James Sallis

Kirja kertoo nuoresta miehestä, joka elättää itseään keikkakuskina ja Hollywoodin stunttiajajana. Kirja on lyhyydestään huolimatta mestarillisen kompleksinen.

Driver ist kein Verbrecher. Jedenfalls nicht im engeren Sinne. Er ist nur der beste Stuntfahrer, den man in Hollywood kriegen kann. Und manchmal fährt er bei Raubüberfällen den Fluchtwagen, obwohl ihn das gar nicht so richtig interessiert. Genauso wenig wie die Hollywoodfilme. Eigentlich will er nur fahren. Aber dann läuft einer dieser Überfälle schief, und Driver findet sich in einem schäbigen Motel in Arizona wieder, mit mehreren Leichen im Zimmer und einer Tasche voller Geldscheine. Eigentlich sollte auch er tot sein, denn der Raubüberfall war eine abgekartete Sache ... ? Driver? von James Sallis ist ein literarischer Glücksfall: ein fesselnder, atmosphärisch dichter und zugleich virtuos erzählter Kriminalroman, eine Hommage an den klassischen Roman noir, die fast beiläufig zu großer Literatur wird.

The POINT BLANK READER series is dedicated to introducing you to the finest novelists in the mystery and crime fiction genres in carefully selected volumes that each include a full length novel, selected shorter fiction and other writings by the author. JAMES SALLIS is the author of the acclaimed Lew Griffin series of detective novels, multiple collections of short fiction, essays, poems, musicology, a biography of Chester Himes, and several other books. This volume includes his novels DEATH WILL HAVE YOUR EYES and RENDERINGS, numerous short stories, poems, personal essays and articles on crime writers such as Patricia Highsmith, Gerald Kersh and others. "Ever among the most unconventional and interesting writers of crime fiction." KIRKUS REVIEWS

There was no major crime to speak of until Sheriff Lonnie Bates arrived on Turner's porch with a bottle of Wild Turkey and a problem: The body of a drifter has been found-brutally and ritualistically murdered-and Bates and his deputy need help from someone with big-city experience who appreciates the delicacy of investigating people in...

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From crimes of heart and crimes of violence, A CITY EQUAL TO MY DESIRE effortlessly guides you through the narrows of human existence in all its forms. In this selection of new stories, James Sallis, author of the acclaimed Lew Griffin series of detective novels, both entertains and engages the mind with stories that will linger in memory long after they've been experienced. "Sallis wants to take your experience of the world, mutate it to the edge of recognition, and then deliver it back before your eyes like a coin pulled from behind your earlobe. And in this way, he makes you see and feel, all over again, the meaning, the beauty-and, pointedly sometimes, the horror-of being human." Jack O'Connell from his introduction

"The guitar and American music are inexorably intertwined," writes James Sallis in The Guitar Players. He notes that "American music was built on the backs of black slaves." The great classical blues period of the 1920s had rich antecedents going back further than plantation orchestras featuring fiddles and bajos. The introduction of the guitar, at first not a solo instrument, really demonstrated rhythmic ingenuity. Sallis shows how folk music and a cross-fertilization of traditions and techniques resulted in blues, ragtime, jazz, rock 'n' roll, and country-western. He writes eloquently about fourteen transitional or pivotal performers: the Mississippi Sheiks; Lonnie Johnson, the first virtuoso blues guitarist; Eddie Lang, the first great jazz guitarist; Roy Smeck, the foremost popularizer of guitar playing; Charlie Christian, the founder of modern jazz guitar; Riley Puckett, the first great country-music guitarist; T-Bone Walker, "daddy of the blues"; George Barnes; Hank Garland; Wes Montgomery, the jazz innovator; Mike Bloomfield, the heavy-rock guitarist; Ry Cooder; Ralph Towner; and Lenny Breau.