Jake Watts

During Brexit, political questions were continually framed in emotional terms. The referendum was presented as a conflict between reason and resentment, fear and hope, heads and hearts. The Leave vote was interpreted as the triumph of passion over rationality, and its aftermath triggered concerns about the divisive impact of feelings on political culture. This book examines how these stories about feelings shaped public experiences and determined political possibilities. The politics of feeling uses first-hand accounts to explore how ‘ordinary’ people understand their own feelings about the referendum, and how they reacted to the feelings of others. It shows how they drew on public narratives, while also rejecting and reworking them. The authors highlight a dangerous contradiction whereby feelings were simultaneously understood as dangerous and illegitimate, and as an authentic reflection of our inner selves. This had its own political consequences.

During Brexit, political questions were continually framed in emotional terms. The referendum was presented as a conflict between reason and resentment, fear and hope, heads and hearts. The Leave vote was interpreted as the triumph of passion over rationality, and its aftermath triggered concerns about the divisive impact of feelings on political culture. This book examines how these stories about feelings shaped public experiences and determined political possibilities. The politics of feeling uses first-hand accounts to explore how ‘ordinary’ people understand their own feelings about the referendum, and how they reacted to the feelings of others. It shows how they drew on public narratives, while also rejecting and reworking them. The authors highlight a dangerous contradiction whereby feelings were simultaneously understood as dangerous and illegitimate, and as an authentic reflection of our inner selves. This had its own political consequences.

During the late twentieth century, the number of museums in the UK dramatically increased. Typically small and independent, the new museums concentrated on local history, war and transport. This book asks who founded them, how and why. In order to find out more, Fiona Candlin, a professor in museology, and Toby Butler, an expert oral historian, travelled around the UK to meet the individuals, families, community groups and special interest societies who established the museums. The rich oral histories they collected provide a new account of recent museum history – one that weaves together personal experience and social change while putting ordinary people at the heart of cultural production. Combining academic rigour with a lively writing style, Stories from small museums is essential reading for students and museum enthusiasts alike.

During the late twentieth century, the number of museums in the UK dramatically increased. Typically small and independent, the new museums concentrated on local history, war and transport. This book asks who founded them, how and why. In order to find out more, Fiona Candlin, a professor in museology, and Toby Butler, an expert oral historian, travelled around the UK to meet the individuals, families, community groups and special interest societies who established the museums. The rich oral histories they collected provide a new account of recent museum history – one that weaves together personal experience and social change while putting ordinary people at the heart of cultural production. Combining academic rigour with a lively writing style, Stories from small museums is essential reading for students and museum enthusiasts alike.