James Stephens

Truly unique, it is a mixture of philosophy, Irish folklore and the battle of the sexes all with charm, humour and good grace. The Leprecauns of Gort na Cloca have their pot of gold stolen and for revenge kidnap the Philosophers' children Seamus and Brigid which sets into motion a series of events involving Angus Og, the Thin Woman of Inis Magrath, the fairy folk of the Shee, and the wise and profound musings of all involved. It all rotates around the astonishing story of what happens when Pan shows up in Ireland, what Angus Og does about it, and what becomes of the Daughter of Murrachu who gets caught in between them. A mad-cap quest ensues as fairies, leprechauns and a philosopher being hunted by the police all get involved in the antics of the two gods. "A really wonderful and unique book"

A collection of stories, including: THE STORY OF TUAN MAC CAIRILL THE BOYHOOD OF FIONN THE BIRTH OF BRAN OISIN'S MOTHER THE WOOING OF BECFOLA THE LITTLE BRAWL AT ALLEN THE CARL OF THE DRAB COAT THE ENCHANTED CAVE OF CESH CORRAN BECUMA OF THE WHITE SKIN MONGAN'S FRENZY

James Stephens is one of the writers who produced the works that have come to be called the "Celtic Revival". In the late Victorian era writers in Ireland, Scotland and Wales had their own rennaisance of the classical works of medieval celtic literature. In Ireland this revival took on an added dimension as it became associated through figures such as Yeates and Maude Gonne with the struggle for Irish Independence. Ultimately the rediscovery of classical celtic poetry and prose gave a language, a history and a nationalistic justification to the rebels. William Butler Yeates, John Millington Synge, Oliver St. John Gogarty, James Joyce and Samuel Beckett are all renowned worldwide for their contributions to international literature. Be it on stage or in prose, they brought a poetic flavour to their art, a free flowing and lilting verse that permeates all their work. This signature blank verse gives an ancient grandeur to the literature of the period, carrying echoes of the ancient celtic poets, and redolent of Chauser and Shakespeare. James Stephens is less well known than his compatriots, but no lesser in quality. If anything his is the purest voice of the Celtic Revival. He is easily on a par with writers such as John Milton and Edmunde Spencer, who wrote similarly high works of art. But the beauty of Stephens is that his subject is the folklore of daily Irish life. Happy and jolly tales of leperachauns and fairies, small events of great import, the philosophy of field and wood. It is at once grand and accessible. The tales have a childlike attraction and simplicity to them that is belied by the quality of the prose. Whether reading for a bit of fantasy, a good laugh, or to study literature, you will not regret reading these tales.