James Branch Cabell

The Line of Love; Dizain des Mariages, has been acknowledged as a major work throughout human history, and we have taken precautions to assure its preservation by republishing this book in a modern manner for both present and future generations. This book has been completely retyped, revised, and reformatted. The text is readable and clear because these books are not created from scanned copies.

This book has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

The book "" Gallantry: Dizain des Fetes Galantes, has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

Chivalry, is many of the old classic books which have been considered important throughout the human history. They are now extremely scarce and very expensive antique. So that this work is never forgotten we republish these books in high quality, using the original text and artwork so that they can be preserved for the present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Chivalry: Dizain des Reines, is many of the old classic books which have been considered important throughout the human history. They are now extremely scarce and very expensive antique. So that this work is never forgotten we republish these books in high quality, using the original text and artwork so that they can be preserved for the present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Domnei: A Comedy of Woman-Worship (1920) is a comic fantasy novel by James Branch Cabell. Set in a world where history and fantasy collide, where a lowly swineherd can rise to be Count of Poictesme, Domnei: A Comedy of Woman-Worship is one of Cabell’s best-known works of fiction, and is included in a series of novels, essays, and poems known as the Biography of the Life of Manuel. “Then Perion knew that vain regret had turned his brain, very certainly, for it seemed the door had opened and Dame Melicent herself had come, warily, into the panelled gloomy room. It seemed that Melicent paused in the convulsive brilliancy of the firelight, and stayed thus with vaguely troubled eyes like those of a child newly wakened from sleep.” As the daughter of the legendary Dom Manuel, Count of Poictesme, Melicent is often seen not for the woman she is, but as a symbol of an idealized, courtly love. Attracting the most chivalrous men of the kingdom, she unwittingly sparks a terrible conflict between Perion de la Forêt and Demetrios of Anatolia, both of whom seem determined to prove their love at any cost. Set in a fictionalized France of the 13th century, Domnei: A Comedy of Woman-Worship is a captivating story of fantasy and adventure featuring a flawed hero whose mythical world is not entirely different from our own. Cabell’s work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read Domnei: A Comedy of Woman-Worship, however, is to understand that the issues therein—the struggle for power, the unspoken distance between men and women—were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell’s Domnei: A Comedy of Woman-Worship is a classic of fantasy and romance reimagined for modern readers.

A Certain Hour (1922) is a collection of stories by James Branch Cabell. Recreating the lives of some of history’s most celebrated poets, A Certain Hour is a relative outlier among Cabell’s body of work, and is included in a series of novels, essays, and poems known as the Biography of the Life of Manuel. “Indisputably the most striking defect of this modern American literature is the fact that the production of anything at all resembling literature is scarcely anywhere apparent. Innumerable printing-presses, instead, are turning out a vast quantity of reading-matter, the candidly recognized purpose of which is to kill time, and which—it has been asserted, though perhaps too sweepingly—ought not to be vended over book-counters, but rather in drugstores along with the other narcotics.” Moving away from his usual setting of 13th century France, Cabell begins his collection with an impassioned essay decrying the state of American literature in the early twentieth century. Interested in the nature of literary genius, he imagines the lives of such poets as Robert Herrick and Alexander Pope, whose wit and wisdom remain essential centuries after their deaths. A Certain Hour is a captivating collection of tales from a historical period not so different from our own. Cabell’s work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read A Certain Hour, however, is to understand that the issues therein—the struggle for power, the unspoken distance between men and women—were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell’s A Certain Hour is a classic of fantasy and romance reimagined for modern readers.

