James Fisher

Historical Dictionary of American Theater: Beginnings covers the history of theater as well as the literature of America from 1538 to 1880. The years covered by this volume features the rise of the popular stage in American during the colonial era and the first century of the United States of America, with an emphasis on its practitioners, including such figures as Lewis Hallam, David Douglass, Mercy Otis Warren, Edwin Forrest, Charlotte Cushman, Joseph Jefferson, Ida Aldridge, Dion Boucicault, Edwin Booth, and many others. The Historical Dictionary of American Theater: Beginnings covers the history of early American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the early American Theater.

This revised edition of the late James Fisher's much praised Watching Birds is the work of Dr Jim Flegg, Director of the British Trust for Ornithology. In his Preface Dr Flegg writes: "It is a daunting task to revise the bird book on which you cut your teeth: it is the surest measure of the man who wrote it that what is needed, after thirty-odd years, is an updating and not a sweeping revision." Among James Fisher's deservedly popular writings Watching Birds was probably the most read and consulted. After several reprints (published by Penguin Books) he planned to re-write it, and it is wholly appropriate that the work should now be done by Dr Flegg who, like the original author, has done much to help arouse and stimulate a widening interest in watching and understanding the life and world of birds. It is an indication of that interest today that radio and TV programmes (in which Dr Flegg has frequently participated) have audiences of millions. Such numbers are hardly surprising since few leisure activities offer as effective or as gratifying an antidote to the pressures of modern life as birdwatching - and few can be as readily and inexpensively pursued at almost any time, anywhere. Watching Birds has been an introduction and an item of basic equipment to tens of thousands of birdwatchers in the past, and this new and revised edition is assured of an even wider audience.

A collection of poems that cover all the phases of a relationship. From crush to crushed. fifty five poems.

The 50-year period from 1880 to 1929 is the richest era for theater in American history, certainly in the great number of plays produced and artists who contributed significantly, but also in the centrality of theater in the lives of Americans. As the impact of European modernism began to gradually seep into American theater during the 1880s and quite importantly in the 1890s, more traditional forms of theater gave way to futurism, symbolism, surrealism, and expressionism. American playwrights like Eugene O'Neill, George Kelly, Elmer Rice, Philip Barry, and George S. Kaufman ushered in the Golden Age of American drama. The A to Z of American Theater: Modernism focuses on legitimate drama, both as influenced by European modernism and as impacted by the popular entertainment that also enlivened the era. This is accomplished through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced entries on plays; music; playwrights; great performers like Maude Adams, Otis Skinner, Julia Marlowe, and E. H. Sothern; producers like David Belasco, Daniel Frohman, and Florenz Ziegfeld; critics; architects; designers; and costumes.

This is a comprehensive guide to the writing career of the author of ""Angels in America"".""Understanding Tony Kushner"" surveys the acclaimed writings of the author of the Pulitzer Prize - winning drama ""Angels in America"" and coauthor of the Academy Award-nominated screenplay for the film ""Munich"". Viewing Kushner as a sociopolitical dramatist in the tradition of Henrik Ibsen, George Bernard Shaw, and Bertolt Brecht, James Fisher guides readers through Kushner's influences and creations to map the importance of the writer's body of work in expanding the postmodern literary and cultural landscapes. After grounding his discussions in Kushner's early plays, ""A Bright Room Called Day"" and ""Hydriotaphia"", or ""The Death of Dr. Brown"", Fisher engages with the two plays of ""Angels in America"" to identify the major themes to be revisited in subsequent works. Fisher reads the depiction of the clash of values in the mid-1980s in Angels as Kushner's placement of humanity's fate at the nexus of divergent views on morality, politics, religion, history, gender, and sexuality, views that complicate individual and national identity and beg the overarching question, is change to be embraced or challenged? Fisher concludes with an exploration of how Kushner moves his themes from stage to screen in Munich and the forthcoming film Lincoln, both directed by Steven Spielberg.