Jacob Mikanowski

An epic history of the ‘other’ Europe, a place of conflict and coexistence, of faith and folklore. ‘Do not rush to bid farewell to eastern Europe until reading this book. Meticulously researched and beautifully written, this very personal story of the place that one can’t find on the map pays tribute to the origins of the experiences, cultures and ideas that continue to shape political and ideological battles of the modern world.’ Serhii Plokhy Eastern Europe is more than the sum total of its annexations, invasions and independence declarations. From the Baltics to the Balkans, from Prague to Kiev, the area exuded a tragicomic character like no other. This is a paean for a disappearing world of movable borders, sacred groves and syncretism. And an invitation to not forget. *** A SPECTATOR BOOK OF THE YEAR 2023 ‘An insightful chronicle… distilling more than a decade of research, [Mikanowski] carefully argues that if something marks out Europe’s eastern half, it is not homogeneity but wild, glorious diversity.’ —Economist ‘A lively and sweeping history.’ —Washington Post ‘Goodbye Eastern Europe is a thematic history of a divided half-continent, a goulash of imperial histories, shifting frontiers and heartbreaking family stories, spiced with myth and poet-martyrs, and deeply satisfying on the palate… vital and informed.’ —TLS

In light of Russia's aggressive 2022 invasion of Ukraine, Goodbye, Eastern Europe is a crucial, elucidative read, a sweeping epic chronicling a thousand years of strife, war, and bloodshed, from pre-Christianity to the fall of Communism--illuminating the remarkable cultural significance and richness of a place perpetually lost to the margins of history. "Eastern Europe" has gone out of fashion since the fall of the Soviet Union. Ask someone today, and they might tell you that Estonia is in the Baltics or Scandinavia, that Slovakia is in Central Europe, and that Croatia is in the eastern Adriatic or the Balkans. In fact, Eastern Europe is a place that barely exists at all, except in cultural memory. Yet it remains a powerful marker of identity for many, with a fragmented and wide-ranging history defined by texts, myths, and memories of centuries of hardship and suffering. Goodbye, Eastern Europe is a masterful narrative about a place that has survived being forgotten. Beginning with long-lost accounts of early pagan life, Mikanowski offers a kaleidoscopic tour of the various peoples who made Eastern Europe their home over the centuries, including the Roma, Jews, and Muslims; the great kingdoms of the medieval period; the rise and fall of the Ottoman, Habsburg, and Russian empires; the dawn of the modern era; the ravages of fascism and Communism; the birth of the modern nation-state and beyond. A student of literature, history, and the ghosts of his own family's past, Mikanowski paints a magisterial portrait of a place united by diversity and eclecticism, and of people with the shared story of being the dominated rather than the dominating. The result is a loving and ebullient celebration of the distinctive and vibrant cultures that stubbornly persisted at the margins of Western Europe and Russia, and a powerful corrective that re-centers not only our understanding of how the modern Western world took shape but also the ways in which Eastern Europe has evolved throughout history to become what it is today.

The Los Angeles Review of Books launched in April of 2011 as a humble Tumblr, with a 2600-word essay by Ben Ehrenreich entitled "The Death of the Book." The gesture was a bit tongue-in-cheek, but we meant it to be provocative, and to ask a genuine question: Was the book dying? Was the internet killing it? Or were we simply entering a new era, a new publishing ecosystem, where different media could coexist? Since then, we've been enormously gratified by the response that LARB has generated from readers, writers, academics, editors, publishers. We are a community of writers, critics, journalists, artists, filmmakers, and scholars dedicated to promoting and disseminating the best that is thought and written, with an enduring commitment to the intellectual rigor, the incisiveness, and the power of the written word. Today, we've created a new institution for writers and readers that is unlike anything else on the web. Our new LARB Quarterly Journal reflects the best that this institution has to bring to readers all over the world. One question these people have continually asked us, though, is: When are you going to put out a print edition? Even though we've been (and remain) committed to the internet as both a space of conversation and a place of commerce, we've always wanted to have something physical, tangible, to be able to show for our work. We never really believed that books would die, or magazines either. The LARB website currently publishes a minimum of two rigorously edited pieces a day, and we've cultivated a stable of regular contributors, both eminent (Jane Smiley, Mike Davis, Jonathan Lethem) and emerging (Jenny Hendrix, Colin Dickey, Rachel Kaadzi Ghansah). We've found our way to a certain tone that readers expect and enjoy: looser and more eclectic than our namesakes the New York and London Review of Books, grounded in literature but open to all varieties of cultural experience, far from the New York publishing hothouse atmosphere but not myopically focused on L. A. either. The new LARB print quarterly will build on the best aspects of the current website. As we do now, we'll publish book reviews that strive to do something more than recommend or discourage a purchase; we're most interested in pieces that push the form of the book review into other genres, such as memoir, polemic, or short story. We are excited to explore the possibilities of this new format, and feel confident that the audience we've attracted over the past two years on the web will follow us. We know that our peers at Harper's, Bookforum, n+1, The Believer, and the New York and London Review of Books -- all of whom have expressed support and goodwill for this latest venture -- welcome a new voice from the West, as will subscribers. The long form literary and cultural arts review is alive and well, and now, has a new home in Los Angeles.