James Simpson

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This book traces the history of a complex sexual fantasy which features recurrently in Goethe's writings from his days as a student in Leipzig to the final years as Europe's most celebrated living poet. Simpson shows how the young man's fantasy of innocent sexuality became an increasingly troubled one during the poet's first decade in Weimar. Goethe began to recognize in it a submerged element: the incestuous roots of desire. Triggered by this discovery, Goethe's imagination becomes increasingly analytic and diagnostic, and startlingly prefigures the work of Freud. Yet, paradoxically, Goethe's insight leads him to a triumphant reassertion of an innocent sexuality purged of those elements he identifies as 'diseased'. Central to "Goethe and Patriarchy" is a new account of the genesis of the first part of "Faust", which is shown to contain a record of Goethe's changing attitudes to human sexuality. In particular, Simpson is the first critic to demonstrate that the Gretchen episode is a deliberate "Kontrafaktur" of the patriarchal idyll of the "Song of Songs". The book explores numerous other Goethe texts and casts entirely new light on his creative imagination.

This book examines how European farmers responded to the economic and political challenges created by the First World War and the Great Depression. The difficulties of interwar Europe have been frequently explored, but rarely from the perspective of the agricultural sector, where two-fifths of the population earned their livelihood, mostly as small, family farmers. The traditional literature argues that the landed elites conspired to undermine many of Europe's young democracies after the Great War. This book shows instead that by the early 1920s most had either sold their land or seen it confiscated following the widespread land reforms of Eastern Europe, leaving the family farm as the dominant unit of production. The book advances several theories that place the family farmer at the heart of change and explores why some proved to be enthusiastic supporters of liberal democracy, while others preferred political ideologies as diverse as social democracy in Scandinavia or fascism in Germany and Italy. It explores the nuanced and evolving links between family farms and government interests, showing how this relationship varied in different countries and contexts across Western and Central Europe. The book discusses the impact of family farms on agricultural market trends, the influence of collective action on government policies, and the increasing politicization of farmers and rural populations more broadly. The book also sheds light on how agrarian problems and their solutions differed in industrial, agrarian, and transforming societies in interwar Europe. This book will be an illuminating read for scholars of economic history, comparative history and European history interested in agriculture and rural communities.

Simpson was a battlefield tourist and a great admirer of Wellington and his Army. Soon after the great battle, he visited the field and describes what he saw, as well as making a collection of the reminiscences of the battle by "many of its gallant soldiers". Of great value, as his collected notes were written so soon after the battle "that the marks of artillery wheels are still visible", and the spoils of war were being offered for sale by the local "peasants". Collecting soldiers' reminiscences before the myth-making got under way, Simpson's observations are an important source for the aficionado of the Battle of Waterloo.

Ikonoklasm, eller bildstormande, är en del av vår historia: från förstörelsen av religiösa bilder under den tidiga kristendomen till dagens nedrivning av statyer på sydstatsgeneraler och slavhandlare. Bilder, byggnader och föremål som strider mot religiös eller ideologisk övertygelse måste förstöras. De som utför rensningen, ikonoklasterna, är övertygade om att de utför en reningsaktion. Det förflutna välts över ända i en önskan att börja om från början. De olika bidragen till antologin Ikonoklasm: förkastandet av det förflutna visar med all önskvärd tydlighet konsekvenserna. Inte bara ovärderliga kulturskatter utan också människoliv går förlorade när fanatismen får fritt spelrum. Vi ser det när Islamiska staten slår sönder flera tusen år gamla museiföremål, när Maos rödgardister bränner böcker och förföljer oliktänkande under den kinesiska kulturrevolutionen eller när ryska bolsjeviker spränger kyrkor och skändar ikoner. Exemplen på de destruktiva krafternas skadegörelse genom seklen kan mångfaldigas. Att ikonoklasmens stridsrop ljuder så starkt i vår tid visar på dess fortsatta lockelse. Ikonoklasm är en varningsklocka, ett larm för hotet mot det demokratiska samhällets tolerans och öppenhet.

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.