James De Mille

It occurred as far back as February 15, 1850. It happened on that day that the yacht Falcon lay becalmed upon the ocean between the Canaries and the Madeira Islands. This yacht Falcon was the property of Lord Featherstone, who, being weary of life in England, had taken a few congenial friends for a winter's cruise in these southern latitudes. They had visited the Azores, the Canaries, and the Madeira Islands, and were now on their way to the Mediterranean. The wind had failed, a deep calm had succeeded, and everywhere, as far as the eye could reach, the water was smooth and glassy. The yacht rose and fell at the impulse of the long ocean undulations, and the creaking of the spars sounded out a lazy accompaniment to the motion of the vessel. All around was a watery horizon, except in the one place only, toward the south, where far in the distance the Peak of Teneriffe rose into the air.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

It occurred as far back as February 15, 1850. It happened on that day that the yacht Falcon lay becalmed upon the ocean between the Canaries and the Madeira Islands. This yacht Falcon was the property of Lord Featherstone, who, being weary of life in England, had taken a few congenial friends for a winter's cruise in these southern latitudes. They had visited the Azores, the Canaries, and the Madeira Islands, and were now on their way to the Mediterranean. The wind had failed, a deep calm had succeeded, and everywhere, as far as the eye could reach, the water was smooth and glassy. The yacht rose and fell at the impulse of the long ocean undulations, and the creaking of the spars sounded out a lazy accompaniment to the motion of the vessel. All around was a watery horizon, except in the one place only, toward the south, where far in the distance the Peak of Teneriffe rose into the air.

Somewhat less than a hundred years ago a party of travelers might have been seen crossing over the Simplon Road, en route for Italy. They had been detained at Brieg by reports that the road was impassable; and, as it was the month of March, the prospect of snow and storms and avalanches was sufficient to make them hesitate. At length the road had been reopened, and they were informed that the journey might be made on sleds.

De Mille (1833-80) was a professor of English and rhetoric at Dalhousie University, Nova Scotia and a Canadian writer of numerous works of popular fiction from the late 1860s, through the 1870s, until his untimely death aged 46. This novel was first published in 1874.

"The Cryptogram" from James De Mille. Early Canadian popular writer (1833-1880).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

James De Mille (23 August 1833 - 28 January 1880) was a professor at Dalhousie University, Nova Scotia, and an early Canadian popular writer who published numerous works of popular fiction from the late 1860s through the 1870s.

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James De Mille (1833-1880) was a professor at Dalhousie University, Nova Scotia, and an early Canadian writer who published numerous works of popular fiction from the late 1860s through the 1870s. He attended Horton Academy in Wolfville and spent one year at Acadia University. He then travelled with his brother to Europe, spending half a year in England, France and Italy. On his return to North America, he attended Brown University, from which he obtained a Master of Arts degree in 1854. He married Anne Pryor, daughter of the president of Acadia University, John Pryor, and was there appointed professor of classics. He served there until 1865 when he accepted a new appointment at Dalhousie as professor of English and rhetoric. His most popular work with contemporaries, and the work for which he is known today, is A Strange Manuscript Found in a Copper Cylinder, which was serialized posthumously in Harper's Weekly in 1888. Other works included: Helena's Household (1867), Cord and Creese (1869), The Lady of the Ice (1870) and The American Baron (1872).

The Martyr of the Catacombs By James De Mille

Mr. Moses V. Sprole had passed the greater part of his life in his native village, and being anxious to see the world, resolved upon a tour in Europe. As he did not care to go alone, he offered to take with him his four nephews, who were great favorites with their bachelor uncle, and his chief associates. This offer met with an eager response from the boys, and a willing assent from their parents, who fully believed that a tour of this description would be of immense benefit to them. This brief explanation will serve to account for the appearance of Uncle Moses in Naples, where he landed on a mellow day in February, en route for Switzerland, bowed down with the responsibility of several heavy trunks, and the still heavier responsibility of four fine lumps of boys, of whose troubles, trials, tribulations, and manifold adventures, he seemed, on the present occasion, to have a mournful presentiment.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.