular finds falling in love distressing because it runs against his nihilist beliefs. Eventually, prompted by Odintsova's own cautious expressions of attraction to him, he announces that he loves her. She does not respond overtly to his declaration, though she too is deeply drawn to Bazarov while finding his dismissal of feelings and the aesthetic side of existence troublesome. While Anna does have some feelings toward Bazarov, they are not akin toward love and Anna cannot open herself to him because she does not see the possibility of a good future with him. After his avowal of love, and her failure to make a similar declaration, Bazarov proceeds to his parents' home, and Arkady decides to accompany him.

Publicada por primera vez en 1862, Padres e hijos es, seg n los cr ticos de varias generaciones, la mejor novela de este autor, quien reflej en sus obras, y en especial en esta, la cotidianeidad y la esencia del pueblo ruso. Un cl sico de la literatura universal que todos debemos leer.