J R Planche

The Vampyre (1819) follows a young Englishman, Aubrey, who becomes enchanted by the mysterious Lord Ruthven. As they travel through Europe, Aubrey witnesses Ruthven's destructive influence and uncovers unsettling truths. After Ruthven disappears and Ianthe, a woman who Aubrey loves, dies under suspicious circumstances. Bound by an oath not to reveal Ruthven's secrets, Aubrey is horrified when Ruthven reappears in London under a new identity and begins courting Aubrey's sister. Aubrey watches helplessly as Ruthven prepares to claim his next victim. The Vampire; or, The Bride of the Isles (1820) is a Gothic melodrama set in the Scottish Isles, where Lady Margaret is haunted by a prophetic vision of her own death at the hands of a vampire. As the story unfolds, themes of supernatural dread, romantic peril, and eerie prophecy converge in a theatrical spectacle that helped popularize the vampire as a refined and seductive antagonist on the English stage.

Reprint of the original, first published in 1858.

Reprint of the original, first published in 1858.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

"Beauty and the Beast" is an 1841 play in two acts by J. R. Planche. Based on the 1740 fairy tale by French novelist Gabrielle-Suzanne Barbot de Villeneuve, this fantastic abridged retelling is perfect for modern stage productions and is not to be missed by fans and lovers of the timeless story. James Robinson Planch (1796 - 1880) was a British antiquary, dramatist, and officer of arms. Over a sixty-year period he produced, collaborated on, or adapted 176 plays over a variety of genres farce, extravaganza, comedy, burletta, opera, and melodrama. Other notable works by this author include: "An Old Fairy Tale - The Sleeping Beauty - Illustrated by Brothers Dalziel" (1865), "Four and Twenty Fairy Tales" (1858), and "Madame de Villeneuve's Original Beauty and the Beast" (1858). Pook Press celebrates the great 'Golden Age of Illustration' in children's literature - a period of unparalleled excellence in book illustration from the 1880s to the 1930s. The collection showcases classic fairy tales, children's stories, and the work of some of the most celebrated artists, illustrators and authors.

"Beauty and the Beast" is an 1841 play in two acts by J. R. Planche. Based on the 1740 fairy tale by French novelist Gabrielle-Suzanne Barbot de Villeneuve, this fantastic abridged retelling is perfect for modern stage productions and is not to be missed by fans and lovers of the timeless story. James Robinson Planch (1796 - 1880) was a British antiquary, dramatist, and officer of arms. Over a sixty-year period he produced, collaborated on, or adapted 176 plays over a variety of genres farce, extravaganza, comedy, burletta, opera, and melodrama. Other notable works by this author include: "An Old Fairy Tale - The Sleeping Beauty - Illustrated by Brothers Dalziel" (1865), "Four and Twenty Fairy Tales" (1858), and "Madame de Villeneuve's Original Beauty and the Beast" (1858). Pook Press celebrates the great 'Golden Age of Illustration' in children's literature - a period of unparalleled excellence in book illustration from the 1880s to the 1930s. The collection showcases classic fairy tales, children's stories, and the work of some of the most celebrated artists, illustrators and authors.

Published in 1872, this two-volume autobiography by the British playwright J. R. Planché (1796–1880) tells the story of his long and varied life in the theatre. Planché wrote, adapted or collaborated on 176 plays over the course of his career, covering a wide range of theatrical genres including comedy, opera, extravaganza and pantomime. He also became an acknowledged expert on stage costume, and argued the importance of historically accurate costumes in productions of Shakespeare's plays. Engagingly written, these volumes contain fascinating anecdotes on the famous theatrical and musical figures of the time, including Charles Kemble, Eliza Vestris and Carl Maria von Weber. Volume 1 contains Planché's descriptions of his childhood, and recollections of the beginnings of his career at Drury Lane and Covent Garden. Volume 2 traces the continued development of his career, covering his productions at the Olympic, Drury Lane, Covent Garden and Haymarket theatres.

Published in 1872, this two-volume autobiography by the British playwright J. R. Planché (1796–1880) tells the story of his long and varied life in the theatre. Planché wrote, adapted or collaborated on 176 plays over the course of his career, covering a wide range of theatrical genres including comedy, opera, extravaganza and pantomime. He also became an acknowledged expert on stage costume, and argued the importance of historically accurate costumes in productions of Shakespeare's plays. Engagingly written, these volumes contain fascinating anecdotes on the famous theatrical and musical figures of the time, including Charles Kemble, Eliza Vestris and Carl Maria von Weber. Volume 2 traces the continued development of Planché's career, covering his productions at the Olympic, Drury Lane, Covent Garden and Haymarket theatres. The work confirms Planché's permanent place in the history of theatre practice, and provides an intriguing glimpse into the Regency and early Victorian London stage.

Published in 1872, this two-volume autobiography by the British playwright J. R. Planche (1796-1880) tells the story of his long and varied life in the theatre. Planche wrote, adapted or collaborated on 176 plays over the course of his career, covering a wide range of theatrical genres including comedy, opera, extravaganza and pantomime. He also became an acknowledged expert on stage costume, and argued the importance of historically accurate costumes in productions of Shakespeare's plays. Engagingly written, these volumes contain fascinating anecdotes on the famous theatrical and musical figures of the time, including Charles Kemble, Eliza Vestris and Carl Maria von Weber. Volume 1 contains Planche's descriptions of his childhood, and recollections of the beginnings of his career at Drury Lane and Covent Garden. The work confirms Planche's permanent place in the history of theatre practice, and provides an intriguing glimpse into the Regency and early Victorian London stage.