James Grant

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.

Horror often gets a bad rap, written off as fodder and sensational trash. This text argues that works of the grotesque, most particularly those that fit into the horror genre (including film, written works, radio plays, music, and more), are rich with content that has been largely ignored by curriculum theorists, and that this marginalization makes the genre rife for exploring the anxieties that drive people to invent these tales, leaving them fertile ground for curriculum exploration. Author James V. Grant takes a bricolage approach to understanding constructed monstrosity within cultural phenomena, using it as groundwork for autobiographical and cultural research. Through this bricolage—particularly as a means for exploring the third spaces that the monstrous inhabit and what this habitation reveals—the author problematizes not only a range of identity politics, but also the primacy of human access in educational thought, questioning the efficacy of viewing students, teachers, and schools as objectively knowable data factories. The blending of frameworks creates a Victor Frankenstein approach to uncovering what popular creations of monstrosity reveal about the anxieties of the current age, and what understanding them opens up for curriculum studies. The text’s arts-based inquiry into exploring monstrosity, beginning each chapter with a nightmare screenplay (based on the author’s own nightmares) relevant to the subject matter at hand and ending with theoretical introspection that situates the author within the subject matter, also provides a set of examples of horror theorizing in action.

Great battles of the 18th century described and illustratedAlthough the War of Austrian Succession and the Seven Years War were fought by several nations in battles when the British Empire was not involved, during the years between 1743 and 1767 British forces at sea and on the land were continually engaged in monumental imperial power struggles which could rightly be described as the first 'world war', since the battles that raged in these decades took place around the world. Most notably battles were fought in Europe, in America and in India and so significant were they that their names have emblazoned the colours of British regiments ever since. Several of the commanders who fought those battles including Wolfe, Brunswick, Clive and others have taken their places in the pantheon of great soldiers. This book brings together twenty-seven pivotal engagements of the period in which British soldiers and sailors fought, each is described in cameo. Among them readers will discover the battles of Dettingen, Fontenoy, Morbihan, Tortuga, Minorca, Plassey, Ticonderoga, Minden, Quebec, Valencia de Alcantara and many others, making this book an ideal overview of the engagements of these two closely connected wars from the perspective of British forces. This special Leonaur edition includes maps and illustrations which did not accompany the original publication of the text. Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

Great battles of the 18th century described and illustratedAlthough the War of Austrian Succession and the Seven Years War were fought by several nations in battles when the British Empire was not involved, during the years between 1743 and 1767 British forces at sea and on the land were continually engaged in monumental imperial power struggles which could rightly be described as the first 'world war', since the battles that raged in these decades took place around the world. Most notably battles were fought in Europe, in America and in India and so significant were they that their names have emblazoned the colours of British regiments ever since. Several of the commanders who fought those battles including Wolfe, Brunswick, Clive and others have taken their places in the pantheon of great soldiers. This book brings together twenty-seven pivotal engagements of the period in which British soldiers and sailors fought, each is described in cameo. Among them readers will discover the battles of Dettingen, Fontenoy, Morbihan, Tortuga, Minorca, Plassey, Ticonderoga, Minden, Quebec, Valencia de Alcantara and many others, making this book an ideal overview of the engagements of these two closely connected wars from the perspective of British forces. This special Leonaur edition includes maps and illustrations which did not accompany the original publication of the text. Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.