The Jewel Merchants: A Comedy in One Act (1921) is a comic fantasy play by James Branch Cabell. Set in a world where history and fantasy collide, where a loyal Count can rise to defy the Duke he so diligently serves, The Jewel Merchants: A Comedy in One Act is included in a series of novels, essays, and poems known as the Biography of the Life of Manuel. “Am I to be welcomed merely for the sake of my gems? You were more gracious, you were more beautifully like your lovely name, on the fortunate day that I first encountered you … only six weeks ago, and only yonder, where the path crosses the highway. But now that I esteem myself your friend, you greet me like a stranger.” Roaming the hills on the outskirts of Florence, Graciosa, the lovely daughter of Balthazar Valori, encounters the jewel merchant Guido. Examining his wares, she is drawn to a magnificent set of pearls intended for Count Eglamore, a man who informed on her cousin Cibo, a man her family has sworn an oath to kill. Set in a fictionalized Tuscany of the Renaissance era, The Jewel Merchants: A Comedy in One Act is a captivating tale of jealousy, revenge, and the lengths to which a man will go for love. Cabell’s work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read The Jewel Merchants: A Comedy in One Act, however, is to understand that the issues therein—the struggle for power, the unspoken distance between men and women—were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell’s The Jewel Merchants: A Comedy in One Act is a classic of fantasy and romance reimagined for modern readers.

The Rivet in Grandfather’s Neck (1921) is a comic romance novel by James Branch Cabell. Set in a world where history and fantasy collide, where the laws of chivalry and honor continue to hold sway in postbellum South, The Rivet in Grandfather’s Neck is included in a series of novels, essays, and poems known as the Biography of the Life of Manuel. “For Colonel Musgrave was by birth the lineal head of all the Musgraves of Matocton, which is in Lichfield, as degrees are counted there, equivalent to what being born a marquis would mean in England. Handsome and trim and affable, he defied chronology by looking ten years younger than he was known to be.” A man of honor and tradition, Colonel Musgrave comes from a prominent family whose wealth and power once depended on its ownership of slaves. Despite his illustrious title, “won by four years of arduous service at receptions and parades while on the staff of a former Governor of the State,” Musgrave is a librarian whose influence in town depends largely on the esteem of his ancestors. When a distant cousin visits Lichfield, bringing with her the intellect and wit of a modern woman, Colonel Musgrave finds how easily traditions can falter. Set in a fictionalized Southern town, The Rivet in Grandfather’s Neck is a captivating, hilarious tale of chivalry and romance. Cabell’s work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read The Rivet in Grandfather’s Neck, however, is to understand that the issues therein—the struggle for power, the unspoken distance between men and women—were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell’s The Rivet in Grandfather’s Neck is a classic of fantasy and romance reimagined for modern readers.

Taboo (1921) is a comic fantasy novel by James Branch Cabell. Set in a world where history and fantasy collide, where a lowly pawnbroker can encounter monsters, gods, and devils, Taboo is a follow up to Jurgen, A Comedy of Justice, which was the subject of an obscenity trial pursued by the New York Society for the Suppression of Vice. In 1923, after winning his case, Cabell made sure to immortalize the event with a revised edition featuring a “lost” chapter where Jurgen is persecuted for his writing by grotesque Philistines. In Taboo, one work in a series of novels, essays, and poems known as the Biography of the Life of Manuel, Cabell explores the cultural environment that led to his work’s persecution, inventing a whole world in which to air his grievances. “Since time's beginning, every age has had its literary taboos, selecting certain things—more or less arbitrarily, but usually some natural function—as the things which must not be written about. To violate any such taboo so long as it stays prevalent is to be ‘indecent’: and that seems absolutely all there is to say concerning this topic, apart from furnishing some impressive historical illustration...” While most authors in the midst of an obscenity trial would be content to let their lawyer do the talking, James Branch Cabell took the opportunity to reflect on the matter in the only way he knew how. In this work, written in the style of medieval history, Cabell tells the story of Philistia, a country dedicated to the persecution of all manner of ill-defined vice and taboo. Bold and satirical, this thinly veiled critique of his own, high-minded critics is essential to understanding Cabell’s vision of art. Cabell’s work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read Taboo, however, is to understand that the issues therein—the struggle for power, the unspoken distance between men and women—were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell’s Taboo is a classic of fantasy and romance reimagined for modern readers.

