Jacqueline Nassy Brown

This landmark text introduces readers to the field of women's studies by analyzing the contradictions between social and cultural "givens" and the realities that women face in society. Written collectively by nine authors from various disciplines, Women's Realities, Women's Choices, Fourth Edition, has been updated to incorporate the latest research and statistics in the field. Covering the most recent developments in politics, labor, family life, religion, and culture, the book also features extensive research on relevant social issues, such as the impact of the post-Soviet world on women's lives, the experience of homosexuality in family life, and the effects of economic globalization on women worldwide. Examining women as individuals, as family members, and as a force in the greater social fabric, Women's Realities, Women's Choices remains the most timely, comprehensive, and compelling introduction to the field of women's studies. New to This Edition * An updated conceptual organization* A focus on transnational feminism and globalization* An entire chapter devoted to intersectionality and differences among women* Updates to every chapter, reflecting changes in the field and in the world

The port city of Liverpool, England, is home to one of the oldest Black communities in Britain. Its members proudly date their history back at least as far as the nineteenth century, with the global wanderings and eventual settlement of colonial African seamen. Jacqueline Nassy Brown analyzes how this worldly origin story supports an avowedly local Black politic and identity--a theme that becomes a window onto British politics of race, place, and nation, and Liverpool's own contentious origin story as a gloriously cosmopolitan port of world-historical import that was nonetheless central to British slave trading and imperialism. This ethnography also examines the rise and consequent dilemmas of Black identity. It captures the contradictions of diaspora in postcolonial Liverpool, where African and Afro-Caribbean heritages and transnational linkages with Black America both contribute to and compete with the local as a basis for authentic racial identity. Crisscrossing historical periods, rhetorical modes, and academic genres, the book focuses singularly on "place," enabling its most radical move: its analysis of Black racial politics as enactments of English cultural premises. The insistent focus on English culture implies a further twist. Just as Blacks are racialized through appeals to their assumed Afro-Caribbean and African cultures, so too has Liverpool--an Irish, working-class city whose expansive port faces the world beyond Britain--long been beyond the pale of dominant notions of authentic Englishness. Dropping Anchor, Setting Sail studies "race" through clashing constructions of "Liverpool."