James Downs

Masculinities and Mental Health explores literary texts, images, and performances which engage with the under-explored topic of eating disorders in men. Eating reflects prevailing cultural norms that prescribe or condemn who eats when, what and how much. Underpinning these norms are highly gendered ideas regarding which body weight, shape and size is deemed appropriate for men and women, boys and girls. Eating disorders are psychiatric illnesses commonly associated with females only and expressed through extreme eating behaviour, excessive exercise or food avoidance. The fact that men can suffer from anorexia, bulimia, binge eating disorder and other types of eating disorders too, presents a challenge not only to healthcare disciplines but also to public and cultural perceptions. Exploring these thematic and formal themes, this volume scrutinizes standardised concepts of masculinity and male mental health in contemporary discourse. This book includes literary writings, graphic novels, art, photography, performance, film, and ego-documents on social-media from North America and central Europe from the 1970s to the present, as well as textual and non-textual sources from Taiwan, Hong Kong, and Japan. Masculinities and Mental Health also explores a global dimension of the topic by examining eating disorders and broader concepts of masculinity as Western cultural imports.

Over the last 30 years, the prevalence of eating disorders has increased to become a widespread problem across the UK and worldwide. This book offers a comprehensive guide written by people with eating disorders, their families and leading researchers, clinicians and therapists, all aiming to improve understanding of practical ways of helping people with eating disorders to live and thrive in their communities. The handbook covers the important topics of understanding eating difficulties in our society's context, including the role of social media and the fashion industry, and how health care professionals and voluntary organisations currently support those with an eating disorder. It explores the value of exercise, nutrition and sleep, and considers support from parents and schools for children, as well as making reasonable accommodations for young people and adults in higher education and the workplace. Particular therapies for stabilisation and recovery are detailed, and a final section sets out examples of creative and arts-based approaches.

«In this first Walbrook biography, Downs perfectly captures the private story and the public persona of a greatly underexplored performer, combining facts, such as when Walbrook first obtained his trademark moustache, with deeper textual analysis of his screen work. An excellent read for any fans of Walbrook, German cinema, film stars or movies in general.» (Gillian Kelly, Historical Journal of Film, Radio and Television, 42.1, 2022) «Few leading actors of classic cinema remain as enigmatic as Anton Walbrook, the subject of this very readable, frank and thoughtful biography. Despite Walbrook’s indelible performances in films such as the original Gaslight (1940), The Life and Death of Colonel Blimp (1943), The Red Shoes (1948) and La Ronde (1950), this is his first full-length biography, which makes it all the more welcome. There is much to discover in these pages about the Viennese-born star of German and British cinema with the ability to ooze charm or villainy at will, sometimes in the same breath.» (Pamela Hutchinson, Sight and Sound, June 2021) «James Downs presents a fascinating and meticulously researched biography of a charming and darkly beguiling star who deserves our attention. It is enriched by archival evidence and images that illuminate Walbrook’s work as well as his equally intriguing, but carefully sequestered, private life; all refracted through his experience of exile.» (Professor Michael Williams, University of Southampton) «It is often difficult to separate the elements of personal life and dramatic performance that create the star persona, but that of the stage and screen actor Anton Walbrook presents a unique and fascinating challenge. In his richly researched biography, James Downs brings a scholar’s authority and a fan’s enthusiasm to his subject, illuminating not only the career of one of British cinema’s most reserved stars, but the political and production background of his stage, screen and television performances in the UK and Germany.» (Mandy Merck, author of Cinema’s Melodramatic Celebrity: Film, Fame and Personal Worth, 2020) Viennese-born actor Adolf Wohlbrück enjoyed huge success on both stage and screen in Germany during the 1920s and 1930s, becoming one of the first truly international stars. After leaving Nazi Germany for Hollywood in 1936, he changed his name to Anton Walbrook and then settled in Britain, where he won filmgoers’ hearts with his portrayal of Prince Albert in two lavish biopics of Queen Victoria. Further film success followed with Dangerous Moonlight and Gaslight, several collaborations with Michael Powell and Emeric Pressburger – including his striking performance as Lermontov in The Red Shoes – and later work with Max Ophuls and Otto Preminger. Despite great popularity and a prolific career of some forty films, alongside theatre, radio and television work, Walbrook was an intensely private individual who kept much of his personal life hidden from view. His reticence created an aura of mystery and «otherness» about him, which coloured both his acting performances and the way he was perceived by the public – an image that was reinforced in Britain by his continental background. Remarkably, this is the first full-length biography of Walbrook, drawing on over a decade of extensive archival research to document his life and acting career.

If you can find philosophy in rivers and trees, rocks and beasts James has done so. Here are the roots of natural philosophy of which sages old and new have spoken. First it is observed and then it is gotten up close to, soon the words come and they are the good blending of that world out there and the poet's voice. But there are times when the blending is so complete that the two become one. James has taken us here. We go with him on the journey and we nod our heads along with him as nature gives up her philosophy when we give up ourselves.