The Cords of Vanity (1920) is a comic romance novel by James Branch Cabell. Set in a world where history and fantasy collide, where the laws of chivalry and honor continue to hold sway in postbellum South, The Cords of Vanity is included in a series of novels, essays, and poems known as the Biography of the Life of Manuel. A man of honor and tradition, Robert Townsend comes from a prominent family whose wealth and power once depended on its ownership of slaves. Raised in a fast-changing world, in which the old agrarian way of life is being replaced in response to growing industrialization, Robert spends much of his time weaving tall tales. In dreams only, he lives up to the ideals of his ancestors, for whom honor was the most important thing of all. Set in a fictionalized version of Richmond, The Cords of Vanity is a captivating, hilarious tale of chivalry and romance inspired by the author’s experiences as a young man raised in a family of Southern aristocrats. Originally written in 1909, before Cabell found success and infamy with the publication of Jurgen, A Comedy of Justice (1919), the novel is a fascinating glimpse into the mind of a young writer hungry for critical acclaim. Cabell’s work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read The Cords of Vanity, however, is to understand that the issues therein—the struggle for power, the unspoken distance between men and women—were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell’s The Cords of Vanity is a classic of fantasy and romance reimagined for modern readers.

The High Place: A Comedy of Disenchantment (1923) is a novel by James Branch Cabell. Set in a world where history and fantasy collide, where a lowly swineherd can rise to be Count of Poictesme, The High Place: A Comedy of Disenchantment is one work in a series of novels, essays, and poems known as the Biography of the Life of Manuel. Descended from a line of such legendary heroes as Jurgen and Dom Manuel, Florian, Duke of Puysange, is a relative disgrace to his family name. Known as a dishonorable man, disloyal husband, and destructive ruler, Florian harbors a secret desire. Since boyhood, when he first laid eyes on the daughter of King Helmas, Florian has known that the only way he could ever be happy would be through marriage to Melior. Unable to access the mystical Forest of Acaire, however, he takes out his frustration on friends and foes alike. When Janicot, a shadowy figure, offers Florian his blessing, the Duke sets out for the castle of King Helmas without regard to the details of their pact. Set in a fictionalized France of the 13th century, The High Place: A Comedy of Disenchantment is a captivating story of fantasy and adventure featuring a flawed hero whose mythical world is not entirely different from our own. Cabell’s work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read The High Place: A Comedy of Disenchantment, however, is to understand that the issues therein—the struggle for power, the unspoken distance between men and women—were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell’s The High Place: A Comedy of Disenchantment is a classic of fantasy and romance reimagined for modern readers.

The Cream of the Jest (1923) is a novel by James Branch Cabell. Set in a world where history and fantasy collide, where a lowly pawnbroker can encounter monsters, gods, and devils, The Cream of the Jest is one work in a series of novels, essays, and poems known as the Biography of the Life of Manuel. Partly inspired by the obscenity trial surrounding his novel Jurgen, a Comedy of Justice, The Cream of the Jest is a metafictional blend of literary criticism and fantasy fiction about an author whose sudden fame shocks his sleepy hometown. To the people of Lichfield, Felix Kennaston is an unremarkable neighbor whose literary ambitions are pursued in secrecy and obscurity. While completing a fantasy novel, he discovers a strange talisman not unlike the one his hero Horvendile presented to his beloved Ettare. That night, Felix meets Ettare in a dream, inspiring him to rewrite the story’s ending. When it is published, charges of obscenity threaten to sink his dreams before they can be realized. But critical attention has the opposite effect, making Kennaston a bestselling author overnight. Told from the perspective of Richard Harrowby, a neighbor from Lichfield, The Cream of the Jest is a fascinating blend of literary criticism and fantasy that poses important questions about the divide between fiction and the world we live in. Cabell’s work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read The Cream of the Jest, however, is to understand that the issues therein—the struggle for power, the unspoken distance between men and women—were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell’s The Cream of the Jest is a classic of fantasy and romance reimagined for modern readers.

Gallantry (1922) is a collection of comic fantasy tales by James Branch Cabell. Set in a fictionalized version of 18th century England, Gallantry is a relative outlier among Cabell’s body of work, and is included in a series of novels, essays, and poems known as the Biography of the Life of Manuel. “We begin at a time when George the Second was permitting Ormskirk and the Pelhams to govern England, and the Jacobites had not yet ceased to hope for another Stuart Restoration, and Mr. Washington was a promising young surveyor in the most loyal colony of Virginia.” Moving away from his usual setting of 13th century France, Cabell transports his favorite themes of aristocratic life and romance to the tumultuous world of 18th century England. As the country rebuilds following a period of civil war, famine, and disease, its wealthy elite enjoy an existence of ease at Tunbridge Wells, a legendary spa town on the outskirts of London. Gallantry is a captivating collection of tales from a historical period not so different from our own. Cabell’s work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read Gallantry, however, is to understand that the issues therein—the struggle for power, the unspoken distance between men and women—were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell’s Gallantry is a classic of fantasy and romance reimagined for modern readers.

Figures of Earth: A Comedy of Appearances (1921) is a comic fantasy novel by James Branch Cabell. Set in a world where history and fantasy collide, where a lowly swineherd can rise to be Count of Poictesme, Figures of Earth: A Comedy of Appearances is one of Cabell’s best-known works of fiction, and is included in a series of novels, essays, and poems known as the Biography of the Life of Manuel. “They of Poictesme narrate that in the old days when miracles were as common as fruit pies, young Manuel was a swineherd, living modestly in attendance upon the miller's pigs. They tell also that Manuel was content enough: he knew not of the fate which was reserved for him.” Unsatisfied with life as a lowly swineherd, Manuel follows his heart in pursuit of place where true happiness exists. A proponent of medieval chivalry, he encounters gods and goddesses, kings and queens, as he passes from one otherworldly realm to the next. As the chains of the past begin to fall away, Manuel discovers that through determination and valor, he can excel the circumstances of his humble birth. Set in a fictionalized France of the 13th century, Figures of Earth: A Comedy of Appearances is a captivating story of fantasy and adventurer featuring a flawed hero whose mythical world is not entirely different from our own. Cabell’s work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read Figures of Earth: A Comedy of Appearances, however, is to understand that the issues therein—the struggle for power, the unspoken distance between men and women—were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell’s Figures of Earth: A Comedy of Appearances is a classic of fantasy and romance reimagined for modern readers.

The Line of Love (1913) is a collection of comic fantasy tales by James Branch Cabell. Set in a world where history and fantasy collide, where a lowly swineherd can rise to be Count of Poictesme, The Line of Love is one of Cabell’s best-known works of fiction, and is included in a series of novels, essays, and poems known as the Biography of the Life of Manuel.“It is a tale which they narrate in Poictesme, telling how love began between Florian de Puysange and Adelaide de la Forêt. They tell also how young Florian had earlier fancied other women for one reason or another; but that this, he knew, was the great love of his life, and a love which would endure unchanged as long as his life lasted.” On the night of his wedding to the lovely Adelaide de la Forêt, Florian de Puysange has a strange feeling that something is missing. Stepping outside to gather his wits about him, he remembers his dear friend Tiburce, dead for five years. At that moment, his comrade appears before him, alive but with an alien tone to his voice. Recalling the pact they made to drink in celebration of whomever married first, Florian wanders into the garden to make good on his promise. Set in a fictionalized France of the 13th century, The Line of Love is a captivating collection of tales and legends from a mythical world not so different from our own. Cabell’s work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read The Line of Love, however, is to understand that the issues therein—the struggle for power, the unspoken distance between men and women—were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell’s The Line of Love is a classic of fantasy and romance reimagined for modern readers.